You can rhyme like Eminem, Tech N9ne, Logic and other top tier lyricists. This online course is a culmination of the last 17 years of learning hip hop and studying the technical details of how to rap. The course I would have wanted when I was learning how to freestyle, and write good rap lyrics.
Piano course that teaches how to use Slash Chords on the Piano in various ways (e.g. to create unique basslines). This course is part of my music series courses. However, it is not a prerequisite for you to have taken any of my other courses in order to take this course. With more than 10.5 hours of content, this Piano course is a course that will teach you how to use Slash Chords in different ways. The first section of this course covers the prerequisites that you need to know in order to progress to the other sections of the course . You can skip the first section of this course if you already understand all the topics that are in it. In this course, you will learn about how to use Slash Chords to create different types of Basslines.
Hello Music Composers & Producers! My name is Mike, and I will now teach you how synthesizers work, and how you can make your own sounds for your music productions.
New tutor this week, Glasgow based driving, soulful Techno producer Harvey McKay. In How To Make Techno 2019 Harvey shows us his creative process in making a dark, brooding, and downright sinister techno track from start to finish in Ableton. Starting with a sub layered overdriven and saturated kick we build tension with a rumbling bassline, pitched and crunched down hi-hats and a snare before adding the sinister main synth line created in u-he’s Repro. Once the elements are in place we build up the scenes in Ableton’s session view before recording as if playing live to lay down the basic arrangement. It’s then a case of tweaking automation and editing the playthrough to get to the final mixdown so it can be sent off for mastering.
Welcome to my course on How to Sound Vintage! We’ll learn how to take a modern, digitally recorded track and send it back through a time machine to the world of analog. With the course, I provide sound samples for students to practice on. While there are some slightly technical aspects of this course, it is largely beginner friendly and can be followed along with using any DAW (Digital Audio Workstation) such as Studio One, FL Studio, Ableton Live, Logic Pro, Pro Tools, etc. This course is perfect for Video Editors, YouTubers, Sound Designers, Music Producers, Podcast Editors, and many more. Being able to turn modern audio into something believably vintage is a great skill for many creators to have in their back pocket.
How to create Drum Loops & your own Sample Packs from other Apple Loops and samples inside of Logic Pro X. You can still use these techniques in other DAW’s as well.
How To Make Pop with an awesome track ‘Get Gone’ featuring Stella Jones on vocals. Starting with a blank template in Cubase, Austin builds this song from the ground up with a simple but catchy chord progression followed by synth pad and lead sound design using multiple layers and percussive elements to get the initial feel and groove. Always keeping the vocalist in mind, Austin continues to build the track with wide variety and interest using further sound design, automation of filters and effects so there is plenty for the vocalist to work from. Once the instrumental is completed we get a fascinating insight into the production process as Austin chats with Stella Jones discussing how they collaborate, even though they are in different locations highlighting the pros and cons and giving a ton of tips and tricks on how to make this sort of artist relationship work. Finally, we bring in the vocals and process the stems adding some dope techniques to help them shine before mixing and mastering to complete the song.
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