Powered by ADAA technology, Trinity Shaper combines comprehensive controls with groundbreaking new features to kick off the next generation of pro transient shapers.
VSS-2 takes filters from the VSE-2, the quad VCA compressor from the VSC-3, the discrete Gyrator EQ from VSE-4, and the tubes from VSM-4. They’re all combined into a carefully curated signal chain that stands with the best of high-end analog consoles. It takes your sound, cleans it up, smooths it out, enhances the tone, and adds warmth. It’s perfect for tightening up vocals, adding punch to drums, or breathing life into flat mixes – the complete Vertigo mixing console in one plugin.
KOLOR – Iconic analog distortion emulations for added character and color. Kolor is a powerhouse distortion plugin featuring 10 distinct algorithms designed to shape and elevate your sound. From subtle saturation to aggressive crunch, Kolor offers a versatile palette of distortion effects that capture the essence of vintage gear while offering modern flexibility and control.
VOCAL ENHANCER™ intelligently improves the relevant characteristics found in your vocal recordings. Heard on countless hits by top engineers around the globe. It also works great on many other signals that feature a lot of mid range, like guitars and snares! VOCAL ENHANCER™ automatically adjusts complex sets of parameters with just a few controls. This innovative approach gives you professional vocal results without any hassle. It identifies and enhances the characteristics in vocals that are pleasing to the human ear, and gives you control over the definition and depth of your vocal tracks.
The new Orb Synth gives you amazing sounds for all of the 4 plugins of the suite. Two oscillators, two LFOs plus Amp and envelope. We have also added a cool reverb, delay, and a powerful crunchy drive.
While most things these days are made over seas in huge factories with the singular goal of maximizing profits by cutting corners and using the cheapest components, Black Box Analog Design does things differently. In fact we take a different approach to most things. We are not interested in creating clones of old gear or building derivatives of popular gear. We are interested in creating gear that does something that hasn’t been done before, addresses a need we come across in the studio and takes a new approach to a problem or design. We didn’t start out as gear designers. We come from the studio world and years ago, our quest to solve certain problems we came across lead us to begin tinkering with circuits of our own. Since we came from an audio engineering background and not a circuit design background, we weren’t influenced by standard designs or restricted by thoughts of what we “should” do. Instead we allowed our ears to lead us in the right direction. Every part of our all analog circuits is assembled by hand and every component is painstakingly and precisely matched. We use a real, high voltage, linear power supply, custom wound transformers and the best quality components made.
GateMate is an innovative approach to a noise gate. A pair of plugins (Pre and Post) makes it possible to clean up the sound like never before. The Noise Gate That Gets It Right Noise gates are supposed to solve a simple problem, not create new ones or feel like a compromise. We wanted better. We spent months perfecting a noise gate that doesn’t choke your tone, responds naturally to your playing, and handles all the dirt and dynamics. The result? A gate that just works. No gimmicks—just performance you can rely on. GateMate’s main role is to provide a complete noise cancellation solution. To do this, you will find two GateMate Pre and GateMate Post modules. One is placed upstream of your favorite amp and baffle simulator, and the second is placed after. GateMate Pre cleans the incoming DI signal, and collects the data necessary for the proper functioning of GateMate Post, which refines the latest finishes.
