Complete v12.0 EMULATOR WiN

Team R2R | Oct 21 2020 | 27 KB

(Win64; AAX, VST3, VST, STANDALONE)

WVS V12 plugins let you resize your plugins so you can view them more easily. V12 also introduces a new preset search engine that lets you find & audition the perfect presets for your tracks, plus more new features. Update now to V12 With the new resizing option in WVS V12, you can choose from 5 retina-ready GUI sizes – up to 200% – so you can stop squinting, and keep your attention on what matters. You can also customize your own default size per plugin, to make sure that your favorite plugins always open in the size you want. V12 also introduces a lightning-fast preset search engine, so you can find the prefect preset for your tracks more easily than ever. No need to browse manually through preset menus and sub menus – you can now search presets by text, filter them by name, and quickly audition your results.

VTE-2A v1.0.7 WiN

Team R2R | 2012.08.13 | 2.63 MB

PLATFORM: WiN32 – VST, WiN64 – VST

The VTE-2A Vintage EQ available now for Windows XP / 7 is based on innovative DSP technology originally developed by linuxDSP for the popular CH-EQ2B. Modelled on some of the classic analogue EQ designs, it features innovative DSP technology which provides a de-cramped mid range filter with a more analogue characteristic than conventional digital filters without requiring CPU intensive upsampling.

BritChannel v3.0 WiN MAC

Team DECiBEL | 10 Jan 2020 | 61.3MB

(VST, VST3, AU, x86, x64)

Top-notch design from past!

One of best designs in the world! Now combined the preamp and the eq in a plugin to reach all futures of this legendary unit! BritChannel is easily the most revered preamp and EQ circuit ever designed. Introduced in 1970, this hallowed class-A, transistor mic/line amp with EQ. Now, you can track through the only authentic precise circuit emulation of this legendary piece of audio history.

FFT Bundle v2020.06.11 WiN

TEAM R2R | 23.07.2020 | 35.45 MB

With this bundle, you get our professional EQ, reverb, compressor, multiband dynamics, limiter, de-esser and gate/expander, creative multiband distortion, delay, filter and synthesizer plug-ins.

gEQ12 v4.0.1 WiN

Team R2R | January 15 2020 | 4.8 MB

PLATFORM: WiN32/64 – VST/VST3/AAX(MODiFiED

gEQ12 is 12 band stereo/MS graphic equalizer with accurate spectrum analyzer and minimum/linear phase modes. Today’s mixing and mastering processes require a full featured but easy to use equalizer which can accurately shape the tone of a track , bus or master track. eEQ12 provides all necessary tools in one package paired with some unique features. The display shows the spectrum curve of incoming and outgoing signal. gEQ12 has the unique feature that the outgoing spectrum is directly calculated from incoming spectrum (incoming spectrum – filter curve = outgoing spectrum). This allows you to capture the incoming signal, to freeze it and to modify then the filter curve based on the altered outgoing spectrum. The filter response is controlled by 12 individual filter bands. Each filter band has its own display handle, which can be adjusted by mouse.

IIEQ Pro v3.5.4 WiN

Team R2R | May 19 2020 | 4.8 MB

PLATFORM : WiN32/64 – VST/VST3/AAX(MODiFiED)

IIEQPro is, to many devoted fans, the best equalizer plugin out there. If you had only one choice, this would be the one you would take with you on the proverbial island.

TE-100 v1.1.1 WiN

Team R2R | August 23 2020 | 15 MB

PLATFORM: WiN32/64 – VST/VST3/AAX(MODiFiED)

The original KLEIN & HUMMEL UE-100® EQs are extremely rare and expensive. But Rafa Sardina – who has 12 Grammy wins and 35 nominations – owns 10 of them! What is so special about this weird and wonderful device? For some time, hardware equalizers had to each be developed with a specific purpose in mind, requiring engineers to combine different EQ types in one signal chain in order to achieve the frequency response they needed on any given source. They would have to accept the necessary evil of the resulting phase and intermodulation distortion when treating these sounds. When released in 1961, the Klein & Hummel UE-100 Universal Equalizer changed all that. This all-tube minimum phase EQ used six discrete filter modules to create a collection of band-pass filters that could create dynamic curves for any application from source mixing to vocal tracking to mastering. While some earlier UE-100s were used to transparently filter out junk low and high frequencies when printing to tape and vinyl, it quickly became commonplace to take advantage of the unique pushbutton frequency selection; this provided an easy way to not only recall settings, but also alter them on the fly while recording a performance. The UE-100 became known for its musically warm curves and precise response, offering a myriad of possibilities for treating frequencies by boosting and/or cutting across the spectrum to shape sounds “like a Pultec on steroids.”