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  • EQ For Beginners TUTORiAL-DECiBEL
    December 30th, 2021 ⚡
    Categories:

    EQ For Beginners TUTORiAL-DECiBEL

    EQ For Beginners TUTORiAL

    Team DECiBEL | 01 December 2021 | 168.8MB

    WATCH TIME: 20:00 | VIDEOS: 2 | PRESET DOWNLOAD: 1

    This course covers the common EQ shapes, spectrum meters, dynamic EQ, phase functions, and more. Learn how to shape your tone like a pro with this two part 20 minute series that breaks down everything you need to master your EQ.


    Viewed 2667 By Music Producers & DJ´s.


  • God Mode v2.0.1 WiN MAC-FLARE
    December 15th, 2021 ⚡
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    God Mode v2.0.1 WiN MAC-FLARE

    God Mode v2.0.1 WiN MAC

    FLARE | 08 September 2021 | WiN: 5.58 MB | MAC: 7.70 MB

    ..:: VST, VST3, AU, AAX, x86, x64 ::..

    The God Mode introduces a new push-pull technology giving you full control over what frequencies to saturate and distort. It’s node EQ graph and linear phase filters allow for unlimited options to shape the coloration of your sound. The push-pull technology is inspired by the legendary analog Pultec EQ, a passive tube eq from the 50s, widely used in the 70s/80s for both broadcasting and mixing. The Pultec EQ would ‘push’ the gain for a certain frequency range into its tube circuit, and would then ‘pull’ it back again, to smooth out the frequency response. This creates a sound close to the original but with a nice warmth added to the boosted frequency ranges. The God Mode introduces a modern version of this technique. The first step to using the God Mode is to boost or ‘push’ certain frequencies in your track that you like to be more saturated or distorted. You can for example use one shelf to boost the highs and one peak to boost a certain color or resonance. Because you push these frequencies harder into the saturation algorithm, they will be naturally more affected by it. The second step is to decide if and how much ‘pull’ to apply to the boosted frequencies. This gives you creative control over the amount of coloration and the option to create a perfectly balanced frequency response for your track.


    Viewed 17390 By Music Producers & DJ´s.


  • Sonic Timeworks Equalizer v1.xx WiN MAC
    December 7th, 2021 ⚡
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    Sonic Timeworks Equalizer v1.xx WiN MAC

    Equalizer v1.xx WiN MAC

    Teams ArCADE / AiR | Date: 11/2010 | WiN+ MAC: 9.54 MB

    The classic EQ, now as a VST and an AU… This equalizer comes packed with features, and more importantly, it sounds AWESOME. High cut and Low cut filters, High and Low Shelf filters, up to 6 bands of Bell filters (all with completely sweep-able filter points and adjustable Q sizes). 2 world class EQ algorithms to choose from (good luck!). 30 band spectrum analyzer ‘on board’, along with an intuitive ‘dual surface’ graphical interface…


    Viewed 17053 By Music Producers & DJ´s.


  • thEQorange v2.2.0 WiN-R2R
    December 6th, 2021 ⚡
    Categories:

    thEQorange WiN-R2R

    thEQorange v2.2.0 WiN

    Team R2R | 06 Dec 2021 | 10.0MB

    PLATFORM: WiN32/64 – VST/VST3/AAX

    When purity is paramount.

    A linear phase EQ with unparalleled clarity. For mastering ears, and other discerning engineers. Fans of Algorithmix’s legendary original Linear Phase PEQ Orange. Unfortunately, the Algorithmix EQs were available only as 32 bit VSTs for PC and our workstations and our industry has evolved since then. Tischmeyer’s students repeatedly asked for alternatives, which caused him to scan the market for other high class EQs. Colleague Bob Katz recommended EQuilibrium, an insanely versatile tool, which Tischmeyer used for teaching. However, he could not find a satisfying alternative which would take the place of his original PEQ Orange.


    Viewed 10540 By Music Producers & DJ´s.


  • SantaCruzEQ v2.2.0 WiN-R2R
    December 6th, 2021 ⚡
    Categories:

    SantaCruzEQ WiN-R2R

    SantaCruzEQ v2.2.0 WiN

    Team R2R | 06 Dec 2021 | 21.5MB

    PLATFORM: WiN32/64 – VST/VST3/AAX(MODiFiED)

    Why develop yet one more minimum phase parametric equalizer (PEQ) when there’s already hundreds on the market? The answer is simple…’Cuz there was room for improvement! It was customers of the original LinearPhase PEQ Red and Orange who asked Algorithmix to develop a classic EQ, for recording and mixing tasks, with unparalleled purity and transparency. Over several years, our Dr. Christoph closely analyzed many of the best out there, and compiled a vast knowledgebase of analog EQ best practices. Cherry picking from that, he implemented not just one or two, but an entire collection of trad minimal phase EQs. The result? A distillation of analog antecedents, while others are based on new ideas.


    Viewed 12657 By Music Producers & DJ´s.


  • Need 31102 Console EQ v1.7.9 WiN MAC-R2R
    December 6th, 2021 ⚡
    Categories:

    Need 31102 Console EQ v1.7.9 WiN MAC-R2R

    Need 31102 Console EQ v1.7.9 WiN MAC

    Team R2R | 06 Dec 2021 | WiN: 33.1MB | OSX: 154.7MB

    PLATFORMS: WiN32/64/MAC – AU/VST/VST3/AAX

    The iconic 31102 preamp/eq (featured in the Neve 8068 consoles) has been used to mix many hit records for years. Guns N’ Roses, Bruce Springsteen, AC/DC, Red Hot Chili Peppers, Nirvana, Metallica… etc. We’re proud to present the true analog emulation for one of the best-sounding class A mic pre/EQ modules ever produced. Need 31102 Console Eq, with same character and enhanced with a great modern workflow! The Need 31102 is holding each small detail and true vintage tone of the original unit. Iconic console tone has been reborn!


    Viewed 10466 By Music Producers & DJ´s.


  • TDR VOS SlickEQ GE v1.3.7 WiN
    October 26th, 2021 ⚡
    Categories:

    TDR VOS SlickEQ GE v1.3.7 WiN

    TDR VOS SlickEQ GE v1.3.7 WiN

    P2P | 26 October 2021 | 9 MB

    ..:: AAX, VST2, VST3, x86, x64 ::..

    TDR VOS SlickEQ – Gentleman’s Edition takes SlickEQ‘s concept to new heights and adds an exotic “Tilt”-filter flanked by flexible low-pass and high-pass filters. Five distinct EQ models provide a rich set of predefined EQ curves and behaviours for the three main semi parametric filter bands. SlickEQ GE offers a switchable EQ non-linearity and seven different output stages. These options offer subtle and interesting textures, from the typical “mojo” often associated with high quality analogue audio gear, up to more obvious saturation.


    Viewed 22210 By Music Producers & DJ´s.


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