Logic Pro EQ Plugins Explained®

HiDERA | 07 April 2024 | 226 MB

If you’re a Logic Pro user, you may want to think again before dropping big bucks on that shiny new EQ plugin, because you likely don’t need it! In this Logic Pro video course, Logic Pro expert Eli Krantzberg teaches you all the features and functions of the built-in EQ plugins found in Logic Pro, plus how to use them to achieve awesome results on your mixes! You’ll also learn plenty about how EQs work in general, along with plenty of tips that will help your mixes shine like never before. From the basic Channel EQ to the vintage models, mid-side processing, and more, it’s all here. These Logic Pro videos are designed for new users of Logic Pro EQ plugins. After welcoming you, Eli starts with an overall look at single-band EQs, demonstrating the differences between low cut, low shelf, parametric, and the other types of configurations you’re likely to see on most EQ plug-ins. Then he shows how these relate to Logic Pro’s basic, workhorse plug-in, Channel EQ, which combines eight color-coded bands, and demonstrates how it sounds on numerous sources. You’ll also discover how the mid and side modes of Channel EQ can also help enhance your stereo image.

q.632 v1.0.1 WiN

Team R2R | 23 November 2023 | 7.2MB

Analog-Phased EQ

Minimalist EQ that does zero damage to any part of your sound no matter what you do with it.

VSE-4 v1.0.226 WiN

Team R2R | 19 February 2024 | 32.2 MB

The VSE-4 plugin is inspired by the musical sound of the VSE-2 EQ, but presents its own unique sonic identity, integrated in a highly flexible user interface concept. With a fully parametric and modular design and its unique Saturation and FM Drive controls, the VSE-4 provides precise and musical EQing with analog sound, as well as exceptional control over the nonlinear behaviour of the filters. This enables the creation of more complex frequency-based distortion effects. The nonlinear filter circuits have been meticulously tuned and digitally modelled to give each of the 13 filter types its own sonic character. Combined with the Overdrive module there are even more options to create rich overtones or heavy distortion.

VSE-2 v1.5.73 WiN

Team R2R | 19 February 2024 | 42.1 MB

PLATFORM: VST2/VST3/AAX(MOD)

THE METICULOUS EMULATION OF OUR DISCRETE GYRATOR EQ VSE-2

Blues Tech v1.0.0 WiN

Team R2R | 15 February 2024 | 3.8 MB

This plugin is based on a handmade DIY version of one of the best and most musical program passive EQs ever made. It is extremely accurate, offering a sonic performance that is indistinguishable from the originals, thanks to the cutting-edge Impulse Response based modeling technology. Introducing the “Blues Tech”: an exceptional digital replica of a handmade passive Equalizer, meticulously crafted to deliver unprecedented accuracy. Through the employment of FFT convolution-based emulation, we have achieved an exact digital “fingerprint” which perfectly captures the distinct curves of the original models. Mastering Ready Audiophile Quality. Blues Tech has THAT 3D feel. Put it on your masterbus and get analog depth on your mix!

FFT Bundle v2024.02.05 macOS

TEAM RET | 14 February 2024 | 35.4 MB

With this bundle, you get our professional EQ, reverb, compressor, multiband dynamics, limiter, de-esser and gate/expander, creative multiband distortion, delay, filter and synthesizer plug-ins.

SLP 538 EQ v1.0.1 WiN MAC

MOCHA | 21.02.2023 | 112.4 MB

Rehab for EQ Tweakers

The SLP 538 EQ is your new channel EQ if you like to actually finish mixes. We started with producer SP’s favorite, criminally underappreciated, streamlined variant of the best sounding console EQ. Then we genetically spliced it with the sought-after stepped-knob workflow of its direct competitor, delivering the best of all hardware tone shapers in one impossible plugin. To make this the last EQ you’ll ever need, it also has auto gain to stop volume creep, built-in filters, phase inversion, and our obligatory THD knob. It sounds good on practically everything. Our mission is to make every EQ move effective and obvious by cutting out variables, giving you a sound you love as fast as possible. Forget staring at squiggly yellow lines for hours; it’s time to stop letting your eyes dictate your sound.