Girthy Mastering EQ Mojo 192 khz for Nebula 3

SYNTHiC4TE | Feb 19 2013 | 266 MB

This is a superb sampling of an E-M-Eye mastering EQ known for girth and weight especially in the low end – Even without any curves it adds a transformer magic all on its own. This is the DSOTM sound ITB. Add some heft to your tracks with ease. Naturally this equaliser is at home whether you are mixing or mastering. Works well with the Waves Q-clone Package that I made with all knob positions of the hardware.Get it here or GET THE BUNDLE HERE. Painstakingly sampled in 0.5 Db steps across the whole range of the hardware. Natural yet coloured this EQ can add that final polish to your tracks where colour is part of the desired result. Also use it with the Abbey Road plugin. Provided at 192 khz, 96 khz and 44 khz.

10 Common EQ Mistakes R2 TUTORiAL

SYNTHiC4TE | Feb 04 2016 | 148 MB

“Mistakes are your best teachers.” This course examines 10 common EQ mistakes and shows you how to fix them. Let US make the mistakes so YOU don’t have to! There’s no better way to learn! EQ is just two letters, but it opens up a minefield of sonic pitfalls. There’s parametric, graphic, linear phase and whole lot more in many different configurations. So how do you use them? What are the best practices? When do you apply it and why? Most of all, do you boost or do you cut? That’s why we created this “Common EQ Mistakes” course. We show you common EQ mistakes and you get to learn from them.

Blue Cat Audio Liny EQ v5.02 Ked MAC OSX

Kleen | 10 Dec 2015 | 83 MB

AU – VST – RTAS 32+64 Bit Stereo & Mono

Blue Cat’s Liny EQ is an 8 bands linear phase equalizer with very low latency and comprehensive visual feedback: thanks to its highly optimized linear phase kernel, it processes the signal without phase distortion, with an unusually short latency (less than 3 milliseconds). Its wide range of gain (+-40dB) and multiple filter shapes make it very flexible for a graphic EQ, letting you create unique EQ curves. The dual channels version offers independent settings for the left/right or mid/side channels, with flexible linking capabilities for an optimal workflow. The highly customizable user interface includes a first class spectrum analyzer and spectrogram viewer. It lets you choose the best layout and display options to adapt the plug-in to your own workflow.

Blue Cat Audio Stereo Parametr’EQ v3.52 Ked MAC OSX

Kleen | 10 Dec 2015 | AU VST RTAS | 17MB

Blue Cat’s Stereo Parametr’EQ is a 7 bands parametric stereo equalizer based on Blue Cat’s Parametr’EQ technology, providing the best of the analog and digital worlds in stereo. This stereo plug-in enables you to manage separately the left and right equalizer settings and keep an eye on both frequency responses thanks to the frequency graph above the controls. The left equalizer is visible by its blue color and the right equalizer controls and graph are red. Left and right controls can be linked together with several modes. The Smooth Update and Smooth Bypass technologies have been included in this plug-in so that you can automate the equalizer in your favorite sequencer or use the MIDI capabilities of your host software to control the EQ in real time. You will get an absolutely zipper-free continuous time-varying equalization. These capabilities and the zero latency of this plug-in make it suitable for any real time application.

AF2-10M v2.4.3 VST x86 x64 WiN

P2P | 08-09-2015 | 500 KB

A versatile graphical EQ with a wide range of zero latency analogue modelled filters and realtime FFT display. Many digital EQs, including those of some popular Digital Audio Workstations can have an artificially cramped filter response, especially at high frequency settings. This is often cited as a reason for the ‘digital’ sound of some equalizers. Conventional solutions to this problem can be both CPU intensive and add extra latency or other artefacts. The AF2-10 uses innovative filter algorithms to accurately model the natural response of analogue designs, even at close to the limit imposed by the sample rate, without requiring CPU intensive or latency inducing techniques. Up to ten bands are provided covering a comprehensive range of filter types across the full 20Hz to 20kHz audio range together with a sample synchronous realtime FFT display featuring optional pre / post process monitoring and selectable slope compensation.

Pro Tools 10 Basic EQ and Compression TUTORiAL

TEAM COMPRiSED | 2015.06.23 | 305 MB

This EQ & Compression Course Will Help You Understand How To EQ From A Pro Audio Engineer Stand Point. You Will Also Understand How To Compress With A Few Stock Compressor Plug-In. In The Protools Session We Will Work On A Drum Loops And Also A Few Synth Lead Tracks. We Also Will Go Over Parallel Compression.

PSEQ-1 Vacuum Tube Passive EQ VST WiN

HY2ROG3N | 15.04.2015 | 3.69 MB

The PSEQ-1 Vacuum Tube Passive EQ faithfully replicates the sweet and warm “undoctored” tonality of passive EQ circuits. Even with large boosts at narrow-Q settings, the PSEQ-1 Vacuum Tube Passive EQ avoids the harshness that often plagues conventional active EQ topologies. The perfect EQ for individual channels or two- channel final mix busses.