MEQ-5 v1.5.2 WiN

BUBBiX | 28 June 2024 | 6.8 MB

MEQ-5 Midrange Equalizer

The MEQ-5 based on Classic Mid-Range Equalizer from the ’70s, with two bands of midrange boost and one band of midrange dip, the MEQ-5 gets the very best out of the «power region» where guitars and vocals can make or break a mix. The HLF-3C completes the MEQ-5 plug-in. This plug-in has 12 dB per octave low and high cut filters, providing broad retro-tonal sculpting or bygone-era special effects, without the inconvenience of insertion loss found with the unamplified passive hardware. Save time and avoid tedious manual workarounds with MEQ-5 plug-in designed from the ground up for fast, efficient work on mid/side, stereo and the objects, the beds (fixed channels) of immersive mixing environments.

BLEASS Motion EQ v1.1.1 WiN

Team R2R | 16 March 2023 | 5.2MB

The plugin follows a graphic equalizer model, with the position of the three bands’ fader-style cut/boost controls also giving instant visual feedback of the EQ curve. But unlike a conventional graphic equalizer, BLEASS Motion EQ’s band widths are adjustable, making it easy to select the range of frequencies that will be affected by each band. Not only does BLEASS Motion EQ let you balance the tone of your audio, it can also work as a flexible filter too. Low-pass, band-pass and high pass filtering can be achieved by making use of the band mute controls. You can even create an all-pass filter effect by moving the high and low cutoff frequencies close together.

Dynamic EQ v2.0.9 WiN

Team R2R | 14 June 2024 | 15.4 MB

Whether for surgical corrections , wide smooth shifts, debleeding drums, de-essing and removing plosives from voices, making space in a mix, or even telephone vocals, Dynamic EQ has you covered!

thEQred v1.2.1 WiN

Team R2R | 11 June 2024 | 10.4MB

PLATFORM: WiN32/64 – VST/VST3/AAX

Think of thEQred as LP PEQ Red 2.0…we’ve taken the fundamentals of Algorithmix’s exemplary LinearPhase PEQ Red, and given it a makeover. There is no other æsthetic equalizer like thEQred. With its ability to invisibly provide spectral counterweight to mixes that lean one way or another, thEQred excels at straightening up biased content. Add crystalline air without stridency to a dark mix, or beef up lower mids and bass without bloat or loss of focus. With twelve bands or Sections of precision, linear phase parametric equalization featuring unique shelving filters, mastery of complex mixes without changing their overall sonic character is just a few clicks away.

RES-Q v1.0.3 U2B macOS

MORiA | 11 June  2024 | 67.4 MB

..: AU | VST | VST3 :..

The Classic British And American Style Equalizer. An EQ plugin that combines classic inspirations into a modern powerhouse tool. ResQ integrates the smooth and robust shelving curves typical of iconic British equalizers with the precise, surgical mids of their American counterparts. The plugin boasts a versatile four-mode preamp section, capturing the essence of classic transformer and op amp designs, as well as both triode and pentode tube models. These modes enable rich, harmonic saturation that can either subtly enhance or significantly color your audio. Designed with musical frequency selections in mind, ResQ ensures that every adjustment is musically coherent, allowing instruments to seamlessly blend or stand out in a mix.

990 Spark Multiband v1.0.0 WiN

Team R2R | 03 July 2024 | 4.1MB

990 Spark Multiband is an advanced 4-band saturator unit, based on three core modules: Compressor, EQ, and Saturator. This unique synergy enables users to sculpt their sound with precision and creativity, unlocking a rich spectrum of saturation effects, from subtle warmth to bold distortion. In the core of 990 Spark lies a suite of carefully crafted saturation algorithms, including emulations of Diode, Triode, and Pentode circuits, while the Compressor and EQ modules provide the ability to balance dynamics and spectral characteristics. Within each band, users can select from 16 saturation algorithms, 4 compressor types inspired by MIA’s renowned compressors (925, 409, Compressor ONE), and 8 filters, including Musiqual EQs (Red, Green, Blue), along with the essential filter options (HP/LP/Peak/Shelving filters).

EQ3 v3.5.3 WiN

BUBBiX | 26 June 2024 | 99 MB

..: AAX, VST2, VST3, x86, x64 :…

In the ’80s it was the first to use a different approach to tonal adjustments. In conventional analog equalizers, whether they are shelving, sweepable, graphic or parametric types, various sections of the audio spectra are boosted or attenuated by adding or subtracting bandpasses. In this case, frequency shaping is achieved by summing bandpasses. Our emulation of this method is quite similar to the original and improved with additional possibilities of digital technology. Now you can hear it for yourself. There are five broad, overlapping, interacting bands: 10 (Sub), 40, 160, 650 and 2.5 кHz, along with the «rock (airy) band» control, which is an HF boost-only control. When using the EQ3, remember that the bands are broad, approximately 2 octaves. They overlap one another. For example: when boosting the 10 kHz «rock band» to a +6 position on the knob, to keep the response flat through in 2.5 kHz region you should rotate the 2.5 kHz coarse knob to about a -1 position. The amount you back off the 2.5 kHz control should, of course, be set by ear. Following this kind of procedure will accomplish a more airy sound, with much more clarity.