Funky Elements

Team ASSiGN | 11 NOVEMBER 2010 | 227.60 MB

The FUNKY ELEMENTS download includes both the original ‘The Funky Element’ and ‘Mo Funky Elements’ sample libraries, which we first released as Sample CDs way back in 1991. This classic Funk/HipHop sample collection was one of the world’s very first sample libraries ever produced! It set a world standard for genuine-article funk sounds, and is still regarded by many as the perfect tool for throwing down a retro funky jam. This download in WAV and Kontakt format was created by converting all the data from the original Akai CD-ROM version of Funky Elements.

Spark KONTAKT

Team ViP | 27 July 2025 | 3.02GB

Hybrid & Unique

Spark is a playground of bite-sized sounds that blur the lines between organic charm and electronic precision. From crisp synth stabs and shimmering mallets to quirky percussive blips, every sound in SPARK is designed to catch the ear and ignite ideas. Built on a 2-layer hybrid engine, SPARK lets you weave together unexpected sonic pairings — a glockenspiel flicker wrapped in analog warmth, or a dusty synth chirp bouncing off a wooden click. The result? Sounds that feel alive. Playable textures that groove, glitch, glide, and growl — perfect for inventive hooks, driving patterns, and musical surprises. SPARK thrives in the space between rhythm and melody. It’s fast, fresh, and deeply inspiring. For composers, producers, and sound designers alike, SPARK is your go-to tool when the usual just won’t do.

Cinematic Music Production in Logic Pro

FANTASTiC | 22 July 2025 | 1.13 GB

..: With an Electronic Influence :..

I go through my entire process, from selecting sounds and composing themes to complete mix down. Learn everything you need to know about processing both sample based and real instruments including effects, EQ, and automation. I also cover mastering and stem preparation for client delivery. Our focus will be creating an edgy, tense, hybrid, electronic infused track.

Electronic Edge EZX WiN MAC

P2P | 14 June 2021 | 1.6 GB

In the Electronic Edge EZX, drum machines, acoustic percussion, foley and melodic instruments merge, meld and converge in a universe of never-before-heard hybrids of sound. In this zero-gravity audio cosmos, layering, texturing, pitch shifting, granular processing and circuit bending all intersect and pivot at the zenith of cutting-edge sound design to deliver a truly one-of-a-kind percussive battery for modern music production. In total, the EZX covers 30 mix-ready kit presets made up from in excess of 370 unique and individually engineered percussive components. You’ll find kicks, snares, risers, hi-hats, toms, atmospheric and FX sounds, claps, cymbals and more – all free-floating at the divides between electronic and acoustic and between modern and vintage and as far from anything conventional you can imagine.

Electronic Sound 127 2025

English | 100 pages | PDF | 58 MB

This month’s Electronic Sound cover star is sci-fi electronica legend and space boffin JEFF MILLS, whose many career highs include an acclaimed series of radio shows for NASA. From co-founding the fearsome Underground Resistance in Detroit in 1989 to beaming out epic transmissions via his long-running Axis label, Mills has spent decades crafting his singular vision of electronic music, taking in alien soundscapes, cosmic operas, symphonic collaborations and more. As well as delving into his huge back catalogue, our interview with this sonic adventurer and edgy futurist covers subjects such as Marvel comics, 1920s movies, black holes, technology, telepathy, and the similarities between musicians and astrophysicists. It’s a gripping read, as you’d expect from a man with one foot in tomorrow and the other somewhere near Alpha Centauri.

Electronic Sound 119

English | 100 pages | PDF | 43 MB

This is something special. With an exciting new boxset in the shops any day now, the latest Electronic Sound cover stars are the magnificent Throbbing Gristle and we’re bundling the issue with a limited edition red vinyl seven-inch featuring two previously unreleased TG tracks, including one of the last two recordings the industrial pioneers ever made. We’re looking back over the story of Throbbing Gristle this issue, interviewing the surviving members of the band and others associated with TG. Genesis P-Orridge, Cosey Fanni Tutti, Chris Carter and Peter “Sleazy” Christopherson ripped up all the rules, both sonically and visually, both as a live act and a recording unit. They are widely recognised as the prime movers of industrial music, but their influence and impact stretches way beyond any particular genre. Their early gigs attracted everybody from acid-fried hippies and spotty anarcho-punks to oddball alt-funkateers and hot-wired electronics freaks. There has never been another group even remotely like Throbbing Gristle.

Liquid House for MASCHiNE

Team SYNTHiC4TE | 16 March 2014 | 203.3 MB

Liquid House is a collection of sounds sampled from some of the world’s finest analog drum machines intended for house producers and DJs. Each kit contains a dry and a distorted, compressed version of 8 sounds: two kicks, two snares, two hat sounds, a bass sound, and a lead sound. the dry sounds are prime to be manipulated and mangled for all kinds of house and other EDM productions, while the distorted sounds are ready for live use in the club, warehouse, or any late-night party. Using pairs of kits on each of Maschine’s groups this way allows producers to evenly fade – or suddenly cut – between dry and heavily distorted versions of the sounds.