Effector CP3603 v1.0.0 WiN

TEAM V.R | Dec 17 2017 | 6.14 MB

(Win32/64; AAX*, VST3, VST)

Compressor FX Engine

Completing your virtual pedalboard with our Efektor series, now introducing: Efektor CP3603 Compressor unit. This unit is a result from endless research of many compressor pedal, a lot of characteristics, and finally we narrowed down everything into one st unit that can represent many other compressor pedals in a straightforward package. Guitar players. Bass players. They are the same. They love long sustaining notes. A Compressor is the one thing that should help with that desire. It is an effect that is not always sounds too obvious, but when taken away, it’s surely will be missed. A compressor will suppress the loudest part of incoming audio signal, based on the specified threshold. Following the ‘compression’, it will increase the softer signal, narrowing the dynamic range thus delivers a more consistent overall level. And please take note, although this unit is designed specifically for guitar and bass players, you can also use it on any other instruments as well. Well, why not?

Audio Pro European SFX WAV

P2P | Nov 30 2017 | 6.09 GB

2000 Royalty Free Sound Effects on 18 CDs

Audio Pro Sound Effects Library was produced at Point 12 in Paris, France by Yannick Chevalier. This royalty free sound effects collection was first released in the mid 1990’s, and as such, it has a great historical value for pro audio designers. Audio Pro provides a wealth of well-recorded European sound on 18 Audio CDs with a great variety of over 2,000 royalty free sound effects. Basic sound effect categories covered by this collection include: nature, animals, airplanes & airports, trains & stations, transportation, traffic, crowds & industry, leisure & entertainment, tools, offices, communications, cameras, household, clocks, room tones, bells, sports, war, human solo, human groups, music samples, science fiction, cartoons, and footsteps. Audio Pro Sound Effects Library is also available as a download purchase in 16/44.1, 16/48 or 24/48 WAV file formats.

Sandman v1.3.0 WiN

TEAM V.R | Oct 28 2017 | 6.95 MB

The Delay of Your Dreams

(Win32/64; AAX*, VST3, VST)

Sandman is far more than just a delay plugin; it’s a wormhole to the dreamtime states of your sounds. It’s a deceptively simple gateway to a microcosm of sonic dimensions bordering the absurd. It’s a new way to extract loops and grains from a sound that can be as close to or as far flung from the original, as you like. From the input of just a single sample, Sandman opens a Pandora’s box of endless sonic possibilities.  At first glance, Sandman offers the most basic parameters found on a delay plugin – host synch-able Delay Time and ping-pong feedback, along with a wet/dry mix and a filter for good measure. Use these standard features for flanging, comb filtering, or adding string-like texture to percussive sounds. The Sample Rate parameter can add vintage grime or completely decimate a sound by directly lowering the sample rate of the DSP engine; an adjacent Dirt switch gives you the loving character of a lo-fi recording.

SpecOps v1.0 WiN

TEAM V.R | Oct 28 2017 | 9.51 MB

(Win32/64; AAX*, VST3, VST)

SpecOps is dozens of plugins in one. Inside its easy-to-use interface is a jam-packed armory containing 36 diverse and flexible spectral effects, ranging from subtle to extreme. How you use these potent tools is truly limited only by your creative imagination: transform synthesizer presets with new sonic qualities, add throbbing grunge to drum loops, fatten up instrument tracks, delicately clarify full mixes, or decimate organic instruments and vocals beyond recognition to create one-of-a-kind special effects.

Dave On Effects TUTORiAL

P2P | 07.09.2017 | 1.06 GB

Grammy Award–winning mix engineer Dave Pensado shows you how to creatively use effects like Reverb, Signal Generators, Delays, EQ, and Compression to turn plain boring tracks into something special! The right effects within a song can make or break keeping a listener interested. Dave covers creating reverb effects out of delays, using digital clipping in your mix, creating vocal delays without plug-ins or hardware, and choosing the right reverb for your mix. These effect-focused Dave then goes over using aux sends for your effects while mixing, using reverb techniques from Abbey Road’s studios, properly incorporating slap delays in your mix, how reverb affects mood and creating effects with high-pass and low-pass filters. Dave also reveals how to make your mixes louder through EQ, compression, and other techniques, mixing multiple vocal delays on a single vocal, triggering effects on your drum tracks using samples, mixing massive kick drums, incorporating mid-side EQ to create room in your mixes and achieving the vintage vocal delay effect.

Final Cut Pro X and Logic Pro X 2 Mixing Dialog, Music, and Effects TUTORiAL

P2P | 05 Sep 2017 | 3.88 GB

Many filmmakers and editors who are comfortable with lighting, casting, and shot selection will cringe when it’s time to work with sound. But if you’re a filmmaker and can’t afford a specialist, you should add audio to your skillset. Award-winning sound designer Joe Godfrey has developed a system for handing off the dialog, music, and effects mix from a Final Cut Pro timeline to Logic Pro. Why Logic? Many of the tools the Final Cut editor is using began there, and Logic has great tools that can be applied to dialog, music, and effects, as well the final mix. There are some things you want to do—in the right order—and some common mistakes you want to avoid. This course covers them all. Learn how to import audio from Final Cut Pro X in Logic Pro X, fix any syncing issues, edit dialog to perfection, add special effects such as pitch shifting and automated EQ, enhance music, and bounce out the final mix, either as a composite track or stems that can be mastered separately.

Organic Electronix Box MULTiFORMAT

FANTASTiC | June 21 2017 | 693 MB

“Organic Electronix Box” explores a fine line between acoustic and electronic instruments. What we did is that we sampled mostly analog hardware, used outboard filters, delays and various effects, and mashed them all together occasionally with hope to give you fresh and inspirational sound sources. This pack is aimed at producers working with almost any form of electronic music and like to experiment with their sound.