Electroshock Vol.2 WAV

TEAM DYNAMiCS | December 2010 | 669 MB

Sample-pack with over 2300 fresh commercial electro house samples.  FACTS Electroshock vol.2 – over 2300 high quality samples – all loops at 128 BPM and precisely cut – all tonal sounds / Loops with exact root key – optimized for absolute “club-coolness” – reasonable sorted in categories like CL Hihats, OP Hihats, Ride etc… – usable for all other dance and house genres – contains “ready to use” special matched sample kits

Maximal Electro

Team DYNAMiCS | November 2011 | 1.74 GB

Maximal Electro is a fresh collection of Twisted Electronic Textures, Glitches, Drums and Musical Loops which producers worldwide will find an essential resource when making Electro, House, Tech and Filtered Dance Music. Weighing in at a huge 1.7GB, Maximal Electro includes 687 extended samples, 545 24Bit Loops between 128 – 132 Bpm, and 142 one Shot Electro Samples. Also included are 140 ready to play patches for Reason NNXT, Halion, EXS, Kontakt and EXS compatible soft samplers. Apple Loops, Reason Refill and Ableton Live packs are also available separately. In detail Maxmal Electro includes 105 Chunky Electro Bass Loops, 124 Club Ready Drum Loops, 76 Twisted Top Loops, 105 Glitched and Twisted Music Loops, 135 Music Loops, 12 Atmos Pad Fx, 15 Breakdown Fx, 12 Reversed Synth Samples, 60 One Shot Bass Tones, and 44 Synth Tones. The sampler patches included presets using the Synths, Pads, Basses and FX and allow to easily start playing with teh sounds and adding them to your compositions. Overall this is one huge collection of Fresh, Funky and Filtered Electro samples that we’re sure will feature in many future classic Electro and House tracks.

Historical Firearms Bundle

DiSCOVER | 11 September 2013 | 4.54GB

E-Lab Obsession VSTi AU HYBRiD

DELiRiUM | 14 October 2004 | 3.50 GB

3.7 GB RnB & HipHop sound library.

With the blurring of lines between software instruments and CD sample libraries, a new class of instrument seems to have emerged, dedicated not to a particular type of synthesis or sound, but to specific genres of music. One of the best examples of this comes from the Swedish company e-LAB, in the form of Obsession – a VSTi/Audio Units plug-in sample player offering you “smooth and sexy R‘n’B and hip hop sounds with Neptunian beats, hyperactive Timbalandish grooves and smooth, lounging MPC loops”

Drums Overkill HYBRiD

TEAM DYNAMiCS | 23 February 2007 | 2.07 GB

VSTi, DXi, RTAS, AU/WiN/MAC

More than 27000 various DRUM & PERCUSSION sounds: 10000 samples assigned to 1200 drum kits for all musical styles, 5400 original drum machine samples, 3800 bass drums, 4100 snare drums & rim shots, 750 claps & snaps, 480 toms, 1600 hi-hats, 300 cymbals, 670 analogue synth drums & electronic percussion, 340 mixed special effects, 1500 percussion instruments from “around the world”.

Beats Working in Cuba VSTi

Team AI/CoBaLT | 05 August 2005 | DiSK1: 4.46 GB | DiSK2: 4.23 GB

This is the ultimate Cuban percussion virtual instrument. BEATS WORKING 5.1-ready drum sample library recorded at Abbey Road Studios, London) are proud to present the first complete and utterly authentic library of Latin percussion performances recorded entirely in Havana, Cuba, featuring the country’s very finest players, and presented in multitrack format to provide the user with complete flexibility in both tempo and the selection of instruments.

Brett Manning Mastering Mix

Team DYNAMiCS | August 2010 | CD DVDR | 6.38 GB

The Mix is the most elusive part of the voice. It creates a smooth transition between the chest voice (bottom) and the head voice (top) which enables singers to reach their full potential. Ninety percent of singers experience some kind of break-flip or disconnect between these two qualities. Without the mix, the extremes of pulled up “chest voice only” will kill a singer. The extremes of “head voice only” will bore an audience.  Mastering Mix exclusively tackles the conundrum of building the middle, blended or “mixed” areas of the voice. With the mix, you have the power of chest voice and the freedom of head voice – The same commercial tones used by greats like Keith Urban, Hayley Williams of Paramore, Take 6, and many more are unveiled.