MAGIX Soundpool DVD Collection 20 offers more than 6 GB of brand new sounds & loops that will take your music projects, remixes and audio productions to the next level! This top quality sound library covers almost every music genre and can be used in combination with any music software on Mac or PC.
The idea of using chance, probability and generative systems in music making is nothing new, but tools to accomplish these things have certainly become more common of late. Just look at some recent gear highlights – Novation Launchpad Pro, Arturia KeyStep Pro, Elektron Model Cycles, Korg opsix and Wavestate all come equipped with some kind of randomiser or probability-driven feature. It seems these tools that have long been popular in the modular realm are making their way into mainstream music gear. But why should we care? As we dig into in this issue’s cover feature, far from just being a lazy way to auto-generate sounds, adding a bit of chance and unpredictably to your music making can be a great way to inspire creativity, add variation and generate ‘happy accidents’ you might not discover otherwise.
Inside of this pack you can find over 1500 cool techno synth loops in dry / wet versions (almost 1.5 GB !!!) – all in WAV format! Sample groups: BASSES (130 bpm), BASSES (135 bpm), CLUB-HOUSE (130 bpm), HARDSTYLE (142 bpm), HARDSTYLE SPECIAL (142 bpm), HOUSE PIANOS (130 bpm), HYPERSAWS (142 bpm), TECHNO-CLUB (135 bpm), TECHNO-CLUB (142 bpm), TECHNO-CLUB SPECIAL (142 bpm). Loops are stored in 2 versions with and without FX. Loops without FX offer unlimited mixing possibilities, while loops with FX are more “ready to use”.
If you own or are buying a Akai MPC RENAISSANCE MPC STUDIO OR MPC ELEMENT you are in the right place. If you really want to get up under the hood of the MPC software this 4 hour DVD is for you.
Whether large studio, home recording or laptop setup… when creative ideas come up, a well thought-out workflow is essential. But what can you do to optimize your hardware and software setup so that ideas can be captured quickly and efficiently when the muse kisses you? And how do you get the best sound when recording? In our large Workflow feature we address these questions and show you how to make the most of your technology to achieve the best possible musical output.
CM EDiTOR: 𝖨 𝗍𝗁𝗂𝗇𝗄 𝖨’𝗏𝖾 𝗌𝗍𝖺𝗋𝗍𝖾𝖽 𝗎𝗌𝗂𝗇𝗀 𝗍𝗁𝖾𝗌𝖾𝖶𝖾𝗅𝖼𝗈𝗆𝖾 𝖼𝗈𝗅𝗎𝗆𝗇𝗌 𝖺𝗌 𝗌𝗈𝗆𝖾 𝗄𝗂𝗇𝖽 𝗈𝖿 𝗌𝖾𝗅𝖿-𝗁𝖾𝗅𝗉 𝗍𝗁𝖾𝗋𝖺𝗉𝗒 𝗌𝖾𝗌𝗌𝗂𝗈𝗇𝗌. 𝖬𝖺𝗒𝖻𝖾 𝗂𝗍’𝗌 𝖢𝖮𝖵𝖨𝖣 (𝗈𝗋 𝗍𝗁𝖺𝗍 𝖨 𝗃𝗎𝗌𝗍 𝗇𝖾𝖾𝖽 𝗍𝗈 𝗀𝖾𝗍 𝗈𝗎𝗍 𝗆𝗈𝗋𝖾) 𝖻𝗎𝗍 𝖨 𝖺𝗉𝗉𝖾𝖺𝗋 𝗍𝗈 𝖻𝖾 𝗎𝗌𝗂𝗇𝗀 𝗍𝗁𝖾𝗆𝗍𝗈 𝗎𝗇𝗅𝖾𝖺𝗌𝗁 𝗅𝗈𝗇𝗀-𝗁𝖾𝗅𝖽 𝖽𝖾𝗆𝗈𝗇𝗌 𝖺𝗇𝖽 𝗂𝗇𝗌𝖾𝖼𝗎𝗋𝗂𝗍𝗂𝖾𝗌, 𝖺𝗇𝖽 𝖺𝗅𝗅 𝖺𝗍 𝗒𝗈𝗎𝗋 𝖾𝗑𝗉𝖾𝗇𝗌𝖾. 𝖫𝖺𝗌𝗍 𝗆𝗈𝗇𝗍𝗁 𝖨 𝖺𝖽𝗆𝗂𝗍𝗍𝖾𝖽 𝖨 𝖼𝖺𝗇’𝗍 𝗉𝗅𝖺𝗒 𝗄𝖾𝗒𝖻𝗈𝖺𝗋𝖽𝗌 𝖺𝗇𝖽 𝗎𝗌𝖾 𝗍𝖾𝖼𝗁𝗇𝗈𝗅𝗈𝗀𝗒 𝖺𝗌 𝗆𝗒 𝖼𝗋𝗎𝗍𝖼𝗁 𝗂𝗇 𝗍𝗁𝗂𝗌 𝗋𝖾𝗀𝖺𝗋𝖽. 𝖳𝗁𝗂𝗌 𝗆𝗈𝗇𝗍𝗁 𝖨’𝗅𝗅 𝖺𝖽𝗆𝗂𝗍 𝗍𝗁𝖺𝗍 𝖨 𝗎𝗌𝖾𝖽 𝗍𝗈 𝖿𝗂𝗇𝖽𝗆𝖺𝗄𝗂𝗇𝗀𝗆𝗎𝗌𝗂𝖼 𝗈𝗇 𝖺𝗇 𝗂𝖯𝖺𝖽 (𝖺𝗇𝖽 𝗂𝖯𝗁𝗈𝗇𝖾 𝖾𝗌𝗉𝖾𝖼𝗂𝖺𝗅𝗅𝗒) 𝖺 𝗅𝖺𝗋𝗀𝖾𝗅𝗒 𝗍𝖾𝖽𝗂𝗈𝗎𝗌 𝖾𝗑𝗉𝖾𝗋𝗂𝖾𝗇𝖼𝖾. 𝖨 𝗍𝗁𝗂𝗇𝗄𝗆𝗒 𝖿𝗂𝗇𝗀𝖾𝗋𝗌 𝖺𝗋𝖾 𝗍𝗈𝗈 𝖻𝗂𝗀, 𝗆𝗒 𝖺𝗍𝗍𝖾𝗇𝗍𝗂𝗈𝗇 𝗌𝗉𝖺𝗇 𝗍𝗈𝗈 𝗌𝗆𝖺𝗅𝗅 𝖺𝗇𝖽𝗆𝗒 𝖾𝗑𝗉𝖾𝖼𝗍𝖺𝗍𝗂𝗈𝗇𝗌 𝗍𝗈𝗈 ‘𝖽𝖾𝗌𝗄𝗍𝗈𝗉’. 𝖡𝗎𝗍 𝗁𝖺𝗏𝗂𝗇𝗀 𝗐𝗋𝗂𝗍𝗍𝖾𝗇 𝗌𝖾𝗏𝖾𝗋𝖺𝗅 𝖠𝗉𝗉 𝖱𝗈𝗎𝗇𝖽𝗎𝗉𝗌 𝗈𝗏𝖾𝗋 𝗍𝗁𝖾 𝗅𝖺𝗌𝗍 𝖽𝖾𝖼𝖺𝖽𝖾, 𝗂𝗍 𝖿𝖾𝗅𝗅 𝗈𝗇 𝗆𝗒 𝗌𝗁𝗈𝗎𝗅𝖽𝖾𝗋𝗌 𝗍𝗈 𝗀𝗂𝗏𝖾 𝗂𝗍 𝗈𝗇𝖾 𝗅𝖺𝗌𝗍 𝖼𝗁𝖺𝗇𝖼𝖾 𝗐𝗂𝗍𝗁 𝗍𝗁𝗂𝗌 𝗂𝗌𝗌𝗎𝖾, 𝖺𝗇𝖽 𝖨 𝗁𝖺𝗏𝖾 𝗍𝗈 𝗌𝖺𝗒, 𝖨 𝗐𝖺𝗌 𝗅𝖺𝗋𝗀𝖾𝗅𝗒 𝗌𝗎𝗋𝗉𝗋𝗂𝗌𝖾𝖽 𝖺𝗍 𝗆𝗒 𝗈𝗐𝗇 𝖿𝗂𝗇𝖽𝗂𝗇𝗀𝗌. 𝖬𝖺𝗄𝗂𝗇𝗀 𝗆𝗎𝗌𝗂𝖼 𝗈𝗇 𝖺 𝗍𝖺𝖻𝗅𝖾𝗍 – 𝖨 𝗐𝗈𝗇’𝗍 𝗀𝗈 𝖺𝗌 𝖿𝖺𝗋 𝗍𝗈 𝗌𝖺𝗒 ‘𝗉𝗁𝗈𝗇𝖾’ 𝗃𝗎𝗌𝗍 𝗒𝖾𝗍 – 𝗂𝗌 𝗇𝗈𝗐 𝗇𝗈𝗍 𝗃𝗎𝗌𝗍 𝗉𝗈𝗌𝗌𝗂𝖻𝗅𝖾 𝖻𝗎𝗍, 𝖺𝗇𝖽 𝖨 𝖺𝗅𝗆𝗈𝗌𝗍 𝗌𝗁𝗂𝗏𝖾𝗋 𝗍𝗈 𝗌𝖺𝗒 𝗍𝗁𝗂𝗌, 𝖺𝖼𝗍𝗎𝖺𝗅𝗅𝗒 𝗊𝗎𝗂𝗍𝖾 𝗀𝗈𝗈𝖽 𝖿𝗎𝗇. 𝖦𝖺𝖽𝗀𝖾𝗍, 𝖡𝖾𝖺𝗍 𝖬𝖺𝗄𝖾𝗋 𝟥 𝖺𝗇𝖽 𝗍𝗁𝖾 𝖾𝗑𝖼𝖾𝗅𝗅𝖾𝗇𝗍 𝖿𝗋𝖾𝖾 𝗌𝗒𝗇𝗍𝗁 𝖠𝗎𝖽𝗂𝗈𝗄𝗂𝗍 𝖲𝗒𝗇𝗍𝗁 𝖮𝗇𝖾 (𝖽𝗈𝗐𝗇𝗅𝗈𝖺𝖽 𝗂𝗍 𝗇𝗈𝗐) 𝖺𝗋𝖾 𝗆𝗒 𝗈𝗐𝗇 𝖿𝖺𝗏𝗈𝗎𝗋𝗂𝗍𝖾𝗌 𝖺𝗇𝖽 𝗋𝖾𝖺𝗅 𝖾𝗒𝖾 𝗈𝗉𝖾𝗇𝖾𝗋𝗌 𝖺𝗌 𝗍𝗈 𝗐𝗁𝖺𝗍 𝖼𝖺𝗇 𝖻𝖾 𝖽𝗈𝗇𝖾, 𝖻𝗎𝗍 𝗂𝗍’𝗌 𝗍𝗁𝖾 𝖾𝗑𝖼𝖾𝗅𝗅𝖾𝗇𝖼𝖾 𝗈𝖿 𝗍𝗁𝖾 𝖠𝖴𝟥, 𝖨𝖠𝖠 𝖺𝗇𝖽 𝖠𝖡 𝖼𝗈𝗇𝗇𝖾𝖼𝗍𝗂𝗏𝗂𝗍𝗒 𝖿𝗈𝗋𝗆𝖺𝗍𝗌 𝗍𝗁𝖺𝗍 𝗁𝖺𝗏𝖾 𝗋𝖾𝗏𝗈𝗅𝗎𝗍𝗂𝗈𝗇𝗂𝗌𝖾𝖽 𝗆𝗈𝖻𝗂𝗅𝖾 𝗆𝗎𝗌𝗂𝖼-𝗆𝖺𝗄𝗂𝗇𝗀. 𝖲𝗈 𝖾𝗇𝗃𝗈𝗒 𝗍𝗁𝖺𝗍 𝗈𝗇𝖾, 𝖺𝗇𝖽 𝖾𝗇𝗃𝗈𝗒 𝗈𝗇𝖾 𝗈𝖿 𝗈𝗎𝗋 𝖻𝖾𝗌𝗍-𝖾𝗏𝖾𝗋 𝖿𝗋𝖾𝖾 𝗌𝗈𝖿𝗍𝗐𝖺𝗋𝖾 𝗀𝗂𝗏𝖾𝖺𝗐𝖺𝗒𝗌 𝗂𝗇 𝗍𝗁𝖾 𝖿𝗈𝗋𝗆 𝗈𝖿 𝖪𝗂𝗅𝗈𝗁𝖾𝖺𝗋𝗍𝗌’ 𝖲𝗅𝗂𝖼𝖾 𝖤𝖰. 𝖠𝗇𝖽 𝖾𝗇𝗃𝗈𝗒 𝗍𝗁𝖾𝗆 𝗐𝗁𝗂𝗅𝖾 𝗒𝗈𝗎 𝖼𝖺𝗇, 𝖻𝖾𝖼𝖺𝗎𝗌𝖾 𝗇𝖾𝗑𝗍 𝗂𝗌𝗌𝗎𝖾 𝖨’𝗅𝗅 𝗉𝗋𝗈𝖻𝖺𝖻𝗅𝗒 𝗎𝗇𝗍𝖾𝗍𝗁𝖾𝗋 𝖺𝗇 𝖾𝗏𝖾𝗇 𝗆𝗈𝗋𝖾 𝖽𝖾𝗉𝗋𝖾𝗌𝗌𝗂𝗇𝗀 𝖽𝖾𝗆𝗈𝗇. 𝖣𝗂𝖽 𝖨 𝖾𝗏𝖾𝗋 𝗍𝖾𝗅𝗅 𝗒𝗈𝗎 𝖺𝖻𝗈𝗎𝗍 𝗍𝗁𝖺𝗍 𝗍𝗂𝗆𝖾 𝗐𝗁𝖾𝗇 𝖨 𝗐𝖺𝗌 𝟣𝟦 𝖺𝗇𝖽 𝖻𝗈𝗎𝗀𝗁𝗍 𝗆𝗒 𝖿𝗂𝗋𝗌𝗍 𝖠𝗍𝖺𝗋𝗂? 𝖶𝖾𝗅𝗅…
