Included: EQ 601, Compressor 260 & Compressor 276.
The result of decades of dedicated research, analysis, and modelling, these 15 superb effects will totally transform the way you record and mix your music. Combining history’s finest outboard effects, console components, and pedals with fresh, contemporary features and abilities, FX Collection is an essential tool for the modern producer.
The sound of big studio hardware reborn as software effects Let’s face it, there are hundreds of software effects out there. You don’t have the time or the budget to try them all out and find the ones you like. 3 Compressors You’ll Actually Use features – you’ve guessed it – a trio of legendary compressors recreated as software through physical modelling. In the same way the biggest studios and record artists relied on these compressors to achieve their signature sounds, they will become your go-to choice for shaping the dynamics and adding character to your music. Iconic tone, unique abilities, and 21st century features you’ll come back to time and time again.
Virtual Buss Compressors comprises three unique sounding, 100% analog-modeled dynamic processors that are designed for program material including full mixes, mastering, drums, group mixes, and more. Every nuance of real analog compressors has been modeled; including the exact nonlinear characteristics of their transformers, tubes, VCAs, amplifiers, phase distortions, harmonic distortions, and timing.
OptoRED is a transparent Optical Attenuator (compressor) based on the classic American unit used on countless hit records. This is part of our new “Enhanced Classics” series. Compression is one of the most important tools in the arsenal of an Engineer, Music Producer & Artist alike. This is now a device that far surpasses its original intent which was to control the level of the sound automatically. Today we use different types of compressors for inducing a “Vibe” & “Feel” to our instruments, percussion, drums, and voice. Digital and Analog Compressors have come a long way, but some classics are still preferred even today because they are now as much a part of a genre or musical style that they are now deemed as musical instruments in their own right.
Everybody who has ever had a chance to listen to a MagicDeathEye compressor has been blown away by its sound. Carefully designed by Mr. Ian Sefchick (mastering engineer at Capitol Records), this tube compressor’s circuit is loosely based on a Fairchild 660. It’s a variable gain compressor that sounds just as great on your mastering bus as on your individual tracks. Nothing is smashed here, everything breathes and shines while the MagicDeathEye will smoothly glue your audio signal together in that warm and almost elegant way only expensive tube compressors can. Already now a legendary piece of hardware, the MagicDeathEye compressor is just to good to be exclusively available only to some of the greatest studios in the world. After almost a year of careful circuit and signal analysis. Staying extremely close to its hardware role model while still keeping the CPU load at a very reasonable level, we sincerely believe that the answer to the ever-old question “Do I really need another compressor plugin” is a resounding yes for this one!
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