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    Made The Beat On “Charge It To The Rap Game”

    Gh0sTRyD3r | 25.05.2015 | 377.62 MB

    Step-by-step “Protools screen shared” video on how he created the beat for “Charge It To The Rap Game” on Ludacris’ latest album “Ludaversal”.


    Viewed 6791 By Music Producers & DJ´s.

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    E-MU Beat Garden X EMULATOR X

    Team SoSISO | Aug 27,2010 | 81.60 MB

    A collection of cutting edge techno and dance instruments with acoustic instruments and percussion. Beat Garden X combines techno and dance instruments with acoustic instruments and percussion to offer a diverse palette of Electronica/Dance sounds. From synths and basses to acoustic and electronic drumkits and percussion, Beat Garden X delivers a surprising blend of the acoustic and electric worlds, which will point new directions for your own music. All of Beat Garden X’s presets have been meticulously programmed to E-MU’s powerful synth, effects and filter parameters, giving you hands-on control from the minute you load your sounds. Together with Techno Synth Contruction Yard X, Beat Garden X provides you with every last sample of E-MU’s classic Orbit 3 Sound Module!


    Viewed 14051 By Music Producers & DJ´s.


  • Beat Magazin – Juni 2015
    May 6th, 2015 ⚡
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    Beat Magazin – Juni 2015

    German | 100 pages | True PDF | 16.52 MB

    Ob Emulationen rarer Vintage-Synthesizer, moderne Klangzauberer oder exotische Kreativkraftwerke: Das Angebot freier VST-/AU-Klangerzeuger für Windows und OS X wächst täglich. Doch wer hat schon die Zeit, diese alle zu installieren und auszuprobieren? In unserem großen Spezial stellen wir Ihnen die wahren Perlen unter den Freeware-Synthesizern vor und zeigen Ihnen, wie Sie diese gewinnbringend in Ihrer Musik einsetzen.


    Viewed 7338 By Music Producers & DJ´s.


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    HarpTime Pro v1.5 VSTi WiN

    TEAM BEAT | 11/20/2006 | 1 MB

    Strings / Orchestral

    The HarpTime VST synthesizer was designed to reproduce the sound of the plucked folk harp, and uses an advanced physical modeling synthesis in which twelve strings are all individually modeled to allow true sympathetic resonances. The harp has a beautiful sound which is usable in very many musical styles (mediaeval period music, classical, folk, ambient, film music and ballads, for example). However, samples can only reproduce a limited, and somewhat ‘static’ snapshot of a particular real instrument being played. In comparison, physical modeling allowed us to build a VSTi which reproduces the characteristic of a variety of real harps, with more flexibility, control, and dynamics than a sample set will normally provide. HarpTime can reproduce the beautiful of the Celtic harp, as well as that of many similar types, such as Japanese (koto), Paraguayan and African harps.


    Viewed 9124 By Music Producers & DJ´s.

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  • Beat Magazin – Mai 2015
    April 22nd, 2015 ⚡
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    Beat Magazin – Mai 2015

    German | 100 Pages | True PDF | 26 MB

    Das Fachmagazin für Musik, Produktion und DJ-ing: BEAT kombiniert kompetente Hard- und Softwaretests mit engagierten Rezensionen sowie Berichten und Interviews aus Musikerkreisen und dem Musik-Geschäft.


    Viewed 4981 By Music Producers & DJ´s.


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    Made The Beat On “Boy Boy” for G-Unit TUTORiAL

    Gh0sTRyD3r | .MOV | 24.03.2015 | 523 MB

    Run-time: 36 Min. 42 Sec. / Format: 720p HD .mov

    Takes you inside on this step-by-step “Protools screen shared” video on how he created the beat for “Boy Boy” (co-produced by Jake One & G-Koop) on G-Unit’s latest album “The Beast Is G-Unit”.


    Viewed 6396 By Music Producers & DJ´s.

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