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MaGeSY ® R-EVOLUTiON™⭐⭐⭐

  • Audio Pro Sound Effects Crowds Industry CDDA
    October 16th, 2013 ⚡
    Categories: Audio Samples

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    Audio Pro Sound Effects Crowds Industry CDDA

    Team BSOUNDZ | Date: 12/03/2004 | 475.28 MB

    Over 2000 new sounds effects from Point 12, Paris, France. Sound categories include nature, animals, airplanes, airport, trains, transportation, traffic, crowds, industry, entertainment,leisure, office, communication, household, clocks, room tones, bells, sports, scfi, and more European flavors.



    Viewed 6009 By Music Producers.


    • Digital Audio Editing PDF
      October 8th, 2013 ⚡
      Categories: TUTORiALS

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      Digital Audio Editing PDF

      LiBER8 | 2013 | PDF | 336 Pages | 6.7 MB

      Whether you’re comping a vocal track, restoring an old recording, working with dialogue or sound effects for film, or imposing your own vision with mash-ups or remixes, audio editing is a key skill to successful sound production. Digital Audio Editing gives you the techniques, from the simplest corrective editing like cutting, copying, and pasting to more complex creative editing, such as beat mapping and time-stretching. You’ll be able to avoid unnatural-sounding pitch correction and understand the potential pitfalls you face when restoring classic tracks. Author Simon Langford invites you to see editing with his wide-angle view, putting this skill into a broad context that will inform your choices even as you more skillfully manipulate sound. Focusing on techniques applicable to any digital audio workstation, it includes break-outs giving specific keystrokes and instruction in Avid’s Pro Tools, Apple’s Logic Pro, Steinberg’s Cubase, and PreSonus’s Studio One. The companion websites includes tutorials in all four software packages to help you immediately apply the broad skills from the book.



      Viewed 8930 By Music Producers.


      • Audio Technology – Issue 4, 2013
        September 29th, 2013 ⚡
        Categories: News

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        Audio Technology – Issue 4, 2013

        English | Pages 51 | PDF | 12.6 Mb

        If you’re serious about audio then AudioTechnology is your magazine: whether it be the inside story behind the world’s great albums or the best-sounding concert productions, videogame sound, software tips, reviews of the latest gear, opinion and news – AudioTechnology has you covered.



        Viewed 7579 By Music Producers.


        • iZ RX 3 Audio Repair Toolbox TUTORiAL
          September 21st, 2013 ⚡
          Categories: TUTORiALS

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          iZ RX 3 Audio Repair Toolbox TUTORiAL

          SYNTHiC4TE | Sept 20 2013 | 512.28 MB

          This 43-video in-depth course, by audio expert Matt Hepworth, offers a comprehensive look at iZ’s RX 3’s arsenal of audio restoration modules. You learn about their functionality and – with an abundance of real-world audio examples – you get to see these modules in action. There is no better way to learn about audio and the RX 3!



          Viewed 7443 By Music Producers.


          • Audio Damage Replicant VST AU UB v1.02 PC v1.04 MAC
            September 20th, 2013 ⚡
            Categories: AU, Audio Damage, macOS, UB, VST, WiNDOWS

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            Audio Damage Replicant VST AU UB PC MAC

            Team AiR-DYNAMiCS | 2007 | PC: 1.30 | MAC: 3.11 MB

            Replicant is a delay-based effect in the “beat slicer/looper” vein, with some tricks of its own that separate it from the herd. From a simple delay or panning effect, on up to massive random beat mangling, Replicant is a capable plugin well in line with today’s modern electronic music styles. Stuttering buffers and filter drops are easy to program, and the comprehensive randomization features give it a mind of its own, if so desired. If you’re looking to add some chance to your programming, you’ve come to the right place.



            Viewed 14517 By Music Producers.


            • Audio Damage Vapor v1.0 VST PC
              September 20th, 2013 ⚡
              Categories: Audio Damage, VST, WiNDOWS

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              Audio Damage Vapor v1.0 VST PC

              Team AiR | Date: 11/2007 | 1.91 MB

              What on earth is diffusion chorus? As the name implies, it has diffusion (sort of a red-headed step-child of reverb) and modulating delays (which, as we all know, equals “chorus”). Vapor takes this underused effect, usually only available in high-end hardware boxes, and makes it available to anyone. Vapor’s main purpose is to add top-end shimmer to pads, strings, and rhythm guitar to make those sounds cut through the mix. However, at more extreme settings, unique modulation effects can easily be attained.



              Viewed 11070 By Music Producers.


              • Audio Damage Liquid VST AU UB 1.0.1 MAC HAPPY NEW YEAR
                September 20th, 2013 ⚡
                Categories: AU, Audio Damage, macOS, UB, VST

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                Audio Damage Liquid VST AU UB 1.0.1 MAC

                Team PDS | 2010 | MAC OSX | AU UB  | 4.67 MB

                Liquid is an analog-style through-zero flanger. Unlike traditional flangers, which are just short delays with a bit of feedback, Liquid models the original flanging method, where two tape machines were used to create artificial double-tracking effects. The difference in sound between this type of flanger and what is commonly available is significant, and Liquid provides a much more usable effect. Perfect for “stereo-izing” monophonic signals like voice and vintage analog synths, Liquid also provides more mind-bending flanging at higher feedback settings.



                Viewed 7184 By Music Producers.


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