28 Focal Alpha 65 Limited Edition
Der beliebte Studio-Monitor Alpha 65 von Focal kommt nun einer streng limitierten Version mit aparten weißen Seitenflanken. Über welche klanglichen Vorteile die Zweiwege-Bassreflexbox verfügt, verrät unser Test.
Creating dynamic, interactive, and versatile audio implementations for video games has never been easier. In this course, FMOD Audio Implementation for Video Games, you’ll learn to use FMOD’s sound module building blocks to put together some fantastic audio for your games. These techniques can help you get the most out of limited RAM space by using the audio files you have to maximum effect. First, you’ll learn about different kinds of sounds (single, event, multi, and scatter sounds) and when to use them. Next, you’ll cover real-time parameter changes, randomization, layering effects, and more through exercises and examples demonstrating real-world application. Finally, you’ll reach the culmination of these newfound skills as you learn how to implement music into your games. By the end of this course, you will have been empowered to add life and responsiveness to your video games through multi-layered, responsive audio design. Software required: FMOD.
A single match struck in a dark room can illuminate a world of detail. Listen close to catch the sizzle at the end!3D Match Strike by Kall Binaural Audio is a collection of 7 match striking sound effects, recorded at various positions around the listener’s head. These are true 3D binaural high fidelity recordings, made with the Neumann KU-100 dummy head microphone.
EQ is one of the two most commonly used signal processing tools audio engineers use everyday, the other being a compressor. EQ is very powerful because allows to alter the frequency of a track, instrument, or vocal. Anyone interested in learning more about EQ should subscribe to this course. In this course I start with learning frequencies. Its incredible how some engineers can pinpoint problem frequencies. I will show my approach for learning frequencies when you hear them. After a lot of practice you will be grabbing an EQ and adjusting problem frequencies with confidence. You will also learn the difference in parametric and semi parametric EQ’s. Also I go over fixed frequency eq’s. Knowing the difference between these will help you know which ones to reach for and when. EQ curves can take on many different settings with its different shapes of curves.
Using a compressor and understanding compression is one of the hardest things for entry audio engineers to grasp. With so many different compressors and compressors types its not hard to see why people struggle with compression. Compression is critical to getting good mixes in music today, and without a proper knowledge of compressors and how to use them your mixes can easily turn thin and lifeless. Compressors can add color to tracks, crush drums, smooth out vocals, and add weight to a bass. Compressors can add to an track, or it can take away. For example, with a compressor you add punch to a kick drum, you can take the punch away. It all depends on how you use it. And there are many, many ways to use a compressor. Using compression properly will help improve your mixes by keeping dynamics controlled.
Ready to take your compression skills to the next level? In my All About Compression course I move on to more advanced information about compression. I will go over advanced compressor controls such as mix, knee, and side chain. If you’ve taken my basics of compression course then consider this course the next step to continue learning about compression. In All About Compression I will cover the different types of compressors, different kinds of compressors, uses for different type of compressors, classic compressors and how to use them, and much more. I also go over different compressor techniques and examples of use. This course will expand your capabilities with a compressor and introduce you to new ways of how to use them. I’ve been engineering for over 15 years now, and in that time I’ve gotten to use a lot of different compressors. And I’ve gotten to know some compressors very well. The more you use and learn about compressors the more the confident you will become in using them. And this course should help boost that confidence. Because all compressors are different it can be difficult to find the right compressor the job. I will go over my approach to choosing a compressor for a track. Anyone taking this course should have a DAW (Digital Audio Workstation) with a compressor plugin so they can go over and practice these techniques. The DAW being used in this course Presonus Studio One. However the DAW you use is not important, as all DAW’s will come with a compressor.
Audio Pro Sound Effects Library was produced at Point 12 in Paris, France by Yannick Chevalier. This royalty free sound effects collection was first released in the mid 1990’s, and as such, it has a great historical value for pro audio designers. Audio Pro provides a wealth of well-recorded European sound on 18 Audio CDs with a great variety of over 2,000 royalty free sound effects. Basic sound effect categories covered by this collection include: nature, animals, airplanes & airports, trains & stations, transportation, traffic, crowds & industry, leisure & entertainment, tools, offices, communications, cameras, household, clocks, room tones, bells, sports, war, human solo, human groups, music samples, science fiction, cartoons, and footsteps. Audio Pro Sound Effects Library is also available as a download purchase in 16/44.1, 16/48 or 24/48 WAV file formats.
