Audio Capture v2.1.0.23 macOS

Team TNT | Aug 27 2019 | 31 MB

Best streaming audio recorder and extractor to capture, extract and edit any sound on your Mac including Apple Music, Spotify, radios, game music, movies, etc. with lossless quality and convert the recordings to MP3, AAC, WAV, FLAC and many more popular formats. Audio Capture for Mac is the smartest and easiest audio recording solution developed to record any sound playing through all programs on Mac, including Safari, Firefox, Chrome, iTunes, Apple Music, and other media players, as well as online audio tracks from streaming music sites, such as Spotify, Pandora, iTunes music, Lastfm, etc. It can also grab audio clips from your favorite videos on sites such as YouTube, Vimeo or other local media players like QuickTime, VLC, etc.

Digital Performer 10 TUTORiAL

SYNTHiC4TE | July 31 2019 | 245 MB

…::: Recording & Editing Audio Explained :::…

Digital Performer videos on recording and editing audio! Learn the important basics plus more advanced techniques so you’ll be ready to record and edit anything that comes at you. These Digital Performer tutorials are for those just starting out with DP, as well as for more intermediate Digital Performer users. Gary starts with videos on setting up your audio system, using Bundles when routing, and the different audio tracks available and how to create them. Next, you’ll see how to set up your project tempo and create a click track so you can record in time, followed by how to import existing audio tracks into your project, and then record new tracks. Throughout the rest of the Digital Performer video tutorials, you’ll learn how to easily navigate through your tracks, use the different audio editing tools, keyboard shortcuts, recording to multiple tracks at once, punch-in recording, comping different takes into one perfect take, and using the waveform editor for surgical editing.

Audio Effects Workshop PDF

Team LiBER8 | 21.03.2015 | PDF | 353 Pages | 7 MB

The topic of audio effects probably excites more passion, more discussion, and more controversy than almost any other aspect of recording and especially mixing. Yet even after reading never-ending streams of magazine articles and participating in any number of discussions in the ever-expanding range of Internet audio forums, musicians and producers can still find the subject of effects shrouded in mystery, myth, and confusion. Used wisely, audio effects can play an important part in adding color, life, and clarity to a good mix. Used badly, they can and will spoil it. THE AUDIO EFFECTS WORKSHOP is designed to help anyone involved in recording and post-production understand audio effects and how to use them. First, you’ll learn about the nature of sound and how the human ear receives it and perceives it–foundational knowledge that’s key to understanding how audio effects work to modify sound.

Dosch Design Audio Sounds WAV

Team SoSiSO | APRiL/14/2002 | 393.84 MB

Dosch Sounds’ includes more than 200 different sound-effects for the use in movies, broadcast, video, presentation, computer-games etc. Very tremendous effects which enhance your media-production and deliver the proper atmosphere. All sound-effects are delivered as high-quality WAV-files in hi-fi- (44.100 kHz, 16bit Stereo) and low-fi- (22.050 kHz, 8bit Stereo) versions.

Sanitarium IR WAV

TEAM DELiRiUM/H2O | 05.05.2005 |  SCD | WAV | 533 MB

Impulse Responses Library (IR)

Spirit Canyon Audio is proud to announce Sanitarium, a library of dark and twisted impulse responses geared towards more aggressive and exotic forms of electronic music. Sanitarium is the first themed Spirit Canyon Audio library and is aimed at creating dark textures, deep ambient backgrounds and harsh reverberations. Sanitarium takes the user on a tour through a strange, and somewhat sinister, early 20th century asylum for the mentally impaired, providing a wide range of impulse responses to capture various aspects of such an establishment. The impulse responses in the Sanitarium library can achieve many varied effects and can be used on virtually any sound to create deep, dark drones, harsh rhythmic reverb, and many other effects. All of the impulses responses are in full 24-bit resolution.

Spirit Canyon Audio Kaleidoskopy IR

TEAM AI | 11.15.2004 | Bin/Cue | 1CD | 696 MB

…::: Impulse Responses Library :::…

Spirit Canyon Audio is proud to announce Kaleidoskopy, the long-awaited companion product to our ground breaking impulse response library Spectral Relativity. Where Spectral Relativity is aimed more at creating evocative and shifting ambient soundscapes, Kaleidoskopy is geared towards producers of more traditional music genres, especially music that has fixed tempos. It is also well suited for vocal processing and processing of acoustic instruments or other non-synthesized instruments (such as electric guitar), as the majority of impulse responses are of limited duration. Finally, all Kaleidoskopy impulse responses are in full 24-bit resolution. The result is an innovative and vast collection of impulse responses, which producers and musicians of nearly any style will find compelling.

Cubase 10: MiXiNG Explained®

SYNTHiC4TE | June 12 2019 | 748 MB

In this video tutorial series, DAW pro delivers an in-depth collection of video tutorials on how to prepare and mix a song in Cubase 10. Learn the important basics as well as more advanced topics when getting ready to mix your next masterpiece! First, Gary welcomes you and goes over what will be covered in the series, and then starts at the beginning, showing you how to prepare for mixing with steps like packing your tracks into folders for an easier mixing workflow, and assigning colors to your tracks for simple visual recognition. Next, learn how to use the Marker Track and Arranger Track to map out your song’s arrangement and quickly navigate between the different sections while mixing, as well as how to clean up any issues your audio may have by using Strip Silence. You’ll then get detailed coverage of the Mix Console, using Group Channels, Track Divider, Gain Staging and VU Metering pointers and more. Gary then starts to mix the tracks, and you’ll see common practices for processing Drums, Bass, Guitars, and Vocals, including using Sidechain Compression, reverb, effects and more.