🎵 MaGeSY® R-EVOLUTiON™⭐⭐⭐

  • Foundational Fusion MiDi-ARCADiA-MaGeSY

    Foundational Fusion MiDi

    Team ARCADiA | 09 September 2025 | 2.24 MB

    Dramatic dynamics, intricate subdivisions, complex rhythmic syncopation, subtle phrasing, nuance, finesse and effortless cadence – in the world of fusion drumming, it’s all of the above, all of the time. Needless to say, this is a genre that demands its drummer. In this pack, Pete Riley (Guthrie Govan, Keith Emerson, Richie Kotzen) explores this wildly faceted style by channeling inspiration from his own decades-long career on the jazz and fusion scene as well as from some of the iconic drummers who’ve made indelible imprints in the history of the genre. Expect a collection of syncopated, ghost note-ridden and off-beat-heavy grooves and fills that touch on the entire dynamic range from the subtlety of jazz to the bombastic output of rock. If you’re looking for grooves and fills executed with the remarkable finesse, sophistication and cadence only a great drummer can muster, this is your new fusion go-to.


    Viewed 19728 By Music Producers & DJ´s.


  • Trance Era For SPiRE-ARCADiA
    January 9th, 2026 ⚡
    Categories:

    Trance Era For SPiRE-ARCADiA-MaGeSY

    Trance Era For SPiRE

    Team ARCADiA | 10 March 2025 | 33.82 MB

    Trance Era Vol.1 is a new soundset for Spire with 106 Presets reproducing some of the best synth sounds from the Golden Age of Trance Music (1995-2005). Simply press few notes and get an instant flashback into the most legendary tracks from the trance era. You can expect for pristine vintage synth sounds, made with love by Yahel Chabs and delivering some of the best Bass, Leads, Plucks, Pads, FXs & Sequences from the trance world. All presets are using Macros and Modwheel to manipulate your sounds like a pro!


    Viewed 89170 By Music Producers & DJ´s.


  • Echo Chambers 4 Stairwell, Live Room, Basement, Tiled Bathroom NEBULA-ARCADiA-MaGeSY

    Echo Chambers 4 NEBULA

    Team ARCADiA | 08 January 2026 | 363.86 MB

    This one includes multiple captures of a make-shift echo chamber in a stairwell and a live room at a recording studio, as well as a tiled bathroom and a concrete basement in a completely separate building (the house from EC3). For the stairwell, captures were taken with the speaker at the top and the mic at the bottom, and in the opposite setup. Two more had the speaker in an adjoining live room; one with the speaker further in the room, and one with it closer to the stairwell (where the mic was placed). All of these were done with a stereo mic setup.


    Viewed 4060 By Music Producers & DJ´s.


  • Echo Chambers 3 Hardwood-Floored Rooms NEBULA-ARCADiA-MaGeSY

    Hardwood-Floored Rooms NEBULA

    Team ARCADiA | 07 January 2026 | 559.85 MB

    This entry in my Real Spaces series includes some rooms from a completely empty house, with hardwood floors throughout. Two bedrooms of similar dimensions were sampled as make-shift echo chambers. Two different (and different sounding) mics were used in each, with mic#2 being placed in the closet of each room. This created four different room reverbs for use in Nebula. There are also two different stereo combo programs which combine the samples in different ways to make the stereo effect. The first uses both mics, as the rooms were actually sampled. The second combines both rooms for each mic (so you’re actually hearing one room in the left channel, and the separately sampled other room in the right).


    Viewed 3139 By Music Producers & DJ´s.


  • Echo Chambers Part 2 Chambers of Doom NEBULA-ARCADiA-MaGeSY

    Chambers of Doom NEBULA

    Team ARCADiA | 06 January 2026 | 800.62 MB

    An echo chamber is a reverberant real space, which is used to add reverb to any audio signal. This is done by playing the signal into the space through a speaker, and picking up the audio from that space with at least one microphone. The speaker/mic are usually arranged such that very little signal can travel directly between them, with the sound waves having to bounce off of the walls (becoming diffuse) at least once before reaching the mic(s). In other words, mostly just the reverberation of the space itself is captured. This new, reverb heavy aka “wet” signal can then be mixed back in with the original dry audio to taste. In this release, two more echo chambers at two additional studios were sampled for use with Nebula in this library. I’m giving them unique preset names to help you differentiate between them. The first one in this release is called “Sandman’s Den” and it has a gloriously big, smooth sound to it. The chamber is about 14 x 16 feet with an 8 foot high ceiling. It has a concrete floor, with concrete block walls. It was sampled with the door into the room both closed and open, open providing slightly less density and quicker decay. This incredible chamber was captured with a stereo mic setup.


    Viewed 6852 By Music Producers & DJ´s.


  • Echo Chambers Part 1 Chambers of Myth NEBULA-ARCADiA-MaGeSY

    Chambers of Myth NEBULA

    Team ARCADiA | 06 January 2026 | 814.57 MB

    An echo chamber is a reverberant real space, which is used to add reverb (not distinct ‘echoes’) to any audio signal. This is done by playing the signal into the space through a speaker, and picking up the audio from that space with at least one microphone. The speaker/mic are usually arranged such that very little signal can travel directly between them, with the sound waves having to bounce off of the walls (becoming diffuse) at least once before reaching the mic(s). In other words, mostly just the reverberation of the space itself is captured. This new, reverb heavy aka “wet” signal can then be mixed back in with the original dry audio to taste.


    Viewed 22064 By Music Producers & DJ´s.


  • Dual Springs Depth-Xpander And JVC For NEBULA-ARCADiA-MaGeSY

    Depth-Xpander & JVC

    Team ARCADiA | 06 January 2026 | 670.51 MB

    Two tube-driven spring reverb units were extensively sampled for this library. The first has a degree of notoriety (I’m calling it “Depth Xpander”) and was marketed for use in home stereo systems, and people even had them in their cars, to apply some reverb to the music they played on their system. It’s mono and is said to have been used by King Tubby in his dub mixes. The unit itself is really just a tube amp for driving a spring tank. The second unit (a JVC Nivico) was aimed at the same market, but actually contains the springs inside the case, with the tube amp. This one is stereo. The Depth Xpander has the main reverb, and 4 ‘bionic’ reverbs, which were made using a sampling technique I’ve been using for years now- playing/recording the sampling tones at faster and slower, which results in shorter or longer reverbs, with their frequency responses shifted up or down. The JVC has 3 very similar versions of its main reverb, and 5 bionic ones. I also sampled it in combination (running into) with some eurorack synthesizer modules, including lots of interesting filters (filter banks, formant filters, low passes, etc) and some other modules. There were 8 modular patches, which produced 8 more reverbs. Some of the JVC bionic and +modular reverbs are actually in mono- that’s how they were sampled.


    Viewed 3839 By Music Producers & DJ´s.


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