God Mode v2.0.1 WiN MAC

FLARE | 08 September 2021 | WiN: 5.58 MB | MAC: 7.70 MB

..:: VST, VST3, AU, AAX, x86, x64 ::..

The God Mode introduces a new push-pull technology giving you full control over what frequencies to saturate and distort. It’s node EQ graph and linear phase filters allow for unlimited options to shape the coloration of your sound. The push-pull technology is inspired by the legendary analog Pultec EQ, a passive tube eq from the 50s, widely used in the 70s/80s for both broadcasting and mixing. The Pultec EQ would ‘push’ the gain for a certain frequency range into its tube circuit, and would then ‘pull’ it back again, to smooth out the frequency response. This creates a sound close to the original but with a nice warmth added to the boosted frequency ranges. The God Mode introduces a modern version of this technique. The first step to using the God Mode is to boost or ‘push’ certain frequencies in your track that you like to be more saturated or distorted. You can for example use one shelf to boost the highs and one peak to boost a certain color or resonance. Because you push these frequencies harder into the saturation algorithm, they will be naturally more affected by it. The second step is to decide if and how much ‘pull’ to apply to the boosted frequencies. This gives you creative control over the amount of coloration and the option to create a perfectly balanced frequency response for your track.

Analog Sequencer Loops

Team ASSiGN | Feb 21, 2013 | 992 MB

Featuring 1,000 loops and over 1.5 Gb of brand new material sourced entirely from analogue modular systems & vintage analogue synths Uniquely inspiring new sample library from one of Europe’s leading synthesists Unpolluted, undiluted and undisputed, ASL, (ANALOGUE SEQUENCER LOOPS) is 100% pure analogue, using only classic analogue synths and hardware analogue sequencers – and superbly captured at 24bit sampling resolution. This superb virtual instrument, developed by ZG and XFonic, is designed to complement the highly acclaimed ‘Morphology’ instrument. ASL is based around a uniquely inspiring new sample library from IAN BODDY, one of Europe’s leading synthesists, featuring 1,000 loops and over 1.5 Gb of brand new material sourced entirely from analogue modular systems & vintage analogue synths and performed solely on hardware analogue sequencers.

Blue Face v1.2.1 WiN MAC

Team RET | 04 Sep 2021 | 57.5MB

..:: VST2, VST3, AAX, x64 ::..

Blue Face is an analog modeled simulation of a classic BC108 silicon vintage fuzz pedal made in the late ’60s. This is one of the best known fuzz pedals ever made, used to fully blast amplifiers tube stages. We modified the original circuit to get more bite even at minimum settings.

Big Goat v1.2.1 WiN MAC

Team RET | 04 Sep 2021 | 55.7MB

..:: VST2, VST3, AAX, x64 ::..

Big Goat is an analog modeled simulation of one of the greatest fuzzbox ever made in the mid ’70s and used in countless records. The signal passes through 4 cascaded amplifier stages, where 2 of them are clipping stages. The result is a sustained fuzz, very rich in harmonics, with a unique tone.

ZG Analog To Digital Vol.1 DLP

Team ASSiGN | 04 NOVEMBER 2010 | 247.61 MB

Over 700 highly individual sounds, layers, textures & FX, constructed & combined from two decades of the worlds greatest electronic instruments. Ambient, Techno, Trance, Film, Rock, whatever… ‘A2D’ Volume 1 will inspire you with fresh sounds. Includes – Mind blowing electronic loops & arpeggiations; Amazing pads & textures; Unique treated drums; Trance tones & chords; Superb combined analog and digital layers.

Analog Techno Bass Stabs

FANTASTiC | 17 October 2021 | 86 MB

‘Analog Techno Bass Stabs’ was designed with analogue in mind. Inside you will find 124 24-Bit WAV files in the key of C, all sampled, tweaked and manipulated ready to be loaded into any DAW. Designed with some of the most prolific analogue synths in electronic music, including Sub-37, Prophet 6, Juno, Arp Odyssey, MS-20, Moog Minitaur, Yamaha TX81Z, Waldorf Blofeld and a Novation KS Rack. Inside the pack you will find a wide selection of samples, from raw sounds from the synths mentioned above, to processed and layered stabs, reverbed sounds and wide stabs.

Analog Bass Vol.2 KONTAKT

Team AMPLiFY | 06.01.2008 | 175.57 MB

The Bad Bass of a KORG MS-20

Analog Bass Volume 2 aims to re-create the unique character of the MS-20 for use in modern digital workstations. Sampled with the highest quality conversion, Puremagnetik has captured the authentic sound of this legendary monosynth. Puremagnetik has gone a step further and combined external Moog® and Doepfer® modulation sources with the MS-20 to create new sounds impossible to produce with the MS-20 alone. The VCF filter section is capable of high-pass, low-pass, notch and band-reject which is unique and different than your basic lowpass style filter.