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  • Next Level Rhythm Complex Ableton Live Project
    February 3rd, 2014 ⚡
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    Next Level Rhythm Complex Ableton Live Project

    Team MAGNETRiXX | 01 February 2014 | 74.2 MB

    Next Level Rhythm Complex was designed with modern electronic beat production in mind. Pulling together inspiration from a vast variety of contemporary electronic genres, NLRC aims to transcend trends to harness the sounds of an alternate reality. You get an exclusive collection of Drum, Bass, FX, and Percussion sounds in high quality 24bit 96kHz format. The highlight of this pack are 8 Ableton Live sessions, which showcase the samples in the context of electronic arrangements. Each Session comes with a dedicated kit with various scenes that make use of a selection of the pack’s samples. The kits feature sophisticated Macro controls, which make it simple to come up with infinite variations.


    Viewed 10207 By Music Producers & DJ´s.


  • SWA Complete Ableton Live 9 TUTORiAL
    January 21st, 2014 ⚡
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    SWA Complete Ableton Live 9 TUTORiAL

    Team MAGNETRiXX | 20 January 2014 | 1.72 GB

    Ableton Live 9 Suite is a powerful music sequencer and performance tool all rolled in to one. In this video, we cover all the groundwork functionality in Ableton Live to help you understand the tools and concepts of working in the program. We lay down some beats, edit audio, play some instruments, create effects chains, create performance templates, and produce some music while explaining how it all works.


    Viewed 14305 By Music Producers & DJ´s.


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    Bass House Ableton Presets ADG MiDi Ableton Live

    Team AUDIOSTRiKE | 17 January 2014 | 31.5 MB

    Bass House Ableton presets is an extra special collection of Ableton instruments designed for Deep and Bass House producers featuring Drum Kits, Bass Sounds, Leads and Vocals pre-loaded into Ableton instrument racks complete with performance ready macro assignments. Ableton Suite’s on board instruments such as Drum Racks, Operator, Sampler and Analog loaded into custom instrument racks with complimentary FX, EQ settings and pre mapped Macro assignments for expressive controls such as Filter, Resonance, Reverb, Spread, Drive and Crush.


    Viewed 12518 By Music Producers & DJ´s.


  • Tronix v.1.1 Ableton Live Packs
    January 12th, 2014 ⚡
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    Tronix v.1.1 Ableton Live Packs

    TEAM MAGNETRiXX | 12 January 2014 | 1.43 GB

    Tronix is a massive collection of morphed electrified instruments, percussives, atmospheres, leads, basses, pads, and tempo-synced audio loops made for electronic and cinematic music production. By creating new organic electronic instruments derived from real-world acoustic sample material, synthesis and physical modeling, SL has created a breath-taking set of production-ready instruments and loops. Taking it one step further, Tronix incorporates Live’s powerful instruments and effects all racked up only the way SL can, truly “blurring the line between music and sound design”. Tronix creative design pushes the boundaries of electronic and cinematic music by utilizing the intuitive performance controls of Abelton’s powerful DAW.


    Viewed 13795 By Music Producers & DJ´s.


  • Metalix Ableton Live Packs
    January 4th, 2014 ⚡
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    Metalix Ableton Live Packs

    TEAM MAGNETRiXX | 04 January 2014 | 705 MB

    Metalix is a toolkit of morphed metallic instruments, percussives, atmospheric soundscapes, pads, and tempo-synced audio loops for cinematic music production. Based on recorded metallic instruments and sounds, has once again revolutionized sample programming by creating never before heard evocative organic instruments and bombastic loops. Following in the footsteps long tradition of award-winning products that “blur the line between music and sound design”, Metalix is a must have for musicians, performers, and producers of all types.


    Viewed 12361 By Music Producers & DJ´s.


  • Producing EDM with Ableton Live TUTORiAL
    December 2nd, 2013 ⚡
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    Producing EDM with Ableton Live TUTORiAL

    English | 2013 | mkv | H264 1280×720 | AAC 2 ch | 2.06 GB

    Ableton Live is the industry-leading application for creating and performing Electronic Dance Music. Mastering its unique capabilities and workflow are the key to getting your get ideas out of you head and into your speakers– and becoming a prolific, songwriting machine. In this one-day course, DJ/producer Big Chocolate teaches you how to create EDM songs from start to finish using Ableton Live. It’s not just a re-telling of the manual, it’s a look behind the scenes at his own unique workflow: you’ll learn how to get started with the program, how to write and combine sonic elements, his secrets to getting unstuck, and finally how to put it all together into a finished song. Whether you’re new to Ableton Live or an experienced user, you’ll take your creativity to new levels!


    Viewed 11365 By Music Producers & DJ´s.


  • Programming Beats in Ableton Live 9 TUTORiAL
    November 29th, 2013 ⚡
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    Programming Beats in Ableton Live 9 TUTORiAL

    SYNTHiC4TE | Nov 29 2013 | 634.2 MB

    The drum track is part of the hidden chemistry of a great song. This is your beat making lab. Yeuda Ben-Atar, educator and producer who performs as DJ Side Brain, shows you how to make beats in a variety of genres, from dubstep to hip-hop. Yeuda works with Ableton Live—but you can use these tutorials to make beats in whatever DAW you have accessible. First get some basic rhythmic theory, including counting music and note subdivisions, and learn how elements like cymbals, percussive instruments like congas, and even homemade sounds from cans, bottles, and counters contribute to your beats. The following chapters tackle the particulars of house, dubstep, drum and bass, trap, juke, and hip-hop. In each of these chapters, Yeuda discusses how to choose the appropriate tempo and drum sounds for the style and how to sequence the kick, snare, and cymbals. The course closes with some pro mixing techniques that balance punch and presence, so your drums will cut through the mix and sound their best.


    Viewed 11434 By Music Producers & DJ´s.


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