ABY Electric Bass v4.0.1 WiN MAC
Team R2R | 18 May 2025 | WiN+MAC: 4.7 GB
..:: STANDALONE, AAX, AU, VSTi, VST3, x64 ::..
ABY aim to bring the Fodera Yinyang Bass sound to your studio.
Viewed 110858 By Music Producers & DJ´s.
ABY aim to bring the Fodera Yinyang Bass sound to your studio.
Sampling: 2709 Samples, Size: 3.71 GB, 24bit 44.1khz, DFD(Direct from disk), Rich Fingering Noise – more vivid and realistic, Each Cycle & Rhombic Sampling structure – Separate sample cycle for each note and vel layer to improve sample utilization, Sustain, Palm Mute, Natural Harmonic, Hammer On & Pull Off, Legato Slide, Slide in & out, Slapping, Popping, Tapping, Accentuated, Staccato, Dead Note 14 articulations, Legato at random length & pitch & poly.
A compact yet advanced guitar plugin. From a delicate, clean tone to the heaviest wall of sound filling the whole mix. We’re advancing a proven formula, focusing on a design that enables you to achieve a wide spectrum of sound in a single plugin. Control every aspect of the signal from the main view and dial in each parameter with expanding sections.
TH-U is a software suite for guitarists and bass players who like to do everything in the DAW. The previous version was TH-3 version, and the new TH-U brings more of everything: 15 new amps (94 in total), 14 new speakers (52 in total), 2 new effects (77 in total), a redesigned Cabinet IR module and a search function for presets.
The most advanced mastering system ever designed. Providing complete creative control in a streamlined workflow.
Supercharger GT is a compressor inspired by the rich, tube-driven sound of a boutique hardware unit. A feature-rich follow-up to the Supercharger compressor released in December 2013, Supercharger GT goes beyond modern tube compression by adding dedicated Saturation and Character modes and additional controls for complete sonic fine-tuning. Supercharger GT was designed for simple yet comprehensive sound shaping. Producers can quickly dial in a wide range of compression effects using a single ‘Compress’ knob. The effect’s automatic make-up gain allows them to stay focused on the sound of the effect without having to compensate for the drop in volume compression can sometimes cause. Pre-set Attack and Release settings provide a starting point for setting Supercharger GT’s response to incoming signals – producers can start with Punch, Gentle, and Slam modes. Dedicated Attack and Release controls allow an additional degree of fine-tuning.
Of course, it would have all of the best reverb units used by the most famous engineers: a classic white ’80s unit with its smooth and creamy tone that has been used on thousands of famous hits;
a modern reverb unit with crisp and punchy tone, to forge your own unique sounding room; a dedicated post-production unit and thousands of ready-to-use presets created by some of the most respected people in the music and film industry to speed up your workflow. Or… think of BREVERB 2