Trans VST v1.0 WiN MAC

TEAM R2R | 25.12.2013 | WiN: 3.21 MB | OSX: 1.81 MB

VST to AAX Wrapper

TransVST is a plugin wrapper, which transforms VST plugins into AAX Plugins. With TransVST, you can use VST Plugins in Pro Tools 10 and higher. TransVST runs as a standalone program which offers a luxurious plugin management and integrates any VST plugin in Pro Tools, so that it can be used as a normal AAX plugin. TransVST is already 64bit compatible and so it´s ready for future Pro Tools versions. Furthermore, TransVST supports creative plugin functions like Midi Out, Sidechaining and Multi Outputs.

SPARKLE v1.0.0 VSTi AAX WiN

Team R2R | 30 Oct 2016 | 1.98 GB

With its glamorous and catchy licks, Virtual Guitarist SPARKLE is your specialist for chords, octaves and single note riffs. From clean to crunchy, twangy to fat: 60s grit, 70s disco, 80s glam, 90s brit pop, 00s indie and contemporary electronic pop – SPARKLE has got you covered. Add color and gloss to your songs with almost 100 Styles, over 1000 Phrases, multiple amp/cabinet combinations and custom effects. We recorded Virtual Guitarist SPARKLE with a customized vintage guitar for that legendary bell-like single-coil sound. Think Tele, Strat & Jag. Our emulations of hand-picked vintage amps and speaker cabinets ensure classy tone and vibrant character.

Panther Stereo Manipulation v1.1.4 WiN MAC

ArCADE/HY2ROG3N | 02.12.2014 | 18.02 MB

VST2 / RTAS / AAX / AU

Panther gives you independent control over Left and Right channels of any stereo track. You get controls for EQ, Gain, Pan and Delay. It also features Mid/Side mode for extra control over your stereo tracks.

miniSynX v2.0.3 WiN

TEAM V.R | 07 Mar 2018 | 13.75 MB

AAX VSTi x86 x64

The miniSyn’X emulates with the highest level of accuracy an Italian Beauty of the 80’s. One of the last specimens of the 80’s polyphonic analog monsters.

Virtual Guitarist AMBER v1.0.1 AAX VSTi WiN

P2P | 20 October 2016 | VSTi: 1.76 GB | AAX: 2.48 GB

In the mood for livid steel-string acoustic guitar strums? Virtual Guitarist AMBER is your musical companion. AMBER adds warm and shiny strumming to your production. It comes loaded with more than 50 Styles, over 600 Phrases, multiple effects and sound shaping controls. After testing and measuring dozens of combinations of high-end guitars and microphones, we found sonic delight: A boutique American vintage dreadnought and a legendary German vintage large diaphragm microphone. For even more sonic versatility we’ve captured the guitar pickup too.

Tube Modulator v1.0.1 WiN

TEAM V.R | 24 February 2018 | 11.92 MB

(Win32/64; AAX*, VST)

Tube Modulator is a collection of several tremolo, vibrato and spatial position effect circuits ranging from the late ‘50s tube bias tremolo to the late ‘60s psychedelic vibe pedals. Tube Modulator spatial effects includes a panner, a rotary speaker and a wide stereo “wow & flutter” simulators. A wide XY scope will show you the current amplitude and spatial position modulation to get instant feedback of your settings. Tube Modulator is Colored by Design, adding a great amount of warmth and color to your signal.

Instant Delay v1.0.1 WiN

TEAM V.R | 15 February 2018 | 8.68 MB

AAX VST VST3 x86 x64

Introducing Instant Delay, newest delay plug-in from the Plugin Alliance stable that borrows from the artifact-free Modern Instant mode of its bigger sibling, Sandman Pro. In a first for delay plug-ins, Instant Delay’s modulation system also includes integration with ROLI’s latest controller, the Lightpad Block. It’s good news that Unfiltered Audio, even a simple delay, are going to be a little different. Drop Instant Delay into your standard delay returns, and it can perform all the everyday tasks you’d expect – anything from stereo echoes on a vocal track to ambient delay tails on an undulating synth pad. For its simple interface, Instant Delay has been designed to offer a huge amount of control and sonic possibility. The layout of the Delay Time setting not only offers tempo syncing for stereo channels together or separately, but also the option to offset one channel’s delay time relative to the other, thus widening the stereo field for shorter offset times, or creating syncopated rhythms for longer ones.