DMS Plugins Bundle WiN MAC

Team FLARE/R2R | 26 October 2021 | MAC: 713 MB | WiN: 713 MB

..:: AAX/AU/VST/VST3/x64 ::..

Goliath 2 v1.5.0 WiN MAC

Team R2R | 2021.10.24 | WiN: 16.7MB | OSX: 56.8MB

PLATFORMS: WiN32/64 – VST/AAX | MacOSX – AU/VST/AAX

Goliath V2 features 4 Analog Modelled Processing chains featuring ALLOY (Nickel, Iron, Steel based Transformers), TUBE, TAPE & VINYL with a drive control plus a FET based envelope and a 3 band EQ. This is a truly revolutionary and “analog” sounding tool. Be prepared to be pleasantly surprised! What’s new ? Goliath, our top-selling plugin is back in a brand new avatar with a completely new sound engine and new features. This plugin now has 4 types of Saturation models – Alloy, Tube, Tape & Vinyl with Drive. We now use our Advanced DSP models featuring our own proprietary “Multi Convolution” & Component Modelling Technique to simulate “Real” hardware chains of analog gear. Additionally, the plugin now features a full FET compressor in its envelope section and a 3 band EQ plus a Low Cut Filter.

REDDI v1.0.3 WiN

Team R2R | 24 Sep 2021 | 10.4MB

..:: VST, VST3, AAX, x64 ::..

The original hardware REDDI is a legend among professional session players and commercial studio owners. Its hybrid tube/solid state gain circuits, beefy transformer, and oversized power supply have an uncanny ability to both reign in bass transients and punch them up. Without any eq – simply through its gentle tube shimmer – REDDI gets bass, synths, and guitars to ’sit’ in the mix with less processing and fuss. The REDDI plugin, then, is designed to be used as any analog DI would: first in the chain, as an initial treatment before compression, saturation or eq – imparting its unique tube sweetness to any instrument in your mix.

KORG LegacyCell v1.6.0 WiN

Team RET | 26 August 2021 | 16.16 MB

PLATFORM: STANDALONE/AAX*/VST2i

Introducing Legacy Cell from Korg, a Performance based plug-in that lets you freely combine two instances of the MS-20 and/or Polysix together along with a dual-effects processor for even more dynamic and unique sonic creations! It offers 127 presets with plenty of room for your own combinations. The MDE-X effects processor offers everything you could want from reverbs and delays to distortion and even the MS-20’s filter section is available as an effect. A virtual Korg microKontrol is built-in to the Legacy Cell too for real-time assigning and manipulation of any editable parameters, and it works instantly with a real microKontrol too! The bottom line with this whole package is great plug-ins, great sound, great results, great price!

.:Blyss v1.1.0 WiN:.

Team R2R | 2021.10.22 | 52.48 MB

PLATFORM: VST/VST3/AAX(MOD)

A mastering-style EQ, sandwiched inside six stages of delicate Saturation, feeding a dead-simple ‘finishing compressor’. It’s an EQ with a vibe, the likes of which could only come from Kush. Blyss Mastering Channel is a 3-stage processor designed specifically to make busses — both mix and instrument — sound “prettier”. It also happens to sound incredible on individual tracks too. While it has multiple cascading Saturations, a 6-band EQ and a mastering grade Compressor, all sections have been greatly simplified to reflect old-school approach to processing: less is more, choices are limited but comprehensive, and all sections are designed to work together, making it nearly impossible to produce a bad sound.

Electra DSP v1.6.0 WiN

Team R2R | 2021.10.22 | 12.93 MB

PLATFORM: VST/VST3/AAX(MOD)

The hardware Electra EQ set a high standard for fast, smooth, punchy equalization, and the Electra DSP’s precisely modeled filters embody that spirit flawlessly. The high shelf is surprisingly flexible, the bass reaches down to the floor. But those midrange filters have a magic proportional-Q, the more you boost the tighter they get. They’re so articulate, they can make drums sound like they were tuned and even mic’d differently. No matter how aggressively its set, Electra is relentlessly smooth and unapologetically analog in character.

Molot GE v1.0.4 WiN MAC

P2P | 22 October 2021 | MAC: 21.3 MB | WiN: 8.53 MB

..:: VST2, VST3, AAX, AU ::..

Russian for “Hammer”, Molot is the name of a popular dynamic compressor originally released in 2011 by Vladislav Goncharov. With a modernized concept, extended flexibility, and a generous dose of Rock ’n Roll, Molot GE proudly takes over the job of its predecessor. Molot GE is a particularly characterful dynamic range compressor melding several classic compression mechanisms with sophisticated saturation, creative tone control, and a snappy peak limiter. Whether it be mellow leveling, tight dynamic control, or aggressively vibrant compression, Molot GE covers a remarkable wide range of compression colors. While Molot GE doesn’t emulate any “vintage” device, its sound and behavior was definitely inspired by their most interesting musical peculiarities. This flexibility makes it suited for almost any source, be it drums asking for more crisp and impact, solidification and enrichment of vocals, or the enhancement of guitar and bass recordings of all types.