Hammond B-3X v1.3.0 WiN MAC

Team R2R | 25 Apr 2020 | WiN: 468.2 MB | OSX: 456.7 MB

…::: STANDALONE, AAX, AU, VSTi, VST3, x86, x64 :::…

Hammond B-3X is the next-level organ virtual instrument that delivers an unprecedented new degree of realism and detail to give musicians full immersion into the electro-mechanical Hammond organ experience with all its soul, passion and vibe. Created in close collaboration with both the Hammond Organ Company, of Chicago, Illinois, and Suzuki Musical Instruments Mfg. of Hamamatsu, Japan, the Hammond B-3X instrument captures the authentic sound and vibe of the legendary Hammond B-3, with a comprehensive, wholistic approach. The end result delivers the full sonic impact that this legendary organ has made on generations of musicians and modern music as we know it.

Premium Tube Series v1.3.1 WiN MAC

Team R2R/PlatenseSoul | August 07 2016 | WiN: 116 MB | MAC: 181.9 MB

The PREMIUM TUBE SERIES evokes the high-end sound of sought-after outboard gear, hauled into the present day and into your computer. Expertly modelled by Softube, PASSIVE EQ, VARI COMP and ENHANCED EQ capture the rich, musical sound of tube-powered hardware. This specially-priced bundle contains all three effects – get the secret weapons of the top studio engineers completely within the box. And, for the first time, as native plug-ins.

MixBox v1.x.x WiN MAC

Team R2R | 2021.09.16 | New WiN: 219.16 MB | MAC: 261.29 MB

WiN64: STANDALONE/VST/VST3/AAX | MAC: APP/AU/VST/VST3/AAX

New release!!: MixBox, a “500 series”-style virtual rack plug-in for Mac and PC. MixBox includes 70 studio processors and creative effects derived from IK’s T-RackS, AmpliTube, and SampleTank, as well as four new reverb algorithms. It packs these processors into a convenient and intuitive channel strip layout that can be used as a plug-in for any DAW or in stand-alone mode. View the complete gear and effects collection here Users can create and save their own custom channel strips in an 8-slot “rack” that can be used in all major DAWs. With drag & drop routing and a range of advanced controls like wet/dry mix, sidechain and individual processor gain, users can assemble even complex processor chains in seconds. MixBox’s stand-alone mode offers a complete, easy-to-use mixing experience for nearly any situation, with up to eight separate racks of eight processors each. Audio can be fed into a computer from any source such as a digital mixer or audio interface, and the MixBox main panel will offer control over all eight racks at once. Users can load rack presets, add or remove processors from each rack, activate the side-chain and manage input/output channels and gain for each rack, all from one panel.

Lurssen Mastering Console v1.1.x WiN MAC

Team R2R | 2021.09.16 | WiN: 36.24 MB | OSX: 141.01 MB

STANDALONE, Audio Units, VST2, VST3, AAX

Master your music with the secret techniques, workflow and world-renowned know-how of Lurssen Mastering Lurssen Mastering Console is a groundbreaking new mastering tool for either iPad or Mac/PC that puts a lifetime’s worth of professional mastering experience at your fingertips. Created in collaboration with Mastering Engineers Gavin Lurssen and Reuben Cohen of Multi Grammy Award winning facility Lurssen Mastering in Los Angeles, it puts you at the controls in the studio with all of the secret tools, settings and techniques that have made the Lurssen sound so sought after by the world’s top-tier recording artists and producers.

1989Verb WiN MAC

P2P | 28.04.2020 | WiN: 195.15 MB | MAC: 259.20 MB

..:: AU AAX VST VST3 x86 x64 ::..

1989Verb is an homage to Late 80’s Reverb tones. Warm plates, bright, dark, long, short, fast gates, slow gates, Reverse reverbs, regens, tap delays, flangers, blooms, stereo wideners, you name it, it’s there. Based on an 1989 Digital Reverb unit, the 1989Verb not only features the characteristics of the original unit but it also features a HiPass and LoPass to enhance the experience. A simple interface allows you to dial tones quickly. You can choose the patch from the dropdown menu or just simply keep clicking the arrows until you reach that golden tone. Whether your Drums need more weight, synths need more air & excitement, vocals need that warm space to dwell in; 1989Verb is a perfect pair for any retro fan! Works well with modern production as well. Yesterday’s sound, today’s workflow: 1989Verb is an homage to Late 80’s Reverb tones. Warm plates, bright, dark, long, short, fast gates, slow gates, Reverse reverbs, regens, tap delays, flangers, blooms, stereo wideners, you name it, it’s there.

Union v1.0.3 WiN MAC

Team R2R | March 09 2020 | WiN: 165 MB | OSX: 247 MB

(Win32/64; AU, AAX, VST3, VSTi)

Union is next-generation wavetable synthesizer audio plugin, featuring a unique wavetable generator that lets you create harmonically rich wavetable sets from the output of Union’s main oscillators: a technique frequently used by the world’s best sound designers to create rich and deep sounds. Union allows you to utilize this synthesis technique with a single click of a button. The Union plugin comes with unique features such as independent filters per oscillator, which allows a deeper control over the shaping of your sound, and a unison engine that can run up to 96 voices in a single note play.

Evade v1.0.2 WiN MAC

Team R2R | March 09 2020 | WiN: 4 MB | OSX: 14 MB

WiN32/64 – VST/VST3/AAX | MacOSX – AU/VST/VST3/AAX

EVADE is a volume shaping FX plug-in for Mac OSX and Windows that grants the user surgical control over the audio signal by utilising frequency determined volume shaping. The benefit of a frequency based volume shaping plug-in is that you can create space in the mix by volume ducking only problem frequencies as opposed to the entire audio signal. This result is a more controlled and natural sounding mix, which is preferred by most genres outside of electronic music.  However this doesn’t mean the EVADE volume shaper can’t be useful for electronic music production tasks, as the plug-in can still deliver conventional volume shaping in just a few clicks and also comes with a nifty mid/side balance control and unlinked start and end points which is extremely useful for audio that needs to duck but still retain a transient snap to cut through the mix.