From the makers of Ozone and RX, Neutron 3 will bring your mixes into the 21st century. Work faster than ever with better performance, new interactive visualizations, and Mix Assistant, which automatically sets levels across your session.
Echoes T7E is a faithful recreation of a vintage tube magnetic echo made in Italy in the early ‘60s. This echo effect unit is based on a magnetic spinning drum with both record and playback heads arranged around a recording wire wound around the drum circumference. This solution provides better stability over the usual tape transport with reduced wow and flutter. Since the main “core” of this effect is based on the above mechanism, we modelled both the mechanics and the electronics. Echoes T7E also provides 3 different playback modes allowing you to set different spinning speed or ever synchronize it to your host tempo extending the original delay length from ~310ms up to ~1100ms.
Analog modeled simulation suite of their ultimate death metal preamp, along with the cutting edge Schnauze noise gate and the new Fleisch equalizer. Dirty and fuzzy death metal tones from the 90s into the modern age, from a ripping chainsaw to a more modern and tight sound with just a touch of grind. It can go from the Swedish HM2 sound all the way to 90’s Florida transistor distortion, but with modern fat low-end and tightness like never heard before!
Imperial Delay was designed from the beginning with two goals: Be the most powerful delay, and be easy to use. As it turns out, those two requirements tend to be at odds with each other. Some delays give you lots of control but require you to get out your lab coat and calculator in order to use it. Other delays sound great with only a couple knobs, but give you almost no options. Imperial Delay does both. Every option that you would need in a delay is available at the twist of a single knob. If you need more control over those effects, you can enter the advanced controls and experiment to your heart’s content.
SLM2 is a smart stereo loudness maximizer including “analog spice” and 16x over-sampling. The goal of the design was to maximize the loudness of the audio signal while maintaining transparency. The SLM2 DSP analyses every sample of the incoming stereo signal within a defined time frame and calculates the optimal volume increase. This guarantees maximum possible transparency. The overall loudness can be further increased by the following, optional clipper stage. Signal aliasing can be reduced by enabling over-sampling.
CS-3301 is a channel strip plugin with gate, EQs, compressor, saturation and oversampling. The (noise) gate suppresses noise or any other signal below a certain level. CS-3301 comes with 7 independent filter shaping the sound accurately. The compressor controls the dynamics of the signal. The VU meter monitors level of input/output signal and gain reduction of the compressor.
![HoserXT v1.1.3 AAX VST2 VST3 x86 x64 WiN [REV.2]](https://www.magesy.blog/biocontent/uploads/2021/04/HoserXT-v1.1.3-VST2-VST3-x86-x64-WiN.jpg)
The Hoser takes advantage of some of the benefits of working in the digital domain, all while staying true to the analog sound. It is really the best of both worlds.
