Upright bass v1.6 WiN MAC

Team DECiBEL | 19 Feb 2020 | 1.25 GB-1.29 GB Each

Upright bass was sampled from the pluckings of a gigging upright bass player. The bass itself was an inherited instrument from the musician’s grandfather. The exact age of the bass is not known, but it had seen some action, and although a little beat-up, still sounded great! To produce this library, the bass was sampled through a close-miced stereo pair of Shure SM81’s, an AKG D112, a Neumann Tlm 102 and a “di” bridge pickup. During mixing, it was decided that the SM81’s blended with the D112 gave the best overall tone. The bass was sampled over the course of a few 10 hour sessions, where the bass player played plucked notes, slap bass, and slides. Boy, did his fingers burn after those slides!

U-he Presswerkm v1.1.5.12092 WiN

Team R2R | 2021.09.25 | 43.33 MB

PLATFORM: WiN32/64 – VST/VST3/AAX(MODiFiED)

Presswerk is a powerful dynamics processor with a musical soul. An easy-to-use interface and a rich feature set give you hands-on control over all details of your sound. Presswerk doesn’t emulate famous compressors, it blends the warmth of classic hardware models with developments that are only possible in the digital domain.

SantaCruzEQ v2.2.0 WiN

Team R2R | 06 Dec 2021 | 21.5MB

PLATFORM: WiN32/64 – VST/VST3/AAX(MODiFiED)

Why develop yet one more minimum phase parametric equalizer (PEQ) when there’s already hundreds on the market? The answer is simple…’Cuz there was room for improvement! It was customers of the original LinearPhase PEQ Red and Orange who asked Algorithmix to develop a classic EQ, for recording and mixing tasks, with unparalleled purity and transparency. Over several years, our Dr. Christoph closely analyzed many of the best out there, and compiled a vast knowledgebase of analog EQ best practices. Cherry picking from that, he implemented not just one or two, but an entire collection of trad minimal phase EQs. The result? A distillation of analog antecedents, while others are based on new ideas.

MtG v2.2.4 WiN

Team R2R | 06 Dec 2021 | 6.2MB

PLATFORM: WiN64 – VST/VST3/AAX(MODiFiED)

Streamlining workflows for spoken word, sound–for–picture, podcast and broadcast production, MtG automatically fills gaps, of any length, in edited tracks. The plug–in supplies smoothly looped audio, with controls for visualizing and defining loop fills, along with gain controls to seamlessly integrate the looped audio into your material. Use MtG to speed up creation of your music beds, ambience, actualities, foley and, of course, radio and TV audio; anywhere continuous seamless repetitive audio is needed. A cross–platform plug–in, MtG works in your favorite DAW at whatever sample rate you need. For radio, television and podcasting work, go with 44.1 or 48k. For game audio, cinematic production or whenever clarity and resolution is paramount, MtG handles up to 384 kHz with ease.

2BC multiCORR v2.2.4 WiN

Team R2R | 06 Dec 2021 | 6.0MB

PLATFORM: WiN64 – EXE/VST/VST3/AAX(MODiFiED)

Why do you need a multiband correlation meter? Broadband meters don’t always show you potential trouble areas. Multiband approach warns you not to overdo stereo spread, or when your stereo room mics are delivering too much out–of–phase content. Either way, you’d get cancellation when your mix is summed to mono. Correlation measures the degree of relatedness between left and right channel. If both channels are alike, that’s mono, and they will have perfect correlation. When content is present in one channel, and an inverted phase version is in the other channel, that sums to zero in mono and the audio disappears. If your material is destined for LP distribution, keep in mind that lacquer cutting has difficulty with large amplitude, out–of–phase information at very low frequencies. 2BC multiCORR provides four bands of analysis for the critical bottom octave, six additional bands of metering covering frequencies up to 200 Hz, plus three additional band for the 200 to 400 Hz range.

Need 31102 Console EQ v1.7.9 WiN MAC

Team R2R | 06 Dec 2021 | WiN: 33.1MB | OSX: 154.7MB

PLATFORMS: WiN32/64/MAC – AU/VST/VST3/AAX

The iconic 31102 preamp/eq (featured in the Neve 8068 consoles) has been used to mix many hit records for years. Guns N’ Roses, Bruce Springsteen, AC/DC, Red Hot Chili Peppers, Nirvana, Metallica… etc. We’re proud to present the true analog emulation for one of the best-sounding class A mic pre/EQ modules ever produced. Need 31102 Console Eq, with same character and enhanced with a great modern workflow! The Need 31102 is holding each small detail and true vintage tone of the original unit. Iconic console tone has been reborn!

Kotelnikov GE v1.6.x WiN MAC

P2P | 21 October 2021 | WiN+MAC: 27.9 MB

PLATFORM: WiN32/64 – AU/VST3/VST/AAX

TDR Kotelnikov is a wideband dynamics processor combining high fidelity dynamic range control with deep musical flexibility. As a descendant of the venerable TDR Feedback Compressor product family, Kotelnikov has directly inherited several unique features such as a proven control scheme, individual release control for peak and RMS content, an intuitive user interface, and powerful, state of the art, high-precision algorithms. With a sonic signature best described as “stealthy”, Kotelnikov has the ability to manipulate the dynamic range by dramatic amounts, while carefully preserving the original tone, timbre and punch of a musical signal. As such, it is perfectly suited to stereo bus compression as well as other critical applications.