M4 MultiBand Compressor v2.0.7

MOCHA | 31 August 2022 | 13.57 MB

..:: AU, AAX, VST, VST3, LV2, x86, x64 ::..

The last compressor you will ever need!

M4 Multiband Compressor is designed to be the ultimate mixing and mastering tool. This compressor has 3 user-controlled crossovers resulting in 4 bands that can be as wide or as narrow as you desire. The unique display for M4 shows all of 4 bands together, each with a specialty meter to show threshold, peak level, and gain reduction for the respective band in realtime. All 4 bands are completely in your control by allowing attack time, release time, threshold, ratio, and makeup gain to be set. M4 also has optional auto-makeup gain as well as internal bypass. M4 can handle anything from subtle peak control to bus compression, and even mastering. This powerful multiband compressor should feel at home in any producer’s arsenal. If you don’t believe us, check out the sound examples. Or better yet, download the demo and give it a try!

Entropy II v2.7.7 WiN MAC LiNUX

MOCHA | 31 August 2022 | 13.90 MB

..:: AU, AAX, VST, VST3, LV2, x86, x64 ::..

Not your Grandpa’s Delay Plugin

Entropy II, like it’s predecessor, is a stereo crossover delay but with several features that will help take your recordings to the next level! Entropy II comes with many new features that will allow you to truly express your creative vision. Choose between milliseconds delay mode when you want to dial in a precise amount of delay, or tempo sync mode when you need your track to take on a completely different form. Entropy’s unique delay algorithm is bound to make your tracks bounce with ambience and excitement.

Convergence v1.1.2 WiN MAC LiNUX

MOCHA | 31 August 2022 | 13.02 MB

..:: AU, AAX, VST, VST3, LV2, x86, x64 ::..

Introducing the ultimate mastering tool. Ranked #3 in the top 7 multiband compressors by Integraudio. This versatile mastering compressor can handle even the most dynamic of tracks. Convergence features up to 10 bands of compression and as low as 2 bands. Does your track only need a 4 band compressor? No problem! It is trivial to add or remove bands and to adjust the crossover frequencies for them.

EQ84 v1.1.0 WiN

Team R2R | 09 October 2017 | 152.9MB

(Win32/64; AAX*, VST3, VST)

EQ84 is the simulation of one of the most renowned Discrete Class A British EQ, used in countless hits from the ‘70s to nowadays. All the components of the original circuit have been modeled, including the rich harmonics and saturations that naturally occur when the equalizer is operating.

RVXX v2 v1.0.0 WiN

SEnki | 02 August 2022 | 205 MB

2-Channel Aggressive High Gain Amp Simulator

Modeled on the Revv G20* RVXX is a Two Channel Amp Sim based on an extremely aggressive high gain lunchbox amp with a very big bite, we recreated a tone that gives you the perfect balance for modern Metal.

EVE-AT1 v1.2.0 WiN

Team R2R | 27 July 2022 | 30 MB

EVE-AT1 is a 4-band parametric equalizer with an additional high-pass and low-pass filter. Inspired by the EQ section of a renowned British Classic –the Neve* 1081 –this equalizer delivers a clear, smooth, and musical sound to shape your tracks. The EVE-AT1 posseses an additional parametric band with expanded Q bandwidth selection in the low-mid and high-mid frequency ranges as compared to the EVE-AT4. In addition, the AT1 impelements a different high-pass and low-pass filter, giving the AT1 a slightly more conventional frequency response in these areas. These characteristics mean the EVE-AT1 is suitable for a broad range of musical applications, offering flexibility, versatility and all-round utility.

EVE-AT4 v1.2.0 WiN

Team R2R | 27 July 2022 | 8.29MB

Need a shape?

EVE-AT4 is a 3-band equalizer with an additional high-pass and low-pass filter. Designed as a tribute to the EQ section of the Neve* 1084, which was created as the successor to the legendary Neve* 1073. Although the EVE-AT4 possesses fewer bands, a smaller frequency selection palette, and less Q bandwidth selection options as compared to the EVE-AT1, its strength lies in its unique filter implementation, producing an idiosyncratic frequency response not present on the EVE-AT1. The result is a particular tonal character; the sound and tonal shape of its original incarnation is a hallmark of many classic recordings from the 70s.