VB3-II is the result of almost 15 years of study, research, experimentation and development of the simulation of a vintage Hammond B3 organ. It is the evolution of the VB3 1.4 with a new sound, a new parameter set, endless possibility of sound customization.
Low end forms the foundation of almost all electronic music, so getting great kick and bass from the start makes all the difference. TRK-01 marries classic mixing techniques with innovative sound design, sequencing, and modulation, so you’re always inspired to write solid and exciting kick-bass combinations. Get your new tracks rolling quicker and sounding bigger than ever before – start with TRK-01.
Vocal Doubler is a free plug-in designed to enhance your vocal with a natural doubling effect, adding richness and depth. Our acclaimed doubling technology has been reimagined with a brand new interactive UI dedicated to helping you achieve a great double faster than ever.
All HF SYSTEM modules incl. AlgoVerb, MixBox, PhaserChorusFlanger and Saturator. The plugin suite is made of high end modules that you can use separately or combine via drag’n’drop. HF SYSTEM offers you 32 high-end plugins in 4 suites, which you can use in your DAW or connect them to each other in the revolutionary SYSTEM interface via drag’n’drop. For mixing, mastering and sounddesign With premium dynamics, EQs, reverbs, FX, modulation and saturation effects and utilities. Intuitive and fast workflow for multiband, mid/side, parallel and dual mono routings All plugins are usable in the DAW and in HF SYSTEM
BITE, DIRT, and FREAK breath creative life into iconic effects. Enjoy modern twists on the prized tone of early samplers, the timeless shred of a sophisticated stomp box, dynamic ring modulated sci-fi sounds, futuristic timbres, other-worldly radio broadcasts, and more.
AB_LM is a gain control which enables level matched and sample accurate AB comparison of FX chains. Plugin (FX) or even a complex FX chain to the sound. Most DAWs can easily enable/disable (AB) single plugins or even whole FX chains, but in most case there is an audible loudness difference between both cases. In order to compare the impact of a plugin chain objectively the loudness of the incoming signal should match with the loudness of outgoing signal. Comparing the plugin effect at equal loudness levels avoids the “louder is better” – pitfall.
