Presswerk is a powerful dynamics processor with a musical soul. An easy-to-use interface and a rich feature set give you hands-on control over all details of your sound. Presswerk doesn’t emulate famous compressors, it blends the warmth of classic hardware models with developments that are only possible in the digital domain.
AR-1 is a variable-mu tube compressor whose roots are in the raucous sound of the rockin’ American 50’s, yet it enjoys a posh, tea-sipping British image thanks to its use at Abbey Road Studios in late 60’s, notably on the later Beatles and earlier Pink Floyd records. Kush painstakingly captured the sweet breakup of AR-1’s beefy tubes being driven into the dirt, then added more than a half dozen significant UI and functional enhancements. The resulting emulation is every bit as chunky as the original, and 10x more flexible.
A linear phase EQ with unparalleled clarity. For mastering ears, and other discerning engineers. Fans of Algorithmix’s legendary original Linear Phase PEQ Orange. Unfortunately, the Algorithmix EQs were available only as 32 bit VSTs for PC and our workstations and our industry has evolved since then. Tischmeyer’s students repeatedly asked for alternatives, which caused him to scan the market for other high class EQs. Colleague Bob Katz recommended EQuilibrium, an insanely versatile tool, which Tischmeyer used for teaching. However, he could not find a satisfying alternative which would take the place of his original PEQ Orange.
Why develop yet one more minimum phase parametric equalizer (PEQ) when there’s already hundreds on the market? The answer is simple…’Cuz there was room for improvement! It was customers of the original LinearPhase PEQ Red and Orange who asked Algorithmix to develop a classic EQ, for recording and mixing tasks, with unparalleled purity and transparency. Over several years, our Dr. Christoph closely analyzed many of the best out there, and compiled a vast knowledgebase of analog EQ best practices. Cherry picking from that, he implemented not just one or two, but an entire collection of trad minimal phase EQs. The result? A distillation of analog antecedents, while others are based on new ideas.
Streamlining workflows for spoken word, sound–for–picture, podcast and broadcast production, MtG automatically fills gaps, of any length, in edited tracks. The plug–in supplies smoothly looped audio, with controls for visualizing and defining loop fills, along with gain controls to seamlessly integrate the looped audio into your material. Use MtG to speed up creation of your music beds, ambience, actualities, foley and, of course, radio and TV audio; anywhere continuous seamless repetitive audio is needed. A cross–platform plug–in, MtG works in your favorite DAW at whatever sample rate you need. For radio, television and podcasting work, go with 44.1 or 48k. For game audio, cinematic production or whenever clarity and resolution is paramount, MtG handles up to 384 kHz with ease.
Dither is the missing link between distortion and clarity, and LINpro offers more precision, choice and control. LINpro is our rethinking of redithering; the final link between production and delivery. Sharing the same user interface, two channel LINpro and multichannel LINsurround are your final link between production and delivery. Offering optional word length reduction and seven modern noise shaping spectra tailored to both analog and digital delivery of assets, LIN is highly adjustable to help create your own signature “sound.” In addition to TPD and weighted TPD, LINpro and LINSurround feature four newly developed fifth, eighth and ninth order psychoacoustic noise shaping choices.
DROffline MkII is the batch measurement companion application to our official DRMeter MkII real time DR + R128 measurement plug-in.
