DeeQ is a single-band dynamic EQ filter that automatically adjusts the parameters of the EQ based on the incoming envelope or an external sidechain.
Lowtility is a stereo tool designed to control the low end of your mix. It features a variable-slope low pass filter, along with a separate section for finely tuning the stereo width of the bass frequencies. With the with stereo meters, you can visualise how the left and right channels interact, making sure you don’t have any phase-cancellation issues.
Maximal 2 is a loudness maximiser, featuring an advanced lookahead peak limiter and analogue modelled saturation. The multi-stage limiter section features next-level lookahead, automatic makeup gain, and adaptive and responsive release. This plugin will smoothly limit any peaks in the audio, and automatically increase the overall level. The analogue modelled tape and tube saturation modes encompass all the best parts of the analogue world, without all the bad parts – such as high-frequency roll-off, hiss, wow and flutter. Using our adaptive release technology, you can simply tell Maximal 2 whether you want the limiter to be fast and loud, or slow and transparent, and it will do what’s needed inside. You can use Maximal 2 to catch rampant peaks in an audio recording, or you can use it to make your track phat and loud – it’s up to you how you push it.
New secret weapon for melodies Our most game changing plugin yet is finally here… LOTUS LOTUS is an analog delay / pitch shifter with hundreds of unique capabilities. If you’re trying to make your melodies more unique, you need this plugin. LOTUS perfectly replicates a famous guitar effect pedal that’s become very popular in Hip Hop and Lofi production (can you guess what it is?) The problem is, this hardware pedal is hard to get, hard to use, and is extremely expensive. Plus you can’t even save presets easily or even use it in stereo… However, LOTUS is very easy to use while keeping all the advanced features found in the hardware version, plus it’s much more affordable. This plugin is a game changer for making melodies more interesting. Put it on any loop and it instantly gives you a unique sound.
At a time when Bob Moog and others were pioneering the concept of voltage control for oscillators, filters, amplifiers, and more, Bob Moog again broke the mold and conceived a fixed filter bank; no voltage control! This was not an equalizer although it had certain visual characteristics of one. No, the intent of the FFB was to enhance the primary signal, adding harmonics at specific frequencies or removing them at others. This was a time when musicians and engineers were struggling to come to terms with the new synthesizers charging across the music industry and how to employ them in the composing and performing world.
AdrenaLinn Sync is a software plug-in from Roger Linn Design that provides the same unique beat-synced filter modulation and sequencing effects of our AdrenaLinn III guitar pedal, plus quite a bit more. Though intended for guitar, it adds fascinating rhythmic tonal effects to any instrument or processed audio. First released in October of 2009, we listened to your feedback and are now releasing AdrenaLinn Sync Version 2, a dramatic improvement over the original. And it’s free to all purchasers of the original version. AdrenaLinn Sync Version 2 is written in conjunction with Way Out Ware, makers of TimeWArp2600 and KikAxxe, critically-acclaimed emulations of vintage Arp analog synthesizers. Version 2 is completely rewritten and takes advantage of Way Out Ware’s flawless analog-modeled filters and audio processing technology, resulting in a very wide variety of truly exciting, unique and inspiring sounds.
Memorymode is based upon one of the very best-sounding polyphonic programmable analog synthesizers of the 80s – the legendary Memorymoog synthesizer. Released in 1982, the Memorymoog raised the sonic bar with its lush, powerful analog sound. Memorymode was expertly modeled upon a vintage Memorymoog originally owned by jazz legend Chick Corea. It expands upon the original without compromising any of the sound or functionality that made it great, and does away with the reliability, maintenance, and tuning issues of the original. The user interface has been streamlined and simplified, updating the original instrument’s numeric-keypad-and-command-numbers with fast, simple-to-use pop-up menus and an improved value display window.
