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  • HarpTime Pro VSTi v1.5 WiN BEAT
    May 1st, 2015 ⚡

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    HarpTime Pro v1.5 VSTi WiN

    TEAM BEAT | 11/20/2006 | 1 MB

    Strings / Orchestral

    The HarpTime VST synthesizer was designed to reproduce the sound of the plucked folk harp, and uses an advanced physical modeling synthesis in which twelve strings are all individually modeled to allow true sympathetic resonances. The harp has a beautiful sound which is usable in very many musical styles (mediaeval period music, classical, folk, ambient, film music and ballads, for example). However, samples can only reproduce a limited, and somewhat ‘static’ snapshot of a particular real instrument being played. In comparison, physical modeling allowed us to build a VSTi which reproduces the characteristic of a variety of real harps, with more flexibility, control, and dynamics than a sample set will normally provide. HarpTime can reproduce the beautiful of the Celtic harp, as well as that of many similar types, such as Japanese (koto), Paraguayan and African harps.



    Viewed 4564 By Music Producers.

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    • Additive Synth v1.31 VSTi WiN-BEAT
      April 29th, 2015 ⚡
      Categories: VSTi, White Noise

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      Additive Synth v1.31 VSTi WiN

      Team BEAT | 03/28/2005 | 5.00 MB

      Break the mold! Additive synthesis is capable of producing almost any kind of sound. Why continue using the same analog synths everyone else is using? Now is your chance to create something truly unique! Visually draw your own waveforms, timbral changes and filters. You can even load a .BMP file to use as a spectrum. Easily come up with new timbres and sounds by analysing .wav files. Load a .wav into the formant filter for a vocoded sound! Create sounds as wild as your imagination. Additive synth is capable of reproducing realistic voices and accoustic instruments, analog sounds, vocoded sounds, FM sounds, ambient pads and more! Use the formant filter to immitate accoustic instrument body, analog filters, a human vocal tract, or other worldly resonances. Sweep it or morph it. Ever wanted to be able to morph between a hp lp and bp filter? Now you can!



      Viewed 7096 By Music Producers.

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      • Easy Beat Q5 v1.0 VSTi WiN COOKiE-peace-out
        April 29th, 2015 ⚡
        Categories: easytoolz, VSTi, WiNDOWS

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        Easy Beat Q5 v1.0 VSTi WiN

        Team peace-out | 03.14.2009 | 7.15 MB

        4 slot Drumbox with 4 X 16 Stepseq – 40 samples – 4 lfo 4 AD-EG – Bitcrusher – Drive-4 Filter (LP/HP/BP/BR) pro slot- 64 Presets from atulla.



        Viewed 3281 By Music Producers.


        • Beat Magazin – Mai 2015
          April 22nd, 2015 ⚡
          Categories: News

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          Beat Magazin – Mai 2015

          German | 100 Pages | True PDF | 26 MB

          Das Fachmagazin für Musik, Produktion und DJ-ing: BEAT kombiniert kompetente Hard- und Softwaretests mit engagierten Rezensionen sowie Berichten und Interviews aus Musikerkreisen und dem Musik-Geschäft.



          Viewed 2955 By Music Producers.


          • Pro Tools 8 Editing Drums Using Beat Detective and SoundReplacer TUTORiAL
            April 13th, 2015 ⚡
            Categories: TUTORiALS

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            Pro Tools 8 Editing Drums

            Using Beat Detective and SoundReplacer TUTORiAL

            Team QUASAR | 05-11-2010 | 1.11 GB

            Join author Brian White in Pro Tools 8: Editing Drums Using Beat Detective and SoundReplacer as he demonstrates how to fix the timing and sweeten the tone of live drum recordings using Pro Tools 8. This course covers many of the operational modes and common workflows in Beat Detective, including tempo mapping and quantizing multi-track drums, and a variety of drum sweetening techniques like sample triggering with SoundReplacer and virtual instruments. Exercise files are included with the course.



            Viewed 2426 By Music Producers.


            • Made The Beat On “Boy Boy” for G-Unit TUTORiAL
              March 24th, 2015 ⚡
              Categories: TUTORiALS

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              Made The Beat On “Boy Boy” for G-Unit TUTORiAL

              Gh0sTRyD3r | .MOV | 24.03.2015 | 523 MB

              Run-time: 36 Min. 42 Sec. / Format: 720p HD .mov

              Takes you inside on this step-by-step “Protools screen shared” video on how he created the beat for “Boy Boy” (co-produced by Jake One & G-Koop) on G-Unit’s latest album “The Beast Is G-Unit”.



              Viewed 2506 By Music Producers.

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