SBC v1.0.4 U2B macOS

Team HCiSO | 20 January 2025 | 53.7 MB

.: AU, VST, VST3, 64Bit :.

SBC — experience legendary buss compression!

A faithful emulation of the classic analog buss compressor, with added features such as NUKE hyper-compression and THD®. The initial release consists of a thorough emulation of the wide and punchy stereo version and an even more versatile multi-band version which is planned to arrive in the Fall of 2022 as a FREE upgrade.

Augmented STRiNGS macOS

MORiA | 28 April 2025 | 5 GB

.:STANDALONE, VST2i, VST3i, AAX, AU, NKS* (64-bit DAWs only):.

Augmented STRINGS Intro incorporates rich multi-sampled string sounds with state-of-theart synthesis combining them in an approachable, exciting software instrument. This will give modern producers immediate access to a comprehensive range of authentic, abstract, and evocative string sounds. Augmented STRINGS Intro will provide you with the most comprehensive string palette for any project. With the intuitive preset browser you’ll be inspired with everything from traditional classical ensembles all the way to modern contemporary sounds. But don’t stop there, using the provided macros you can push and tweak the presets and get excellent results, with the minimum of fuss.

Utopia v1.0.0 MAC

HCiSO | 26 April 2025 | 43.09 MB

The spectral reverb that shapes space, time and texture. Go beyond conventional convolution reverbs and enter a realm of lush, evolving, cinematic soundscapes. Craft long, dense textures with unparalleled clarity and mystery.

Wavesurfer v1.0.0 MAC

Team HCiSO | 21 December 2024 | 79.17 MB

Wavesurfer is a revolutionary multi-effects processor that combines vintage effects, full of analog warmth and character, with cutting-edge neural processing. This drag and drop modular effects plugin is highly intuitive and versatile. Use it for anything from subtle mixing tasks to crafting complex new soundscapes. Ride the waves of sonic discovery.

ANA 2 v2.5.5 macOS

HCiSO | 24 March 2025 | 4.39GB

MEET THE INDUSTRY’S MOST POWERFUL NEW SYNTH

ANA 2.5 isn’t just another VST synth; it’s the virtual software synthesizer that packs a punch. With this soft synth, you get all the cool sounds of a classic virtual analog synth without the hassle of old-school gear. It’s easy to use, whether you’re just starting out or are a seasoned pro. As a synth program, it’s crammed with killer presets to get you going and officially has a rep for being one of the best synth VSTs out there being used by many HUGE artists and producers. Want to lay down some tracks without breaking the bank or your brain? ANA 2.5 is your ticket to that big studio sound.

DynaBit v1.0.0 MAC

MORiA | 12 February 2025 | 5 MB

Create rich, energetic and detailed bitcrushed textures.

Explore a wide range of tones, from refined, graceful characters to glitchy mutilated mayhem. Animate your tracks with dynamic audio-chopping and expressive modulations. Enjoy the straightforward, elegant design in your new and powerful bitcrush effect.

TE-100 v1.1.3 macOS

MORiA | 10 March 2024 | 31.9 MB

The original KLEIN & HUMMEL UE-100® EQs are extremely rare and expensive. But Rafa Sardina – who has 12 Grammy wins and 35 nominations – owns 10 of them! What is so special about this weird and wonderful device? For some time, hardware equalizers had to each be developed with a specific purpose in mind, requiring engineers to combine different EQ types in one signal chain in order to achieve the frequency response they needed on any given source. They would have to accept the necessary evil of the resulting phase and intermodulation distortion when treating these sounds. When released in 1961, the Klein & Hummel UE-100 Universal Equalizer changed all that. This all-tube minimum phase EQ used six discrete filter modules to create a collection of band-pass filters that could create dynamic curves for any application from source mixing to vocal tracking to mastering. While some earlier UE-100s were used to transparently filter out junk low and high frequencies when printing to tape and vinyl, it quickly became commonplace to take advantage of the unique pushbutton frequency selection; this provided an easy way to not only recall settings, but also alter them on the fly while recording a performance. The UE-100 became known for its musically warm curves and precise response, offering a myriad of possibilities for treating frequencies by boosting and/or cutting across the spectrum to shape sounds “like a Pultec on steroids.”