KORG Multipoly Native MAC

MORiA | 07 August 2025 | 136.77 MB

..: AU, STANDALONE, AAX, VST3, 64Bit :..

Inspired by the legendary KORG Mono/Poly, the new KORG multi/poly analog modeling synthesizer delivers breathtaking analog sounds combined with extraordinary digital power and flexibility. It’s already garnering acclaim as one of the best synths of the year. Now, Korg is pleased to announce multi/poly native, the fully-compatible software counterpart to the hardware multi/poly synthesizer. multi/poly native is available in VST3, AAX, and standalone formats on both macOS and Windows, as well as AU on macOS. You can seamlessly exchange sounds between hardware and software, and access an increasing number of excellent third-party libraries, keeping the updated sounds and software fresh. Produce in your DAW with multi/poly native, and then play the same sounds on stage using the multi/poly hardware. Create sounds with the hardware’s hands-on interface, and then share them with a computer-based collaborator.

REAPER v7.48 macOS

Team V.R | 07 October 2025 | 60 MB

REAPER is digital audio workstation software: a complete multitrack audio and MIDI recording, editing, processing, mixing, and mastering environment. REAPER works with almost any hardware and can be used in combination with a vast universe of other software and plug-ins. Take advantage of REAPER’s full functionality using only your current computer and a microphone, or use REAPER to drive an entire professional recording studio

Pulsar W495 v1.2.4 MAC

GUiSEPPE | 05 June 2025 | 62MB

An accurate emulation of the Neumann w495 3-band EQ. Neumann w495 EQ’s were used to master 90% of the vinyl records manufactured from the 1970s to the 1990s. But even after this golden age, many mastering engineers still love this EQ. Why? Because the w495 has wide equalization curves that can be pushed to ridiculous levels while remaining musical. The w495 is an easy-to-use tone shaper for individual tracks. But It can also enhance presence and depth of an entire mix. But we’ve taken Pulsar W495 even further, adding all the key features you would expect from a modern EQ plugin, including visual curve editing for a fast workflow. From channel EQ to mastering EQ, Pulsar w495 is an easy-to-use powerful tone shaper, faithfully emulated from an iconic 3 band EQ.

Superior Drummer v3.4.2 MAC

Teams V.R/MORiA | 05 December 2025 | 572.18 MB

(64Bit, AU, AAX*, VSTi, STANDALONE)

In addition to a massive library of raw sound material, Superior Drummer 3 introduces a unique design*, a streamlined workflow and countless features for powerful drum production in your computer. With Superior Drummer 3, you have control and creative power beyond the imaginable. Welcome to the future.

ValhallaDSP Bundle 2025 MAC

Team V.R | 04 December 2025 | 61.2 MB

⚡ Reverb-centered plugins ⚡

These plugins are designed primarily to provide reverberation effects.

Smasher v1.5.4 MAC

GUiSEPPE | 04 June 2025 | 34.2MB

PLATFORM: (AU, VST3, 64Bit)

Smasher is an unprecedented custom modification of the classic Urei 1176 compressor circuit, a unique formula that we stumbled upon while fine-tuning other algorithms. The original 1176 compressor hardware offered a selection of four ratios, but studio engineers soon discovered that pressing them all at once led to a distorted, explosive and highly compressed sound. It’s this “All buttons in” or “British” mode that Smasher was painstakingly designed to recreate. While remaining very close to the original circuitry, the modifications we’ve built into Smasher will add definition to transients and make your tone more aggressive. We love using it to enhance the ambience in drum busses, but there are many more creative uses too. Smasher won’t work on every single track, but where it does, it works magic. Smasher excels at raw and gritty sounds, calling to mind bands like Vulfpeck, The Whitefield Brothers and The Black Keys.

Echorec v1.7.4 MAC

GUiSEPPE | 01 June 2025 | 160 MB

The Echorec is a software emulation of the iconic echo/delay unit of the same name produced by the Italian brand Binson in the 1960s. The sound of this magnetic disk delay differs from the tape delays used at the time, and has largely contributed to the audio signature of many 70s bands: Pink Floyd, The Shadows, Jimmy Page etc. Vintage Echorec devices are known for their saturation, self-oscillation, and oversound, all shaping the music produced in the 70s. They are also, however, known to be fragile and difficult to maintain.