Modular Chaos Engine v2.1 KONTAKT

P2P | 13 August 2014 | 277 MB

A chaotic drum machine for a chaotic world

Part two of the Modular Chaos Engine and I’m very excited to introduce my first fully electronic instrument. It’s probably fairly obvious by the blueness and the title that I’ve exploited the strange and rather wonderful qualities of Dave Smiths’ criminally underated analog/digital masterpiece the Evolver. I LOVE this underdog synth, mainly because it has so much wonky personality and a wonderful, slightly mad architecture that can produce some really great sounds….usually of a highly boisterous nature. So, for this Chaos Engine there are up to 127 different sounds/articulations per key which are very loosely mapped across the keys from from low kick drum type sounds through snappy snare type sounds up to more clicky, rattly hats and then the mildly melodic sounds up near the top end of the key range.

Scene: Saffron Explained®

HiDERA | 24 August 2024 | 45 MB

Join Groove3 instructor Larry Holcombe for a detailed look at Scene: Saffron, a new “lightweight cinematic instrument” from Native Instruments designed for quickly creating vivid, expressive scores for film, TV, or video games. You’ll learn everything you need to know to start using this instrument right away, from blending sound sources to setting up modulations, employing aftertouch, and much more. By the end of this Saffron course, you’ll have designed your own sounds like a pro and be ready to use them in your own productions with confidence. These Saffron videos are designed for new Scene: Saffron users. Larry begins the course with a brief introduction, in which he provides some basic information about the instrument and its architecture, including a tour of the interface, so you’ll have your bearings throughout the course. Then it’s on to the Sound Sources, where you’ll learn how to select the two individual sound elements that you’ll use to build a patch. See how to employ randomization and use the X/Y controller to blend the two signals in various ways.

TAL-BassLine 101 v3.9.4

MORiA | 15 September 2024 | 33.99 MB

TAL-BassLine-101 is a monophonic bass synthesizer with a classic analogue sound. The GUI is intuitive and easy to use. It produces the raw sound you know from analogue devices without any effects. BassLine has a very smooth and authentic analogue sounding 24dB zero feedback delay resonance low pass filter. Especially designed and calibrated for extreme settings. It sounds even smooth with a lot resonance and a high oscillator pitch. Details as envelope transitions between overlapping notes are carefully modeled. The oscillators do not use any samples. BassLine generates all wave-forms in real time.

Transgressor v3.0.x WiN MAC

TEAM R2R | 23 August 2024 | WiN: 17.9 MB | MAC: 33.5 MB

PLATFORMS: AAX, AU, VST2, VST3, 64Bit

Not Just Another Transient Designer

Transgressor sets a new standard for transient design by combining transient shaping with two 4-band equalizers, giving you the unprecedented power to EQ attack and sustain individually. Now you can craft the sound of your drums any way you want, whether it’s subtle enhancement or changing the sound of an entire kit, and more.

Orb Producer Suite v3.0.5 WiN MAC

MOCHA/HCiSO | 21 April/June 2024 | WiN:276MB | MAC:1.37GB

AI computing infinite patterns, melodies and basslines.

….: VST2i, VST3i, x64 :…..

Easy-to-use Parameters: With a modern, powerful but simple User Interface, control every parameter and the magic happen. Perfect DAW Integration: Orb Producer Suite works on all DAWs (except Protools), VST2/VST3 and AU/AUFX formats are provided. Easy export and import: A simple drag and drop and the MIDI is in your DAW. Incredibly simple to integrate into your workflow. Software for professionals: Unique software for musicians, DJs, recording studios, film and digital audio makers. 4 plugins for you: Chords – Melody – Bass – Arpeggios

Chords Maker v5.1 WiN

P2P | 13 September 2024 | 458 KB

Chords Maker for Windows is a program that can create a lot of different musical chords. These chords are displayed on the Piano keyboard.

Ableton Live 12 Essential Training

P2P | 12 September 2024 | 3.32 GB

Do you work in audio recording, loop-based songwriting, or synth and sound design? In this course, music professor Rick Schmunk walks you through a variety of ways you can use Ableton Live 12 in your workflows. Rick shows you how to set up your system and use the Ableton Live user interface. He explains how to work with the browser, the Arrangement view, and the Session view. After going over how to use the MIDI Editor, how to record and edit audio, and how to work with arrangements, Rick covers plug-ins, effects racks, the live mixer, and mapping. Then he demonstrates how to make your life easier by automating graphics, editing, and clips, including real-time automation. Rick concludes with some practical advice on managing your files.

Destructor v1.62 WiN MAC

Team R2R | 12 September 2024 | WiN: 32.8MB | OSX: 129.3MB

..: AU, AAX, RTAS, VST3, VST, x86, x64 :..

Destructor is a powerful distortion and amp sim modeling tool capable of simulating any kind of distortion: from harsh digital destruction to smooth compression or guitar amp simulation (works for clean tones too.), and most importantly, yours. It is delivered with hundreds of presets and predefined models, either inspired by existing gear (guitar & bass amps or cabinets, compressors, pedals, tape machines…) or created by our destructive minds. But the plug-in is not limited to these predefined models: all parameters of existing presets are fully editable, which gives you access to an unlimited number of distortion simulations – no need to purchase extra presets or amp models to build your custom tone. Based on a perceptual model rather than on electronic designs or impulse responses, the signal chain is reduced to its bare minimum, simplifying the process of tweaking the tone and making it fit into the mix.

MELLOW v2.3.0 WiN

Team R2R | 11 September 2024 | 2.39 GB

PLATFORM : WiN64 – VSTi/VST3/AAX(MODiFiED)

Forget Double Bass as You Know it Introducing Virtual Bassist MELLOW – a double bass playing jazzy acoustic hipster that provides body, texture and a big bottom end. Smooth and Elegant MELLOW isn’t just for jazz trios though, feeling equally at home adding smooth, soulful and acoustic realism to singer-songwriter, RnB and Hip-hop styles. Organic, Hip and Yummy Virtual Bassist MELLOW – at the heart of it is a meticulously recorded acoustic double bass, played with soul and feel, implanted in a virtual instrument adding realism, behavior and a player who knows his stuff. Smooth, elegant, with the odd noise here and there. At home as a subtle foundation in a jazz trio as well as powerful second voice in Hip Hop.