Input X and Y are left and right audio channel of the track. Y can be switched to the internal OSC. The frequency of the OSC can be controlled by the slider oder MIDI.
A stereo pitch-shifter piles head-long into an echo box with filters bit-crusher and waveshaper. To pour acid in the wounds : modulators attack both pitch and delay time. “This oh-so desirable effect combines pitchshifting and delay to produce lush choruses, swirling echoes and some dynamite vocal doubling” With delay times ranging from 2 milliseconds right the way up to five seconds, the feedback path is the most important part of this effect … that’s where you’ll find a pitch-shifter, a bit-crusher, a wave-shaper and a shelving filter. A wide variety of effects can be generated from subtle chorus-type sounds to nasty smashed-up swooping loops, clean slap-delays to evil bad-guy voice effects.
The Roland™ Dimension D is a famous peace of gear from 1979. A chorus which did not detune the signal too strong but gave it a 3-dimensional depth and wideness. These are still used in studios because of their easy use and good sound. The VDIMENSION tries to recreate this sound as a VST-plugin. It has the four presets plus modulation off. Input and/or output can be switched to mono.
Guitar & Bass offers you the very best instrument reviews. Our product testers are all leading industry professionals and we’ve helped thousands of readers make the right choice about kit. And when you occasionally put down that guitar, there are plenty of entertaining interviews with all your favorite guitar hero’s.
You just need some basic tools, some basic theory, and a lot of practice! Through simple chromatic patterns and warm-up exercises, you’ll develop finger independence, conditioning, and speed. Learn patterns and sequences in a variety of scales, while developing technical fluency in alternate picking, tapping, multi-finger tapping, sweep picking, string skipping, and more. This book is for guitarists of all genres who are ready to break through the limitations of their technique and start shredding like they have always imagined. The included CD features backing tracks so you can hone your soloing skills and develop your own unique sound and style.
All sounds are straight from D Dot’s personal sound Collection Songs Produced by D Dot, NO copied or modeled samples to imitate D Dot’s sound 100 Total Sounds featuring 39 Kicks/808s, 21 Snares/ rims/snaps, 15 hats and cymbals, 25 808s, toms, shakers, one shots, loops and other signature sounds. No added reverb, delay, or compression, All sounds are in wav format Compatible with Maschine, Pro Tools, Logic Pro, Reason, FL Studio, Acid Pro, and Cubase
Add ancient culture to your music… Voices of the Aztecs is a full compilation of Aztec instruments, loops and vocals. These samples were recorded in Mexico from archeological artifacts. From the big Huehuetl drum to the smallest of Ocarinas, all of the sounds are unique. Water drums and wooded percussion, clay flutes and incredible sound of the sea shell horn all remind us of a distant culture disappeared 400 years ago. Voices of the Aztecs also includes Nahuatl poems recited by Santos de la Cruz, a poet of Aztec descent. The booklet included offers a cultural history of the Aztecs.
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