‘ZAP 01 – Video Game Sound Effects’ is a new video game sound collection. The sound design elements contained in this pack (such as futuristic, laser and electric zaps, explosive sci-fi weapon shots and laser pulses in WAV format) have been created specifically for 3D film/TV, multimedia and video game sound design projects.
Microtape 15 is a set of psychedelic sounding autoharp chords – Majors,Minors and Major Sevenths, strummed up and also down. Recorded with maximum character on the Vortexion CB1, these are not subtle sounds. 6 presets. Microtape 16 contains percussive sounds of varying degrees of oddness made with the autoharp. 5 presets. Both interfaces feature the usual microtape tape degrader controls, ADSR, expression controls, saturation and vibrato.
Getting good drums and beats is one of the most important and difficult aspects of working with Logic Pro X. How do you create something original or unique? How do you create a realistic roll, flam, or fill? Can you avoid sounding like everybody else? This course will give you full access to all the creative tools you need to get absolute control over the rhythms of your music.
The Dish-sponge-under-the-strings 60s bass sound – with some added grit and compression options. Recorded with an Aria (Precision Bass replica made by Matsumoku).
DubDrum 141 – 16 variations of a beat from the Hammond auto-vari64 drum machine, dubbed out through 2 daisy-chained wem copicat tape delays and each mapped to a different key. Tempo at 70.5/141 bpm. With 5 token presets, this isn’t designed as a synth, like Tronto for example, but as a player, with a virtual tape machine running all the time beneath the engine. You have 3 types of control (via the ‘Degrader’) over tape damage – via filter,amplitude or pitch, with a tape speed slider as well, so Boards of Canada style sounds are easily obtainable, or you can set the controls to zero to bypass the effect. There is a simple low pass filter (no resonance) that can be connected to velocity (as can amplitude) for instrumental expression, but also more interestingly is hard wired to the ADSR envelopes, so a slower attack also brings about a slower filter attack (if engaged), to emulate the tape head coming into contact with the tape (likewise with the release).
NOTE that these Plug-Ins were released in the year 2010, so they won’t work on the newest Mac OS!
Lizard Breaks. This time he delivers a collection of 442 samples comprising 69 groove kits, each offering typically 5 groove variations and some single hits for you to create your own beats or apply overdubs quickly and easily. As ever Simeon’s deft programming and groove instincts are evident and the layout of the library makes it extremely quick and easy to use effectively without interrupting your creative flow. Grab a beat, throw in some variations and add a few extra beats and you can have a fairly intricate backbeat in minutes
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