Planet Drum Machine WAV

P2P | 4 January 2012 | WAV | 1.91 GB

Planet Drum Machine is a monster collection of the last 40 years of electronic drum machines and contains 45,250 individual drum hits. The machines range from the classic models through to the vintage and more obscure. Each machine has been recorded 44.1 kHz // 24 bit and presented in both dry and processed form.The processed versions are arranged in folders such as wet [with long and close reverb], bit degraded [with 4-5 crunched variations], glitch & distortion [with 3 variations] and slammed [with an extreme compression punch]. This sample library is the definitive collection and never again will you need to find another drum or percussion sample. Recorded 44.1 kHz // 24 bit. Containing 45,250 Audio Samples.Suitable for Ambient, Digital-Redux, Drum-and-Bass, Dubstep, Hip-Hop, House, Techno, WAV etc.

Valve 4 Op KONTAKT

Team KRock | June 21 2012 | 668.64 MB

Valve 4 Op is a detailed sample library of sounds from the Yamaha TX81Z, developed for Native Instruments Kontakt 4 and higher. In total, there are 112 instruments made from 2,342 discrete samples. All samples were recorded in 24 bit at 44.1 kHz through an Inward Connections Vac Rac 4000 valve pre-amp. The TX81Z was originally manufactured in 1987 and was ubiquitous on House music tracks in the late ‘80s, early ‘90s. It was also used widely in Hip Hop and RnB. TX81Z Editing on the hardware was a tortuous process because of the small LCD – a bit like trying to decorate the inside of a house through a letter box. Because of this, many producers just used the presets, and many of those just used one preset – Lately Bass….

Made The Beat On “Boy Boy” for G-Unit TUTORiAL

Gh0sTRyD3r | .MOV | 24.03.2015 | 523 MB

Run-time: 36 Min. 42 Sec. / Format: 720p HD .mov

Takes you inside on this step-by-step “Protools screen shared” video on how he created the beat for “Boy Boy” (co-produced by Jake One & G-Koop) on G-Unit’s latest album “The Beast Is G-Unit”.

Music Tech Magazine April 2015 PDF

ENGLISH | PDF | 116 Pages | 26.7 MB

Music Tech Magazine is the practical magazine about music recording and production, which is renowned for the way it helps readers improve their understanding and expertise in music technology.

Analog Performer SFX WAV

FANTASTiC | 23 MARCH 2015 | 927 MB

Analog Performer SFX is a mind-expanding suite of electronic sound effects. From glitchy blips to screaming rips, noise strikes to harmonic ripples, laughing androids to alien birdcalls, Analog Performer SFX will add colour and chaos to your productions. The library was crafted from exclusive performances on Moog Source synthesiser complemented by his Korg MS-20/MS-50 modular system and Korg SQ-10 analog sequencer. The combination of synth programming and live improvisation gives this library an unmistakable character – hovering between vintage sci-fi and futuristic electronica – that can’t be matched by software synths or computer-based sequencing. A bonus suite of remixed effects by sound designer Iain Morland pushes into further sonic terrain, including sweeps, risers, and hybrid textures.

Layback Throwback MULTiFORMAT

FANTASTiC | 23 MARCH 2015 | 916 MB

LAYBACK/THROWBACK. Channeling the spirit of artists & producers like J-Dilla, ?uestlove, Madlib, D’Angelo and Herbie Hancock, LAYBACK/THROWBACK creates a sonic world all its own. In this unique collection, producer/multi-instrumentatlist, DJ Harrison shares hundreds of looped grooves, melodic and chordal ideas, distinct production choices and sound effects offered as inspirational leaping-off points to get the create juices flowing.

Audio Signal Processing for Music Applications TUTORiAL

P2P 24 | MARCH 2015 | 1.75 GB

In this course you will learn about audio signal processing methodologies that are specific for music and of use in real applications. You will learn to analyse, synthesize and transform sounds using the Python programming language. Audio signal processing is an engineering field that focuses on the computational methods for intentionally altering sounds, methods that are used in many musical applications. We have tried to put together a course that can be of interest and accessible to people coming from diverse backgrounds while going deep into several signal processing topics. We focus on the spectral processing techniques of relevance for the description and transformation of sounds, developing the basic theoretical and practical knowledge with which to analyze, synthesize, transform and describe audio signals in the context of music applications. The course is based on open software and content. The demonstrations and programming exercises are done using Python under Ubuntu, and the references and materials for the course come from open online repositories. We are also distributing with open licenses the software and materials developed for the course.