KR Keyboard Recording Home Studio – le magazine de la création musicale ! Suivre l’évolution du matériel et des techniques d’enregistrement, découvrir des conseils et astuces pour progresser vite et bien (quelque soit le niveau, le style de musique ou l’équipement) : c’est la promesse de KR !
PreSonus Studio One 4 is an amazing DAW for recording audio. Join educator and audio engineer Joshua Carney in this course to master all audio recording and editing features included in Studio One! Recording and editing audio doesn’t have to be a daunting task. In this in-depth course full of real-world examples, expert trainer Joshua Carney will teach you the skills, tools, essential technique, and workflows you need to master to make great audio recordings! The course begins by explaining how to set up your audio interface and preferences for recording. You learn various ways to import audio and loops, and make everything conform to your song’s tempo. Next, all audio editing tools are covered in detail, and important shortcuts for editing and zooming are also explained. With plenty of recording examples, Joshua demonstrates various techniques for recording electric & acoustic guitar, bass, vocals and multi-tracked acoustic drums. You learn to record both DI and with a microphone, how to do Auto Punch, how to quickly create an arrangement with the Arranger track, how to layer, comp and tune vocals, create a rough mix, and a lot lot more…
The Purgatory Creek Soundware Pianet T is an excellent recreation of this popular keyboard. It was deeply sampled at eight velocity levels recorded for the full duration. Manufactured between 1977 and 1982, the Pianet T was popular as a light-weight alternative to larger, heavier electro-mechanical pianos. While its sound is not as tonally expressive as other instruments, it does possess a unique, intimate sound. Pianet T was deeply sampled at eight velocity levels recorded for the full duration, so you will hear neither loops nor artificial envelope decays. Nearly every note of the instrument was recorded and note-off release samples are included. The instrument uses 28MB of RAM and requires 210MB of free disk space. You will find a three-band equalizer, volume for the release samples and a velocity curve dialog box which allows the user to adjust the instrument to respond to touch. In addition, each has controls for the tremolo, phaser and reverb effects. Finally, a number of amp simulations are provided.
A wonderful recreation of this rare vintage instrument. The Purgatory Creek Soundware Pianet N was deeply sampled at eight velocity levels recorded for the full duration. The electro-mechanical piano, upon which this sample-set is based, was manufactured between 1965 and 1967. It is a rare reed-based instrument. The Pianet N was deeply sampled at eight velocity levels recorded for the full duration, so you will hear neither loops nor artificial envelope decays. Nearly every note of the instrument was recorded and note-off release samples are included. The original instrument included a mono tremolo effect which is emulated. The instrument uses 28MB of RAM and requires 307MB of free disk space. You will find a three-band equalizer, volume for the release samples and a velocity curve dialog box which allows the user to adjust the instrument to respond to touch. In addition, each has controls for the tremolo, phaser and reverb effects. Finally, a number of amp simulations are provided.
An authentic recreation of probably the most popular version of this classic piano. The Mark II (1980) was sampled at 16 velocity levels for full duration. The Mark II piano was noted for its modular action and Schaller tines, which give it a different sound than the earlier models. Mark II (1980) beautifully captures the tone of the original. The instrument was sampled at 16 velocity levels for full duration, providing an accurate sound with no artificial decay envelopes or sample loops. Nearly every note of the piano was sampled and eight velocity layers of note-off release samples are included. The instrument uses 46MB of RAM and requires 760MB of free disk space. You will find a three-band equalizer, volume for the release samples and a velocity curve dialog box which allows the user to adjust the instrument to respond to touch. In addition, each has controls for the stereo vibrato, phaser and reverb effects. Finally, a number of amp simulations are provided.
A wonderful recreation of this classic, funk keyboard. Each of the four pickups of D6 was sampled at a minimum of 16 velocity levels for full duration. The model D6 was by far the most popular version of the instrument and can be heard on many recordings from the 1970s and beyond. Each of the four pickups of D6 was sampled at a minimum of 16 velocity levels for full duration, providing an accurate sound with no artificial decay envelopes or sample loops. Release samples and attack noise samples are also included.
A Bass modeller and sound-design toolkit, ready to inspire. UnderVibe is a very flexible instrument and includes both one-shot playback and an arpeggiator which follows the notes in the order that you press them. There are many different note divisions and also special arpeggio patterns which combine repetitions with ADSR and FX randomisation.
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80s Spaces v2.4.0 WiN Team R2R | 07 June 2024 | 260.1 MB PLATFORM: VST2/VST3/AAX(MOD) The ultimate "80’s Vibe" reverb plug-in.. 80’s Spaces "magically" emulates...
Freq-2 KONTAKT P2P | 09 May 2025 | 7.8 GB All the vintage character, in a plugin Freq-2 is a sample based plug-in, built for Kontakt. Upgrade your sound selecti...
