All pad variations were designed with the legendary Schmidt Synthesizer – an expensive 8 voices real analog beast. All processed versions were designed with several hardware devices like Bricasti, Lexicon 224, Vertigo Sound EQ, Eventide H3000 and other devices to create “deepness”.
All about SampleTank 4! Learn how to setup and start using ST4, all the way through understanding all of its powerful features and functions, as well as get invaluable tips and tricks. Eli begins by welcoming you and then shows you the proper way to download and install your SampleTank 4 content, followed by in-depth overviews of its architecture and user interface. Next, Eli covers more of the basics, like working in Parts View and using the Instrument Browser. The Player Panel is then revealed, and Eli covers all of it, including the Arpeggiator, Phraser, Strummer, Loop Manager and more.
“The Comedown – Crucial Trap-Soul Vol.69”. From Mac Miller’s dark, interstellar ‘oblivion’, to Drake’s and Kanye’s paranoid Kool Aid dreams, to everyone else’s secret wish to re-incarnate as D’Angelo, we’re all just hanging out for The Comedown, are we not? From dirty slabs of down and out Fender Rhodes, to emotive sample flips of obscure Japanese 70s jazz, we offer you a toolkit for the after-hours, the weird, the potentially compelling loopology you so deeply lust for. There’s even a killer trap beat or two thrown in for good measure, and a veritable mothership of 80s digital and analogue synth work. We namecheck Mac Miller, Drake, OVO Sound, Dilla, Questlove, Pete Rock, Odd Future, Beans, Antipop Consortium, Deepchild and even secretive super-producer legend, Microlot, here… When Trap is over, turn out the lights. We’ll meet you there.
Shreddage 1 / Classic is now Shreddage 3 Legacy! Features our original, legendary drop-tuned 6-string guitar with a brutal heavy rock and metal tone. Now upgraded to the S3 Engine with many more samples, more realistic performances, and 30+ included FX (amps, pedals, cabs + more!) Shreddage 3 Legacy is a modern update of the original, groundbreaking Shreddage virtual instrument, first released in 2010. This instrument set a new standard, showcasing stunning realism for high-gain rock & metal rhythm parts. Composers and producers have long enjoyed its aggressive 6-string tone, which features a popular “Standard” guitar. However, the original instrument had a somewhat limited sample pool, lacking per-fret sampling and the note range to perform convincing leads.
This pack is filled with over 50 spirit-crushing song-starters, loops & sounds that will make any bass tune lethal. Fusing the elements of the Orient, JUTSU channels the elements of fire & water for your production power. Includes ominous basslines, flighty flutes, & drop-kick drums.
Limited-MAX is a specialized limiter, based on the foundation of being a capable look-ahead brickwall limiter suitable for final mixing or mastering. Limited-MAX dynamically combines several unique limiting algorithms to provide transparent limiting on all audio sources. Limited-MAX is capable of substantial levels of compression/limiting without inadvertently creating excessive amounts of audible distortion. Limited-MAX is highly configurable and suitable for a wide range of musical sources. Limited-MAX exposes all aspects of the multi-process limiting algorithm. This lets the user continually adjust and find the best sound from a vast number of options, instead of choosing from only a handful of algorithms. Other features include standard attack and release controls, adjustable look-ahead, adjustable stereo linking, and a variable style control that changes the sound and shape of the limiter’s compression curve. Additionally, Limited-MAX includes a selectable DC filter and complete dithering controls, with selectable dither noise shape and psychoacoustic filtering.
Clipped-MAX is multifaced clipping tool designed for a wide range of mixing and mastering applications – from subtle to extreme. Clipped-Max includes 4 distinct clipping modules that can be rearranged to produce a variety of effects. Built into Clipped-MAX is minimal and linear phase oversampling that extends to 128x. The modules for Clipped-MAX include SHIFTER, STEREO, M-BAND, and MASTER. The SHIFTER module is based on Clipped-MAX’s predecessor, ClipShifter. The clipping threshold can be dynamically altered based on the incoming signal. The STEREO module splits the incoming signal into mid and side channels, and each channel has separate clipping controls before being combined into left and right output signals. The M-BAND module splits the signal into 2 to 6 different EQ bands for separate clipping. Each band’s clipping amount and clipping algorithm is separate and configurable. The MASTER module includes eleven different clipping algorithms, including an intersample peak option for monitoring and stopping intersample peaks.
Total Posts: ❨ 🎵➡46656 ❩ | Paged: ➡ 3278
