Input X and Y are left and right audio channel of the track. Y can be switched to the internal OSC. The frequency of the OSC can be controlled by the slider oder MIDI.
A stereo pitch-shifter piles head-long into an echo box with filters bit-crusher and waveshaper. To pour acid in the wounds : modulators attack both pitch and delay time. “This oh-so desirable effect combines pitchshifting and delay to produce lush choruses, swirling echoes and some dynamite vocal doubling” With delay times ranging from 2 milliseconds right the way up to five seconds, the feedback path is the most important part of this effect … that’s where you’ll find a pitch-shifter, a bit-crusher, a wave-shaper and a shelving filter. A wide variety of effects can be generated from subtle chorus-type sounds to nasty smashed-up swooping loops, clean slap-delays to evil bad-guy voice effects.
The Roland™ Dimension D is a famous peace of gear from 1979. A chorus which did not detune the signal too strong but gave it a 3-dimensional depth and wideness. These are still used in studios because of their easy use and good sound. The VDIMENSION tries to recreate this sound as a VST-plugin. It has the four presets plus modulation off. Input and/or output can be switched to mono.
Davoli Davolisint synth is rare Italian keyboard created in 1972 – it was the year before the synthesizer industry really took off. “The Minimoog, EMS VCS3 and the ARP 2600 were already available and the ARP Odyssey was just about to appear, but the first of the more affordable Rolands, Yamahas and Korgs were only to be unveiled a year later. The other thing you need to know is that, in 1972, manufacturers were still experimenting with both the form and function of electronic keyboard instruments, balancing costs, flexibility and simplicity in innovative ways that were largely abandoned just a couple of years later. This means that the Davolisint had very little in common with the synths that preceded it, or those that were soon to follow.”
It is a full-featured DJ and beat mixing system which lets you groove to your own style of DJ music. One feature which sets this music mixer apart from all its rivals is that it includes two independent decks which equipped with no less than professional sound quality. You will have a beat-sync display, pitch controls, and fast-seek modes. The cross fader for manual music mixing and an auto fade adds that little touch of style and functionality which so many other audio mixers lack.
2DaT ha lanzado OBXD , un instrumento virtual del freeware para Windows que emula la legendaria Oberheim OB- X análogo polifónico sintetizador.
OBXD es una emulación del famoso OB- X, OB- Xa y OB- 8 sintetizadores. Si bien no se copian originales , algunas de las características fueron llevados a un mejor punto . OBXD está disponible para su descarga gratuita a través de KVR Audio ( 2.71 MB El tamaño de la descarga, el archivo ZIP de 32 bits y en formato plug-in VST de 64 bits para Windows).La versión beta fue lanzado hace varios meses y varias versiones actualizadas del instrumento han sido liberados en el ínterin. La última versión del plugin cuenta con una bonita interfaz gráfica de usuario a medida diseñado por un memeber KVR Audio . El plug-in utiliza GUI por defecto del programa de acogida en las versiones anteriores.
Futucraft ha anunciado la disponibilidad de Manual Kairatune Video, una serie completamente libre de tutoriales en vídeo para su programa gratuito Kairatune sintetizador virtual monofónico.
Futucraft ha publicado un manual de vídeo e imprimación diseño de sonido para la libre Kairatune VSTi / AUI . El manual se presenta en 7 episodios, cada uno referido a un tema de diseño de sonido específico correspondiente a una sección de la interfaz de usuario del instrumento. Los siete episodios de la serie de tutoriales se pueden ver de forma gratuita a través de Youtube .
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