IIEQPro is, to many devoted fans, the best equalizer plugin out there. If you had only one choice, this would be the one you would take with you on the proverbial island.
Q American Series Digitally Recreates Legendary API 550a, 550b and 560 Vintage American Console Equalizers* The equalizers allow you to chisel your signals with surgical precision. They have a modern, easy-to-use user interface. You’ll love their aggressive structure and proportional Q feature. QA, QB and QG vintage American console equalizer plug-ins support VST, VST3, AU and AAX plugin formats.
Here’s the new brand release Movie Edit Pro Premium 2017. It has support for 64-bit systems only. With Movie Edit Pro Premium you can bring even the most demanding video productions to life. Advanced users can profit from the huge selection of powerful functions, unique effect palette and tons of exciting new features.
The Orb is a formant filter plugin which simulates the characteristics of the human voice. Featuring a set of three band pass filters, The Orb can transform any sound into a vowel-like formant-filtered sound. With the three LFOs you can modulate the Vowel, the Emphasis/Resonance of the formants, and the Drift, which can shift up or down the frequencies of each formant. You can also create your own set of vowels by changing name and frequency for each vowel/formant.
The 2S Plugins Bundle, with four effect plugins including Mixing Analyzer, Vocal Remover, Engineering Filter and AlgoReverb. Mixing Analyzer enables you to monitor realtime spectrums of multiple tracks simultaneously and detect frequency collision and some extent of masking. Simply insert Mixing Analyzer plugins on your tracks, then all spectrums and their collisions between each other can be viewed on any plugin instance. The plugin displays the collisions by spectrum, matrix, and logs.
Tape echo effects were invented towards the end of the fifties. Presumably the very first tape echo machine was invented by Charlie Watkins of London, England, in 1958. It was based on a small loop of 1/4 tape onto hich audio was recorded by a magnetic head and then read by three separated heads. What was read from the tape was amplified by the internal all-valve circuit and eventually recorded back to the tape, creating the eedback or sustaining echo effect. The delay time of the unit was determined by distance of the write head from the read heads, in conjunction with the sd of the tape.
