• Velo Limiter v1.0.1 AU AAX VST VST3 WiN MAC
    November 25th, 2017 ⚡
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    Velo Limiter v1.0.1 WiN MAC

    P2P | 24.11.2017 | 6.97 MB

    AU AAX VST VST3 x86 x64

    The final plugin to hit your mix will almost always be a limiter, and using the right limiter for the job is crucial to getting the impact your music deserves. The Velo is a brickwall limiter for maximizing loudness, that features different options to influence coloration and transient preservation. As Velo’s adaptive release makes the plug-in react quickly to the incoming signal, it a well-suited limiter for mastering any style of rhythmical music with pronounced transients, and for bus-processing beats, drums and rhythmical bass, guitar and synth parts.


    Viewed 6898 By Music Producers & DJ´s.

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  • Speakerphone v1.03 VST RTAS WiN-AiR
    November 25th, 2017 ⚡
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    Speakerphone v1.03 VST RTAS WiN

    Team AiR | 03/2008 | 97.61 MB

    Speakerphone, the “end-all” speaker simulator plug-in, with a host of environments to put them in. A bad GSM connection on a busy sidewalk, a bullhorn with feedback and a helicopter overhead, or a 1952 rockabilly guitar amp in a recording studio live room: Speakerphone gives you authentic speakers of any size together with their natural environments. All the walkie-talkies, distant transistor radios, Guitar cabinets, upstairs TV sets, bullhorns and cell phones you’ll ever need. Speakerphone will add dial tones, operators and static, and you can select from a wealth of ambiences on either the caller or receiver’s end. And with a click you can send anything from the sample-playback bay right to the cursor in your Pro Tools track.


    Viewed 24389 By Music Producers & DJ´s.

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  • KickBox v1.0.2 AU AAX VST VST3 WiN MAC
    November 25th, 2017 ⚡
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    KickBox v1.0.2 WiN MAC

    P2P | 24.11.2017 | WiN+MAC: 13.76 MB

    AU AAX VST VST3 x86 x64

    The kick drum is the backbone of many modern music genres, both electronic and acoustic. It’s Often times the thing you start with in a new mix, but to get it sounding just right can be a complex task. A well mixed kick drum has a warm sounding low end, doesn’t sound too boxy and pierces through the mix in a very natural way. When designing KickBox, these are the qualities we’ve focused on, simplifying the mixing process for any modern kick drum. The KickBox is modelled after analogue filters and separates the relevant frequency ranges in a very transparent way. KickBox can help you get your kicks sounding extremely tight in a matter of just a few clicks.


    Viewed 11821 By Music Producers & DJ´s.

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  • PrettyScope v1.2.0 WiN MAC-R2R
    November 24th, 2017 ⚡
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    PrettyScope v1.2.0 WiN MAC

    TEAM R2R | 23.11.2017 | WiN: 2.6 MB | MAC: 5.1 MB

    PLATFORM : WiN32/64 – VST | MacOSX – AU/VST

    PrettyScope captures the beauty of analog oscilloscopes and offers a wide range of aesthetic options. While fundamentally designed as a waveform studying tool, it has evolved into a powerful sound and music visualizer.


    Viewed 21097 By Music Producers & DJ´s.

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  • L8R v1.0.3 AAX AU VST VST3 x86 x64 WiN MAC-R2R
    November 24th, 2017 ⚡
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    L8R v1.0.3 WiN MAC

    Team R2R | Nov 23 2017 | WiN: 9.9 MB | OSX: 42.2 MB

    AAX* AU VST VST3 x86 x64

    L8R is a super simple but very handy plugin. With just a single knob (and a couple of buttons) it lets you apply micro delays to your left or right channel. It’s perfect for either correcting or creating very small timing differences between your stereo channels.


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    Geist Expander Classic Hip Hop

    P2P | Mar 4, 2013 | 490 MB

    Classic Hip Hop, a Geist Expander featuring authentic old-skool 80s and 90s hip hop sounds. Created by Mr Hoodie from The Groove Criminals, the samples include a comprehensive selection of drum hits, hats, percussion, stabs and noise alongside breakbeats and melodic instrument loops. The story behind Classic Hip Hop is a boombap romcom: a rose-tinted first love affair… with shell toes and beats. The samples reflect a purist ethos developed by years of painstaking dedication to the culture. Sounds are sampled through legendary 12-bit samplers for the right amount of grit, while an extensive collection of classic synths and drum machines was also used to create the raw material. Live musicians were recorded to tape, processed through ancient samplers or pressed onto dubplates and sampled back.


    Viewed 5115 By Music Producers & DJ´s.


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