Megan VSTi v1.0 x86 WiN
Team NoGRP | 07-03-2007 | 10.90MB
A simple vintage synth with 3 osc’s.
Viewed 12843 By Music Producers & DJ´s.
A simple vintage synth with 3 osc’s.
Description: It is a simple and handy tool for splitting MP3 files. It has advanced features for visual splitting. A file is represented by its waveform image with zoom in and out effects. You can precisely set cut line on desired file point, play and easily change of a cut line position by one mouse click. The program can automatically split a file by equal parts, equal time or by silence.
Presswerk is a powerful dynamics processor with a musical soul. An easy-to-use interface and a rich feature set give you hands-on control over all details of your sound. Presswerk doesn’t emulate famous compressors, it blends the warmth of classic hardware models with developments that are only possible in the digital domain.
SLiX is a randomising loop slicer, which switches between up to 4 loops and can shuffle, repeat, reverse and gate the slices of each loop according to user defined probability. Load any 4 loops, sync them to tempo, slice them up and then set probabilities that each loop will play and for each randomising effect per loop. Even the randomness is randomised, with a parameter that varies the probability in a user defined range. slix was co-developed with sink, who also provided the included 295 original loops.
Dirty Harry is an unashamedly DIY Lo-Fi Synth based on the samples of my two homemade, lofi noisemakers, the Atari Punk Console and the BugBrand WOM dirty harry offers 20 unique waveforms in all their mono/monophonic glory. For extra grit the oscillators can be syncüfd or ring modulated. Fidelity can be lowered further still with reduction in sample quality, distortion and a unique üebad contactüf emulation. 2 tempo sync LFOs allow modulation of filter, pitch and contact, with one LFO modulating the depth and frequency of the other. There are envelopes for volume, pitch and filter, with different contours and pitch options. Throw in an arpeggiator, pitch drift and portamento and you can see that whilst it may be lofi in sound, it doesnüft lack for sound design feaures.
AR-1 is a variable-mu tube compressor whose roots are in the raucous sound of the rockin’ American 50’s, yet it enjoys a posh, tea-sipping British image thanks to its use at Abbey Road Studios in late 60’s, notably on the later Beatles and earlier Pink Floyd records. Kush painstakingly captured the sweet breakup of AR-1’s beefy tubes being driven into the dirt, then added more than a half dozen significant UI and functional enhancements. The resulting emulation is every bit as chunky as the original, and 10x more flexible.
The classic EQ, now as a VST and an AU… This equalizer comes packed with features, and more importantly, it sounds AWESOME. High cut and Low cut filters, High and Low Shelf filters, up to 6 bands of Bell filters (all with completely sweep-able filter points and adjustable Q sizes). 2 world class EQ algorithms to choose from (good luck!). 30 band spectrum analyzer ‘on board’, along with an intuitive ‘dual surface’ graphical interface…