MellowMuse Plugins Pack WiN
TEAM R2R | 5 September 2020 | WiN: 41.69 MB | MAC: 174.16 MB
..:: AAX, AU, VST, VST3, x64 ::..
Viewed 17702 By Music Producers & DJ´s.
Vandal is the only guitar and bass amplifier that combines the characteristic sound and feel of a real hardware setup with the advantages of a software application – all for you to enjoy on your computer! Every step and component of the amplifier, from the tube to the speaker coils, is virtualized. Physical modeling technology guarantees great sound without compromise, whether during studio recording sessions, band rehearsals, or live gigs! The intuitive program interface is based on workflows that are optimized for guitar and bass players who are familiar with these kinds of work processes from working with hardware.
Authentic recreations of LEGENDARY Analog and digital synthesizers.
Harness the vast power of the ZEN-Core Synthesis System and dive deep into the world of custom sound design with ZENOLOGY Pro. You get the amazing sound quality and efficiency of ZENOLOGY, plus an expansive interface to craft all-new sounds that inspire your music.
THE ABSOLUTE COLLECTION – THE BEST VIRTUAL INSTRUMENTS FOR YOUR MUSIC PRODUCTION. Get tons of creative instruments with over 100 GB of sound content for every kind of music production. Explore over 6,800 presets, next-generation synthesizers and one of the best drum plug-ins available. And when that is not enough, you can easily build your own sample instruments.
Inspector XL (IXL) was designed to fulfill a number of familiar analysis tasks with professionalism, style, and finesse. Available as a series of interactive modules, Inspector XL includes six individual, thoughtfully designed plug-ins for: FFT, Spectagram and Third Octave Spectral analysis, flexible level metering, plus phase and correlation, balance, stereo imaging, and statistical clipping with overload analysis. From top to bottom, Inspector XL provides a comprehensive, flexible, and easy-to-use approach.
Get in the zone: Don’t get confused – this is not multi-band compression. Neodynium is an entirely different beast. Why always apply the same compression to all audio levels? Compress the louder levels with a quick attack; expand the lower levels with a slow release and leave the mid level sounds alone. Try it with a traditional compressor – you won’t get far. Neodynium lets you break your audio levels up into “zones” so you can control them exactly how you want. No one size fits all compression here.