Cycling 74 Max v9.1.0 WiN
BOBDULE | 30 October 2025 | 723.15 MB
A Playground for Invention, Max is an infinitely flexible space to create your own interactive software.
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A Playground for Invention, Max is an infinitely flexible space to create your own interactive software.
N4.5 is a VST, AAX and AU multi-effect plug-in that is able to emulate and replicate several types of expensive audio equipment, eliminating the need for costly and bulky hardware. N4.5 emulates the character and personality of analog hardware with exacting accuracy, allowing you to emulate and replicate several types of expensive audio equipment, eliminating the need for costly and bulky studio hardware. Experience the full power of our proprietary audio processing technology, based on Vectorial Volterra Kernels, and find out what Nebula technology can do for you! With over 350 bundled emulation presets, you’ll be adding the warmth of analog to your digital mixes in no time at all. The result of this sampling process is highly realistic, complex emulations of many types of audio signal processors, all rendered within N4 VST, AAX, or AU plug-in that is compatible with all major DAW’s.
The most complete passive EQ plugin. Musical and intuitive, a must-have for mixing and mastering. A DIFFERENT EQUALIZING EXPERIENCE | MP-EQ is an emulation of a legendary analog EQ found in almost every mastering studio worldwide. Designed as a synthesis of the best passive equalizers of the past 70 years, its fully parallel topology offers a unique and musical frequency response compared to digital EQs with the same settings. Because of this design, the bands naturally interact, producing a more musical overall response. Its entirely passive circuit, featuring custom hand-wound inductors, tubes, and transformers, delivers creamy highs, balanced mids, and organic warmth through magnetic saturation. MP-EQ faithfully recreates every sonic detail of the original hardware while adding modern features like visual curve editing, drive control, linear phase mode, or auto-gain.
Classic VCA compression with modern VCA control. Modeled after a classic VCA design, the IPA 25 is a flexible dynamics system with visual control and modular signal flow.
VSM-3 plugin delivers the beloved badass harmonic generators of Sound’s acclaimed VSM-2 Mix Satellite. The plugin even adds some features not found on the original hardware like the THD Mixer’s dry/wet control, and the ability to run the Crusher and Blender in parallel or serially. The VSM-2 sound is now an A-List option for adding character and emphasis to tracks and busses. Its M/S chops in particular open up exciting possibilities for stereo signals! For the mastering engineer, the VSM-3 provides all the unique saturation power of the VSM-2 in an economical and convenient plugin. While there are plenty of saturation/distortion plugin options available, only the VSM-3 offers the singular sonic personality of the over-built VSM-2.
The most faithful emulation of a modern yet legendary tube compressor/limiter – perfect glue for mixing and mastering… An industry-standard tube compressor | Variable-bias tube compressors deliver smooth, transparent gain control, and naturally “glue” buses, mixes, and masters together. Unfortunately, the original hardware is expensive and difficult to integrate with in-the-box workflows. Software emulations exist, but most owners of the hardware agree that they cannot be compared to the original unit, as there’s always “something” missing. With its unique Topology Preservation Technology, Pulsar VM-COMP sounds objectively identical to the hardware in every production context, but also introduces improvements such as visual sidechain EQ editing and extended timing ranges.
Redefining what a graphic EQ can do. Sometimes, sound isn’t about balance. It’s about movement. About color that breathes, bends, and glows. P410 Joyride isn’t here to fix your mix; it’s here to make it feel alive. A journey through tone, texture, and harmonic light. Welcome to your next obsession. Tone Flux Graphic Equalizer Captures the dynamic, fluid interplay between tone, color, and harmonic motion within P410’s design. Each EQ band models an LC (inductor-capacitor) resonant circuit instead of purely RC (resistor-capacitor) network like most modern EQs. This gives it that distinctive “smooth yet weighty” tone associated with vintage passive or semi-passive equalizers.