REFLEX Plus v1.1 VST WiN-STUDIO

TEAM STUDIO | 2014.07.12 | 4.75 MB

REFLEX+ is a delay algorithm based echo/reverb unit.

It’s the advanced native Win and OSX compatible version of the famous REFLEXfree.
REFLEX+ is capable of generating huge spaces, short rooms, or chorus like modulations through a cascade of regenerating delays. It’s sound is a mixture of straight stereo delays followed by a dense cloud of reflections. It achieves a huge and spacey wideness with a decent amount of the two modulation sources.

Hysteresis: Free glitch delay WiN MAC

Free | 12/07/2014 | 6.78 MB

HYSTERESIS is a FREE glitch delay plugin geared toward creating robotic artifacts and abstract musical malfunctions. Hysteresis features a delay effect with stutter, lowpass filter and modulation effects thrown into the feedback signal path. Easily infuse your projects with glitchy articulations and abstract textures. Process anything from drums and percussion to synth lines and sound effects. On top of being able to create incredibly wild signal mutations, it can also be used to generate classic delay effects.

Phrazor 1.02 VSTi STANDALONE WiN

Team-NoGRP | 09-20-2006 | 12.71 MB

ArtVera Skins Bonus

Phrazor is a virtual synthesizer workstation. It comes as a standalone version and can also be loaded into any VST compatible host. Phrazor’s concept follows a completely new outstanding approach. It combines traditional elements with unique features for rapid productions and livesets. It’s compact and exceedingly flexible all the same.

C-Normalizer v.1.3.1 for ProMedia Carbon Windows

C0PYL3FT3R | 10.07.2014 | 5.19 MB

Plug-in for Rhozet Carbon Coder

Harmonic’s Rhozet® Carbon Coder Loudness Normalizer and True Peak Limiter Using the loudness normalization doesn’t mean that the loudness will be constant during the whole program, but in this way, the average loudness will be the same for all the programs. So, you can change your loudness level according to your artistic needs, using (in most cases) a greater dynamic range than with the classic peak normalization. That means you don’t have to worry about the listener being disturbed, because the average loudness of the whole program will be equal with the target value that you choose. This is useful in all the stages of the broadcasting: production, distribution and transmission.

L-Normalizer v.1.0.0 VST x86 x64 WiN

C0PYL3FT3R | 10.07.2014 | 4.6 MB

Affordable, cross-platform loudness normalizing tool

The L-Normalizer is an affordable, cross-platform loudness normalizing tool. This particular application can be very useful and helpful for audio engineers working in post production and broadcasting environments. The major two steps of the workflow consists in analyzing the audio material and rendering an improved one. If you choose to normalize your material, you can pick between program loudness or short term loudness if your materials are shorter than 30 seconds. Also, a True Peak Limiter is available with variable knee width, release time and true peak.

ALM 5.1 v.1.1.0 VST STANDALONE x86 x64 WiN

C0PYL3FT3R | 10.07.2014 | 30.20 MB

VST STANDALONE x86 x64

ALM 5.1 is designed as a key component in your mixing workflow. Based on the new ITU, EBU and ATSC loudness standards, the plugin offers you full Loudness and True Peak Metering for Mono, Stereo and 5.1 channel formats featuring measurements for Momentary, Short Term and Integrated Loudness, with Loudness Range and Max True Peak Level. Wheter your want to target the loudness (-23 LUFS,according to EBU specification, or -24 LUFS, according to ATSC specification) or you want to use the relative gate of -10 LU, ALM 5.1 is all you need to control the loudness of your audio material. Both LU and LUFS scales are available, also, you can set the start and the stop of your measurements or you can simply let the plugin do it by following the host transport.

ALM-X 5.1 Extended v.1.1.0 VST WiN

C0PYL3FT3R | 10.07.2014 | 7.3 MB

STANDALONE x86/x64

Audio Loudness Meter Extended 5.1 – Standalone, Audio Loudness and True Peak Meter application, with extended features BS1770 and EBU R128 compliant. Taking the idea behind the ALM 5.1 plugin a step further, we developed a standalone application, with extended features, that offers more control and power, allowing you to use it in more complex situations: the ALMx 5.1 (stands for Audio Loudness and True Peak Meter with extended features). The application was created as an aid for the television networks and media services providers. Recommendations regarding loudness levels exists in many countries, some of them have already implemented the standards as law, while others are in the legislative process. Just like the ALM 5.1 plugin, the driving forces behind the application are the algorithms developed according to the international broadcast standards (BS-1770, EBU R128, ATSC A/85), based on research and perception tests.