A curated selection of 30 creative audio effects for modern music makers, from enhanced emulations of iconic studio tools to contemporary & experimental effects plugins for inspiring music production and creation.
Pristine Peaks IE is a streamlined version of our stereo Pristine Peaks limiter that has been enhanced and optimized for multi-channel surround and “immersive audio” applications. Pristine Peaks IE, like Pristine Peaks, is an ultra-low distortion peak limiter for use in both mixing and mastering applications where the transparent peak control is required. Pristine Peaks IE can support up to 12 channels of audio for use on mono all the way up to 7.1.4 channel-based audio tracks and buses. Each channel can be level-trimmed +/-5dB pre-limiter while their peaks can be trimmed as well by as much as 10dB below the master Ceiling setting. Channel Isolate and Bypass controls are also provided to allow channel monitoring and bus separations.
OP-X PRO-II is the new top flagship of the OP series offering many new and extended features inspired by requests from users we have collected over the years as well as own new ideas. Due to its countless sound shaping features and flexible voice management the range of possible sounds reaches from early monophonic synths over classics like OB-X and Jupiter-8 up to Matrix-12 . OP-X PRO-II offers world unique features and a sound that will make your brain release endorphines. It will deliver the fattest and warmest strings, pads, brasses and solos you’ve ever heard from a virtual synth. An included library of more than 1500 of the finest presets inluding many of the most famous 80ies hits sounds and countless well known presets from various classic vintage synths builds the base for your work. Features like relative or fetched midi cc response make this synth a perfect live machine. Read more
Advancer is a unique plugin that does the opposite of delay. It uses your DAW’s latency compensation mechanism to shift sounds forward in time (with respect to other tracks in your DAW) by up to 50mS.
At the beginning of the 1970s, many compact monophonic synthesizers appeared on the market. However, most of them were used mainly by famous musicians who could afford rare instruments or as research devices in the academic world. KORG wanted to give the average musician the chance to experience this new type of musical instrument. After much trial and error, the company’s first mass-produced synthesizer was announced in 1973: the miniKORG 700. With a simple appearance that belied its ability to produce diverse sounds beyond imagination, it charmed many musicians who loved its unique and thick tonal quality.
Reiya is a Japanese word meaning “Layers” and is the perfect way to describe the best technique to use with this plugin. LAYERS ON LAYERS ON LAYERS! 4 of them to be exact. By allowing you to layer multiple sounds, you can have full control over your very own sound design and development! Reiya is a Multi Sampler Engine that allows you to combine 4 total samples to create 1 unique sound. With nearly 200 total samples including Guitars, Synths, Wind Instruments, Percussion, Textures, Toys & more, you will have no trouble finding something to tweak, layer and make your own. With a smooth and easy-to-navigate interface, you will be creating your own unique style in a matter of minutes. Even if you’re not in the mood or zone to create your own sounds, you will find Reiya loaded with over 200 original presets.
The SLP 538 EQ is your new channel EQ if you like to actually finish mixes. We started with producer SP’s favorite, criminally underappreciated, streamlined variant of the best sounding console EQ. Then we genetically spliced it with the sought-after stepped-knob workflow of its direct competitor, delivering the best of all hardware tone shapers in one impossible plugin. To make this the last EQ you’ll ever need, it also has auto gain to stop volume creep, built-in filters, phase inversion, and our obligatory THD knob. It sounds good on practically everything. Our mission is to make every EQ move effective and obvious by cutting out variables, giving you a sound you love as fast as possible. Forget staring at squiggly yellow lines for hours; it’s time to stop letting your eyes dictate your sound.
