Track Control v1.0 WiN MAC
FREE | 14 DECEMBER 2016 | WiN | MAC | 10 MB
AU VST VST3 AAX RTAS x86 x64
Everything, in one place. All the utilities from the top and bottom of a console channel.
Viewed 9775 By Music Producers & DJ´s.
Everything, in one place. All the utilities from the top and bottom of a console channel.
Usually the final mix of a music production does not translate well with all audio devices (e.g. HiFi, car audio, smartphone) at the beginning. To achieve this in an effective manner is not easy to master!
Introducing the first VST3+AU Ducker with real side chain support. Regain control over your signal’s gain reduction by ducking like it’s meant to be done. Perfect for Voice-Overs, Podcasting, Bass Cleaning (i.e. bass drum over bass), Pumping Effects and much more.
ClipShifter is a clipping-style limiter that provides enough user controls to be useful in all mixing stages. ClipShifter uses a unique threshold control to change the clipping threshold dynamically based on the transient characteristics of the incoming audio. The sonic characteristics of the clipping distortion can be altered from hard, brickwall-style clipping, to softer saturation with compression. Additional parameters allow the user to control the even- and odd-order components of the saturation.
Building on over 17 years as the overwhelming choice of professional musicians, producers and engineers, Auto-Tune 8 is the new generation of genuine Auto-Tune pitch and time correction. New in Auto-Tune 8 is Antares’ revolutionary new Flex-Tune real-time pitch correction technology. While providing the seamless, natural pitch correction and audio quality that Auto-Tune is known for, Flex-Tune correction gives singers unmatched freedom to exercise their vocal creativity.
The ML8000 Advanced Limiter is the next generation of limiter technology, using two completely separate stages of processing for significantly improved peak level adjustment. The first stage of the ML8000, the Multi-band Limiter, uses 8 bands of active processing for superior phase response over traditional cross-over based processing. Each band has its own gain and threshold (output ceiling) control. Additional overall band controls include release time and limiter modes, calibrated similarly to the modes of the original highly acclaimed ML4000 limiter. An additional focus mode provides subtle articulation changes in how each band tracks and limits the incoming signal.
The Wall is is a brick wall limiter designed with one thing in mind: Make your mixes loud without screwing up your mix. No matter what side of the loudness wars you’ve decided to plant yourself on, the need to make mixes loud for clients isn’t going away any time soon. Sending your clients home with a mix that is just as loud as the professional mixes they are used to hearing is an important part of any mixing engineer’s job. But nothing drives me more insane than listening to all my hard work turn to garbage when pushing the mix loud. That’s why we made this plugin. We wanted a mastering limiter that lets you push your mixes loud and still keep the punch in your drums and keep your tonality intact.