Nectar Elements v3.00 Rev.2 WiN

TEAM V.R | 13 July 2018 | 29.65 MB

AAX RTAS VST VST3 x86 x64

Give your vocals professional clarity and polish with Nectar Elements. Using the new Vocal Assistant, Nectar Elements analyzes and adapts to your vocal sound, taking the guesswork out of placing your vocal in the mix and letting you make your vocals stand out in just a few clicks. Welcome to Nectar Elements, the latest addition to iZotope’s family of intelligent processing tools. Focused on overcoming the sometimes daunting and time-consuming task of achieving professional-sounding vocals, Nectar Elements aims to simplify your starting point with the introduction of Vocal Assistant. Vocal Assistant streamlines the process of getting a vocal to sit in your mix. It analyzes your vocal and provides customized, intelligent settings with scale controls in an easy-to-use interface.

Elements Suite v2.00 MAC

TEAM HEXWARS | 13.07.2018 | 576 MB

AU/VST/VST3/AAX + RX STANDALONE

The Elements Suite: Everything you need to repair, mix, and master The Elements Suite combines four powerful, award-winning audio plug-ins in one affordable package: Nectar Elements, RX Elements, Neutron Elements, and Ozone Elements. Born from years of audio research and development, Nectar Elements, RX Elements, Ozone Elements, and Neutron Elements are now available in one convenient bundle that not only elevates your audio production, but inspires and enables your creativity. It’s everything you need, whether you’re recording and editing a podcast, cleaning up guitar tracks or vocals, mixing your first record—or your hundredth.

MSW2 v1.0.1 WiN MAC

P2P | 13.07.2018 | 6.61 MB

AAX AU VST VST3

The new MSW2 is a complete overhaul in terms of code, interface & creativity, it can be used both subtly for better mixes, or pushed to the extreme to achieve a host of creative possibilities in the stereo field.

VCL-4 v1.3.0 WiN

TEAM V.R | 12 July 2018 | 3.56 MB

(Win32/64; AAX*, VST3, VST)

VCL-4 is a faithful emulation of the silver face revision of the op-amp-based successor of THE classic late 60s opto leveler. It provides you with unintrusive to extreme program dependent and musical opto compression. The switchable ratio option makes for a flexible solution over a wide range of source material. During the modeling process Fuse Audio Labs rebuilt the entire original circuit on strip board, however replacing the original opto-cells that were made up of an LED and an photoresistor with suitable Vactrols. Every part of the circuit including the receiver stage, the side-chain and Vactrol LED driver circuit, the Vactrol itself as well as the push-pull driver stage and the output transformer has been accurately modeled.

Bucket-500 v1.3.0 WiN x64

TEAM V.R | 12 July 2018 | 4.45 MB

(Win64; AAX*, VST3, VST)

Bucket-500 is an authentic emulation of a bucket brigade (BBD) based analog delay circuit, added some convenient features in the digital domain including a tilt filter in the feed­back path, a stereo cross-feed option and an optional delay clock LFO to al­low for flanging effects. They also extended the original delay time range to 10..1000ms and included a host tempo sync facil­ity. It’s possible to switch between insert and send mode.

TCS-68 v1.3.0 WiN x64

TEAM V.R | 12 July 2018 | 6.16 MB

(Win64; AAX*, VST3, VST)

TCS-68, an audio effect that pays homage to one of the most iconic cassette tape based 8-track recorders. The TCS-68 cassette tape channel effect includes a faithful recreation of the preamp, the tape system and the EQ. The original unit comprised a powerful 10-channel mixer that included a simple 3-band EQ, mic and line inputs as well as insert loops for each channel, an 8-track recorder with an advanced noise reduction system and a clearly arranged meter bridge. Given that it used compact cassettes as a recording medium it’s obvious that it was far from high fidelity sounding and thus aimed at semiprofessional users and smaller studios.

VCL-373 v1.3.0 WiN

TEAM V.R | 12 July 2018 | 3.37 MB

Vintage Comp/Limiter

(Win32/64; AAX*, VST3, VST)

The VCL-373 is a recreation of an early 60s broadcasting limiter/compressor that eventually found its way into many mastering studios. 1963 marks a technological shift in that the famous diode-bridge based gain reduction stage was replaced by a transistor-based circuit that allowed for less THD and more reliable control voltage tracking. The plugin includes a faithful emulation of the audio transformers, the crucial feedback compression circuitry as well as the discrete class A make-up amplifier. Some convenient features including a continuous drive control, gain compensation, GR metering and a dry/wet mix have been added in the digital domain.