DynaRide is an advanced gain rider plug-in with multiple detector programs and switchable pre-delay. On top of it DynaRide can enhance the output signal by limiting the riding process to specific audio signals like speech, vocal and bass.
Usually the final mix of a music production does not translate well with all audio devices (e.g. HiFi, car audio, smartphone) at the beginning. To achieve a well balanced audio spectrum in an effective manner is not easy to master! This is where Euphonia 2 starts: Euphonia 2 is an optimal audio spectrum balancing plugin which equalizes automatically any audio input based on a few standard average spectrum curves. These few standard curves have the advantage that they work very well with the majority of audio devices. Using Euphonia 2 right after the final mix of your music production could eliminate missing low/high end, mixing mistakes, general spectrum balancing problems or even compensate poor listening environment.
FinalLoud 2 is a loudness and True Peak finalizer tool. It is the successor of FinalLoud. FinalLoud 2 solves quickly a very common challenge in audio engineering: reaching a certain target loudness level for any audio material while maintaining given True Peak ceiling. Therefore FinalLoud 2 combines a gain control, a high quality True Peak limiter and an accurate loudness meter under an easy-to-use interface. The gain control pushes the loudness level to the target level and in parallel the limiter ensures the True Peak ceiling.
Gainrider 2 is a (vocal-) gain riding tool which gives fully control over the gain riding process. GainRider 2 is the successor of GainRider, our very popular gain riding popular. It offers more ride algorithms and reduces plugin delay.
ResonHeart is the physical modeling simulation of a never seen before, experimental, aerophone-based acoustic instrument. Characterized by a complex modal-based architecture, this original machine has expressly been built to mimic the sound of different families of acoustic instruments – like winds, membranes, chromatic percussions, ethnic lutes and whistles, glasses, cymbals and crashes, vocal ensembles and choirs, or even an entire orchestral strings section – as well as to produce very unconventional, organic tones, evolving textures and expressive motion pads.
The Pitchwheel plug-in freely alters the pitch and timbre of a sound in real-time. It has a large, easy to use dials and simple parameters making it a fast and creative effect unit. It can give fine tuning control from fractions of a semi-tone to huge multi-octave pitch swings.
Concept is an intuitive and creative soft-synth, that makes the process of creating your own patches fast and inspiring. Concept’s flexible synth engine will enable you to create everything from traditional synth sounds to more complex evolving textures and custom sound design elements. A fresh approach to modulation allows any parameter to be mapped to one of four highly editable multi-mode modulators in the centre of Concept’s UI. Choose from a variety of flexible modulation options such as an Envelope/Pitch Follower, an X/Y Capture pad and the unique ‘Tweak It’ customisation system.
