Marshall K.King Signature WiN

Team R2R | 07 Jan 2021 | 16.3MB

PLATFORM: WiN64 – SSX/VST/VST3/AAX(MODiFiED)

Thrash metal is visceral, energetic, aggressive. Getting the right depth and texture of sound, the right bite in the attack, the right snarl on the tail, is essential. You need an amp like a wild animal, like a fighter, like a beast. Kerry King has spent four decades at the vanguard of the scene, blazing trails and busting guts with his edgy in-your-face sound, so naturally his signature amp – the custom Marshall 2203KK, a.k.a. “The Beast” – is the only place to start if you’re after super high gain and punchy articulation in a single rig.

Metal Amp Room v2.5.9 WiN

Team R2R | 07 Jan 2021 | 11.9MB

PLATFORM: WiN64 – VST/VST3/AAX(MODiFiED)

Metal Amp Room was designed to bring you the most brutal, evil and aggressive sound that is possible to squeeze out of your DAW. The continuous mic placement from Vintage Amp Room is back, but this time with twin mics with adjustable stereo panning. Get a huge stereo sound with complex adjustable phasing effects, a plain old one-mic-right-against-the-cone, or anything in between. Focusing on usability and sound quality, this is a plug-in that is proud not to include a gazillion amps, effects racks, patch cords, or a blow-dryer. Just two channels, two cabinets, two mics per cabinet, and a wickedly fast noise gate for palm mute galore. Every setting is a setting that will sound good, so it’s almost impossible to get a useless sound. Metal Amp Room is a real workhorse, a plug-in that will handle all your metal needs without ever getting in your way.

RealRick v4.0.2.7433 MAC

Team R2R | 22 Dec 2018 | 421.7MB

APP/AU/VSTi/VST3/AAX

In the early 1960s Rickenbacker® history became forever wedded to one of the biggest music upheavals of the 20th century: the invasion of the mop-top Beatles from Liverpool, England. The Beatles created unprecedented, international interest in Rickenbackers. John Lennon would own at least four models, George Harrison’s double-bound 360/12 (the second one made by the company) defined a new tone at the other end of the audio spectrum. Its ringing sound embellished “You Can’t Do That”, “Eight Days a Week”, “A Hard Day’s Night”, “Ticket To Ride” to name just a few. Jim McGuinn made the bell-like quality of its tone the foundation of the Byrds’ early style. The Who’s Peter Townshend, Creedence Clearwater Revival’s John Fogerty, Steppenwolf’s John Kay, and many other well-known 1960s guitarists became faithful Rickenbacker® users. Groups like Oasis, Pearl Jam, Radiohead, U2, and other of today’s top acts include Rickenbacker® guitars in their musical arsenal. Rickenbacker® is the principal guitar of artists such as R.E.M.’s Peter Buck and Against Me!’s Laura Jane Grace, and many others.

RealEight v4.0.2.7433 MAC

CASHMERE | 16 November 2019 | 676 MB

APP/AU/VSTi/VST3/AAX

We are proud to present the RealEight virtual guitar instrument – the ideal guitar for creating lead, rhythm riff, and even bass tracks in your future rock and metal masterpieces! New RealEight 4 now got full-featured chording/strumming engine letting you successfully use it in a wide range of rock and pop music styles as well! RealEight is 8-string sample-based electric guitar virtual instrument. RealEight provides incredible playability based on easy-to-use keyboard layout as well as the advanced key/pedal/velocity switch system allowing a keyboardist to perform guitar parts with a whole new level of realistic expression. RealEight covers practically all sounds, articulations, and techniques a professional guitarist can produce on his 8-string electric guitar, including mute, bridge mute, harmonics, pinch harmonics, sliding, scraping, etc… 24-bit high quality dry samples recorded directly from pick-ups let you easily create any desired guitar sound using your favorite amplifier simulator.

Amp Room v2.5.9 WiN

Team R2R | 06 Jan 2021 | 451.9MB

PLATFORM: WiN64 – SSX/VST/VST3/AAX(MODiFiED)

Amplify your guitar and bass to perfection.

Imagine being in a luxury, professional studio full of vintage gear including legendary compressors and EQs, classic Marshall amps and cabinets, pedals, and mics and being offered anything you need to configure exactly how you want it to produce the very best guitar tones. Built on Softube’s legacy of modeling analog gear with unmatched accuracy, Amp Room is the modern platform designed with the discerning professionals in mind to be a continuously growing pro audio system of everything you need to create high-quality, authentic, and incredibly realistic guitar and bass sounds. As the producer with all that gear at hand, you’re the master of puppets, mixing and matching all the gear you need to create mix-ready tones just like you do in a physical studio. You can also process other sound sources, such as drums, vocals, and synth tracks. All the gear you chose from your visit to that luxury studio is configured to your exact specifications and ready to use.

Tape v2.5.9 WiN

Team R2R | 2021.01.06 | 34.39 MB

PLATFORM: WiN64 – SSX/VST/VST3/AAX(MODiFiED)

Analog tape has a smoothing effect and adds weight and glue to a mix – it turns the recording from a collection of individual tracks into a song, where everything is connected and works together. Tape, with its component-level and physical modeling of three different tape machines, gives you all the warm vintage cohesion you could want in one plug-in. Add a few premium level features, like the mastering grade high shelf filter, stability control, and wet/dry mix knob, and you’ve got a new secret sauce. Mmm… tasty!

TSAR-1R Reverb v2.5.9 WiN

Team R2R | 06 Jan 2021 | 10.7MB

PLATFORM: WiN64 – SSX/VST/VST3/AAX(MODiFiED)

High end room sounds in seconds.

TSAR-1R Reverb is the little sibling of the more adjustable TSAR-1 Reverb. They share exactly the same high end reverb algorithm, but TSAR-1R offers extreme ease of use for a fast and intuitive workflow. Essentially, TSAR-1R is operated with a single control — the Time slider. Add depth and dimension to any sound with short and controlled room sounds, or slide it up towards hall settings for large, dramatic spaces. It really is as easy as that, and it always sounds stellar.